Borders
搜索"Borders" ，找到 以下影视作品
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1989年,大卫·林奇拍了Twin Peaks: Pilot ,报告FBI捕快Dale Cooper 去双峰镇,考察女中先生Laura Palmer被行刺变乱。以大卫·林奇的一向风格,整出片子四处布满了奥秘变乱跟诡异疑点,并且不终局可言。这或许惹起了不雅众的不满,或许猎奇心。于是,电视台或是创作班底决议以这个为出发点,将它开展成一部持续剧。出于奥秘的起因,David Lynch不肯担负导演,而是出任履行监制,找了别的的导演来拍摄这部剧集。成果Twin Peaks第1集就曾经是一部续集,这就是为什么在第1集时的片头就有“双峰之前”,交接后面的故事。大卫·林奇的「双峰」是美国90年月最为知名的电视剧之一。曾荣获1990年美国电视批评协会大奖,1997年美国金球奖最佳男女配角奖,1991年美国艾美奖8项大奖,1991年美国播送协会最佳电视剧奖,而大卫·林奇也因而登上了「时期」杂志的封面。这部剧集与大卫?林奇的片子作品有很大差别之处,人物浩繁但特性清楚,故事线索分支未多少但剧情峰回路转,很多人被Lora的逝世亡之迷所吸引,也为侦察独特的侦破方法入神,固然到最后也在电视版本中也没交接答案（固然林奇声称他在第二集告知了不雅众凶手是谁了）,但对人类饥渴中产阶层的生涯的解剖的相称深入。而林奇的忠诚影迷也不会绝望,整部剧集所出现的特异风格,纠结了荒诞唯美与迷离的氛围,都是大卫?林奇的经典本质。此中Lora还被「Time」誉为电视史上最性感的逝世尸 。The story begins with the murder of Laura Palmer, a teen aged girl who lived in the quiet town of Twin Peaks, near the US - Canadian borders. Everyone seems surprised and devastated by the girl's murder, and the town's sherif welcomes the help of FBI agent Dale Cooper, who comes to investigate the case. As Cooper begins his search for Laura's killer, the town's secrets are gradually exposed. This is definitely not an average quiet town, it seems as everyone has something big to hide. At nights, agent Cooper sees strange visions of Laura and other mysterious people, visions that tell him that something big is happening here, something far more evil than a single murder case...
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Tim Niel
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"The Silk Road cut across borders - and broke down the borders in our minds," says Dr Sam Willis. In a new three-part series for BBC Four, the historian and writer traces the story of the most famous trade route in history. This was the Silk Road which ran from China’s ancient capital Xian through the mythical cities of Central Asia and Persia, until it reached the bazaars of Istanbul and the markets of Venice. It was in Venice and other Italian cities that the ideas, inventions and products that trickled down the Silk Road ignited. They formed - in part - a movement which we call ‘the Renaissance’ - an explosion of new thinking, new art and new inventions. Covering a distance of 5 - 000 - miles and crossing some of the most dramatic landscapes on the planet, Dr Sam Willis reveals how the Silk Road was more than a market place: it was the world's first transcontinental superhighway, along which people with new ideas, new cultures and new religions made exchanges that shaped the development of humanity.
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罗伯·拜利
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《犯罪心理：穿越国界CriminalMinds:BeyondBorders》为《犯罪心理》的衍生剧，主要围绕FBI探员如何帮助国外居住的美国公民解决问题而展开。GarySinise：饰演JackGarrett，在FBI待了20年，刚刚被指派负责这个部门。TylerJamesWilliams：饰演队中的技术分析员Monty，是个讨喜而又聪明的角色，平常在家工作，他对陷入困境的家庭以事无巨细的方式处理，协助队伍找到被遗留的线索，以及找到远在海外的真凶。DanielHenney：MattSimmons，不仅是一位在国外长大的军人还是一个居家好男人，喜欢探索和融入不同的文化，最重要的是他的侧写能力对整个团队致为关键。
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ColonelBranson(ThomasGibson),headofasecretandcovertdivisionoftheNSA,keepstheShadowWolvesoperatingalbeitnowindependentandrogue.HisangerafterhisdaughterwaskilledinAfghanistantrainingciviliansdriveshimtodefend"his"Americaandherbordersbyallmeanslegalorotherwise.WhenISISterroristsbegintosneakacrosstheUSBorderintoArizona,BransonalertstheShadowWolvestotrackandstopthem.BransonsendsEricShaw(CodyWalker),hismostdeadlyandeffectiveagent,tojoinupwiththeShadowWolves.TheWolvesareledbyNabahe(GrahamGreene),aNavajohonoredmilitaryveteran,andanoldcolleagueofBranson’s.AtthesametimeinLondonLadyMilton-Simon(LouiseLombard),headofanMI6anti-terroristdivision,sendsouthereliteagent,MajorMcLaren(TomHutch),totrackaterroristnamedKhan(SolomonShiv)whohasapersonalvendettaagainsttheUSandtheShadowWolves.LadyMiltonandMcLarenlearnKhanisheadingtoMexicotobe...
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尼古拉斯·佩雷达
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AcclaimedMexican-CanadianauteurNicolásPeredareturnstotheFestivalwithMinotaur,apendanttohis2009featureJuntos.ShotintheMexicoCityapartmentofPereda'ssignatureactorGabinoRodríguez,Minotaurisanincandescentchamberpiecethatobservesthreethirtysomethings(Rodríguez,LuisaPardoandFranciscoBarreiro)astheysleep,dream,read,andreceivevisitors(includingthehousekeeperwhotakescareofthem)intheircommunalspace.Alovelyandlethargicspelliscastasanambiguous,Marienbad-likelovetriangleemergesamongthetrio,conveyedthroughliterature(booksfunctionastelepathictransmittersanddefinersofrelationships),choreography,andtheacutephysicalpresenceofthethreeleads.ExtendingPereda'srecurringinterestsinclass,socialstructureandfamilyrelationsinMexicansocietyinitswraithlikefantasyofaleisureclassthatisquiteliterallysustainedinitsnarcolepticexistencebytheministrationsofthedomestichelp,MinotaurevokesthefilmsofTsaiMing-lianginitsdistendednaturalism,ritualisticsolitude,andcreationofacloisteredworldsuffusedwithlonging.ThesurrealauraofMinotaurseepsbeyondtheconfinesofthetrio'sapartmentintoastrange"nightwithoutdistance"inLoisPatiño'shallucinatoryportraitofbordersmugglingintheGerêsMountainsbetweenPortugalandGalicia.Castingrealtownsfolk,someofwhomweresmugglersintheiryouth,PatiñoplacestheirstifflyStraubianpresenceswithincross-processed,multilayeredtableauxofrocks,river,andtrees—anever-indeterminateplacethathasimbibedandbornewitnesstoinnumerable,desperateactsofsurvival.Conjuringaninstantinthememoryofalandscapefilledwithghosts,Nightwithoutdistanceextractsspellbindingfantasyfromthereal.
