Deachit

Nalanisabeautifulyoungwomanwhoearnseveryone'sloveatfirstsightwithherwarmth.Astheonlychildofthefamilyenlargedhandbaby,babyroses,livedintheexistenceoflifeandNalangraduatedwithhonorsthebestschools,Turkeyfinds'slargesthotelchain,whichKoroglucompanyasanarchitectatrunningthanhimselfSedatKoroglu'withmarriageEve.AlthoughNal...

剧集根据已故作家詹尼弗·沃斯的畅销回忆录改编，讲述了50年代伦敦东部多姿多彩的助产士和家庭故事，感人、亲密、有趣，而且最重要的是真实。当珍妮第一次来到Poplar区时，她对艰苦、贫穷甚至生活本身一无所知。珍妮是一名隶属于Nonnatus修道院的护理修女、助产士团队的一员，负责探访孕妇，并为最贫穷的妇女提供最好的照顾。在这里，街道上到处都是孩子，而只有一个八张床位的产科病房来服务整个地区，大多数分娩都在家里进行。跟随Jenny，我们穿过街道去探望她的病人——比如Conchita，她已是第25次怀孕，而妓女玛丽怀孕时才15岁——《呼叫助产士》提供了一个迷人的视角，让人们得以了解一个处于巨大社会变革边缘的真实社区。

SimonRussellBealepresentsaradicalreappraisaloftheplaceofthesymphonyinthemodernworldandexploresthesurprisingwayinwhichithasshapedourhistoryandidentity

作家Ofiousออเฟียส@sweeterthansw的小说《พี่พระเอกกับเด็กหมาในกอง》将拍摄成剧集。电影系三年级学生Pun偷偷喜欢了一个叫Achit演员有6年，打算申请剧组实习，有机会接近Achit。Pun时来运转，实习第一天因为经济人的车坏了，Pun自愿驾驶摩托车及时送Achit去参加活动。起初，一切似乎都很顺利，但Pun意识到实习生和名人之间的差距，所以去问那个人，设法另辟蹊径，为双方打开新的契机，两人的距离越来越近。

DirectorGaryHustwit(Helvetica,Objectified)completeshisdesignfilmtrilogywithUrbanized.Exploringthedesignofcitieswiththeworld’sforemostarchitects,policymakersandengagedcitizens,Urbanizedframesaglobaldiscussionabouthowthedesignofourcitiesaffectsourlives.

DevonKeDev...MahadevisaHinduspiritualtelevisiondramaserieswhichairsonLifeOKchannel.Itpremieredon18December,2011andshowcasesthestoryofLordShiva,alsocalledasMahadev.ThedramaisinspiredbytheworksofDevduttPattanaik.ThestoryhasbeenresearchedfromBodhisattvaandhasbeenpennedupbyMihirBhuta.DevonKeDev...MahadevisthestoryoftheHinduGodShiva,alsocalledasMahadev.Theshowportrayshisjourneyfromahermittoahouseholder.IntheshowShivatakesmanyincarnationsandmanyincidentstakeplace.However,thisplotmentionsonlythemajorevents.ThestorystartswiththetaleofShiva’smarriagewithSati.SatiwhoisthedaughterofPrajapatiDaksha,astaunchVishnudevotee,isdrawntowardsShivaagainstthewishesofherfather.ShefinallymarriesShiva,butsoondiesbyself-immolationwhenherhusbandisinsultedattheyajnaofDaksha.Thegrief-strikenShivaproducesVirabhadra,whoslaysDaksha,howeverherestoresDaksha’slifeafterbeseechingofDaksha’swife.AdistraughtShivaleaveswithburntcorpseofSatiandwanderstheuniverse.Vishnuseversthebodyintopieces,shatteringthemonearth.ShivatransformsthepiecesintoShaktiPeethas,embodimentsofthepoweroftheGoddessAdiShakti.SatiisrebornasParvati,thedaughterofHimavan,kingoftheHimalayasandMainavati.Sheisalsothesisteroftheriver-goddess,Ganga.ParvatiisraisedinthehermitageoftheShivadevoteesageDadhichi,whoteachesherdevotiontoShiva.ParvatigrowsupandlikeSati,iscaptivatedbyShiva.Sheslowlyremembersherpastlife,thenwinsShivabyherausteritiesleadingtotheirmarriage.ShivaandParvatigivebirthtoKartikeya,whoslaysthedemonTarakasuraandhisbrothers.KartikeyaisalsonominatedforthethroneoftheKingofDevasbutShivaasksIndratocontinueastheking.AfterthisKartikeyaissenttotheDakshin(south)whereheiscaredbyMeenakshiandhereheslaysthedemon(asura),Tripathwithherhelp.ThestorygoesonwiththetaleofthedestructionofTripura,belongingtotherevengefulsonsofTarakasura,whowereearliergivenboonsbyShiva.AndjustbeforethedestructionoftheTripura,ShivaandParvati’sdaughter,Ashoksundariisborn.AfterthedestructionofTripura,exceptLordIndra(theKingofDevas)everyonecongratulateShivafordestructingTripuraandalsoforbeingthefatherofAshokasundari.RishiDurvasagiveshimaspecialgarland,whichShivagaveNaradaasprasadam.WhengivenLordIndraacceptsthegarlandplacingitonthetrunkofhiselephant,Airavatatoproofthatheisegoisticthrowsit.ThisenragesthesageandhecursesIndraandevryonetobebereftofallwealthandfortune.SoonlatertotakerevengeonthedestructionofTripura,KingBaliattacksheavenandinattempttostealAmrita(nectarofimmortality).ButitfallsintotheOceanofmilk.TogettheAmritbackDevasjoinhandswithAsurastochurntheoceanfortheAmritaandtoshareitamongthem.Thechurningoftheocean,knownasSamudraManthanisanelaborateprocess.IntheprocesstheDevasdisadvantagetheAsurasinmanyways.Despitethis,theychurntheocean.IntheprocessLordVishnualsotakeshissecondincarnationofaturtle,Kurma.Theprocessreleasesanumberofthingsfromtheocean.OneproductisthelethalpoisonknownasHalahala.Thiscouldcontaminatetheoceananddestroyallofcreation.TosaveeveryoneLordShivainhalesthepoisoninanactofself-sacrificebutParvatirescueshimbypressinghisnecktostopthepoisonfromspreading.Asaresult,thecolorofLordShiva’sneckturnsblue.DuringthechurningmanythingsareobtainedfromtheoceanwhichincludesLakshmi,theGoddessoffortuneandwealth,whoistheeternalconsortofVishnu.Thus,everyonegetstheirwealthandfortuneback.LaterVishnutakestheAmritasecretlyfromtheAsurasanddistributesitamongtheDevas.ThestorytakessomeyearsleapafterwhichitisshownthatKartikeyahasbeenremovedfromthepostofSenapati(headofthearmy),whichpleasesIndraandforthefirsttimeaftersomanyyears,agrown-upAshoksundarimeetsKartikeya.Kartikeyaalsomeetshisparents.HeenlightensAshoksundariaboutmeditationandsheinspiredbyitsomuchthatsherenouncesherlifetomeditate,whichdisturbsParvati.Lookingattheillhappeningoftheworld,ofhowAhalyaisseducedbyIndra,Mahadevcomeindside.EvenafterMahadevtellsthatheishisfatherandmanyothergodstriedtotellhim,hestillrefuses.MahadevgotangryandcutVinayak’shead.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

　　The Price of Desire tells the controversial story of how Le Corbusier effaced and defaced Eileen Gray's moral right to be recognized as the author of her work and as one of the most forceful and influential inspirations of a century of modern architecture and design.

Asseasonfourbegins,theRosesaremakingthemostoflifeinSchitt’sCreek,and—Moira’sconstanttalkofescapingaside—arefinallystartingtofeelathomeinthetown.JohnnyisbusyrunningthemotelwithStevieashispartner.Businessisbooming,butit’sachallengeforhimtobalanceworkandfamily,whiledealingwithRoland’santics.MoiraiscarryingoutherdutieswithTownCouncilandtheJazzagals,andisalsolookingfornewwaystoutilizehertalents,whetherit’sthroughatheatricalperformance,orbyhelpingAlexisnavigateeventplanning.Davidismanaginghisstoreandattemptingtomaintainabrandnewrelationship,butbetweenstrugglingtofindthetimeforromance,andovercomingtheanxietiesofhisdatingpast,thisisprovingtobeachallenge.Meanwhile,Alexisisputtingallofherenergyintoschoolandhercareer,butisfindingitdifficulttofocuswhenshestillhaslingeringfeelingsforherex-fiancé,Ted.

刚（Pawalit Mongkolpisit）生来就得到了声响跟听觉,始终生涯在缄默跟僻静之中,特其余身份让他饱受别人的欺负,刚的性情亦因而而变得冷淡自闭。某日,刚在一间枪击会所中找到了一份干净工的职务,就此结识了侠肝义胆的祖（Pisek Intrakanchit 饰）,祖始终掩护着刚,教他应用枪械,练习体能,两人成为了好友,独特成为了杀手,想要在业内干出一番大奇迹。                                                                    之后,刚碰见了俏丽温顺的芳（Premsinee Ratanasopha 饰）,两人相知相爱,情感非常要好。就在刚认为幸福的生涯就要降临之际,传来了祖被对头杀逝世的凶讯,悲哀跟末路怒之中,刚只能放下跟芳之间的情感,拿起冰凉的枪,为本人的好兄弟报复。