Koo
搜索"Koo" ，找到 以下影视作品
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拉玛·布什顿
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米雪儿（Noa Kooler 饰）曾经32岁了,在本来的筹划中,她很快就将跟实现了恋情短跑的男友人幸福的联袂步入婚礼的殿堂,之前期待着她的,将会是让大家爱慕的圆满生涯。但是,一个无意的打趣居然让米雪儿的男友在这个节骨眼上挑选了分开她。 婚礼的园地曾经决议了,所有顺序循序渐进的直接着,但是忽然之间,新郎没了,这让米雪儿堕入了焦急之中。将这所有撤消曾经弗成能了,离典礼举办另有一个月的时光,对米雪儿来说,处理这一疑问的独一办法,就是在这一个月内找到另一位新郎。在碰见了种种百般不靠谱的男子后,一个名叫约斯（奥兹•泽哈威 Oz Zehavi 饰）的大型男涌当初了米雪儿的身边。
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森井勇佑
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Amikoisn’tlikeotherchildren.Herendlessenergyandcuriouseccentricitiesmakeheranoutcastatschoolandgetherintroubleathome.Whenapainfulfamilylossdisruptsherseeminglyidyllicseasidelife,hersenseofisolationintensifies,yetitdoesn’tstopAmikofrominvitingpeopleintoherworld.MoriiYusuke’sdirectorialdebutisaconfidentandcompassionatestoryaboutachild’simagination.Thefilmbalancessorrowwithjoyandharshlessonswithnaivedelight–muchlikegrowingup.Crucially,Amikoneverforgetswhoisatthecentreofthestory.Thewryhumouranddetailedcompositionsofsmall-townJapan,aswellasthefilm’shopefultenor,arereminiscentofOgigamiNaokoorHirokazuKore-eda’sworks.ThegentleandlanguorousatmosphereisenrichedbyascorefromupcomingfolkstarIchikoAoba.KanaOsawadeliversanexquisite,force-of-natureperformanceasyoungAmiko.Effortlesslynatural,hercommandingpresenceandvitalitycarrygreatweightwhilstensuringthefilmneverfallsintodespair.Amiko’sunbeatenspiritinthefaceoftiredadultsanduncooperativeclassmatesletsusgothroughthepain,aswellasexperienceflashesofmischievouswhimsy,alongsideaspiritingmusicalsequencethatwillensureyou’llneverlistentoacongadrumthesameway.源自：https://iffr.com/en/iffr/2023/films/amiko
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邱金海
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邱金海（EricKoo）的首部剧情长片MeePokMan就是讲述一个在食市卖面线的新加坡小贩跟妓女的悲恋故事。片名中的MeePok就是福建话（闽南语）中面线的意思。而英文片名则常用原汁原味的Singlish来演绎新加坡人真实的喜怒哀乐。
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黄颍珊
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「ViuTV 2020有「男排女將」!Stephy執教!鼎力鞭笞MIRROR!ERROR ? !」 當打排球打到女神級嘅Stephy 鄧麗欣 教練, 赶上MIRROR + ERROR隊員Anson Lo !Ian 陳卓賢!李駿傑Jeremy !Tiger!Edan Lui 呂爵安 !柳應廷 90s' beat !Alton Wong 王智德 !梁業-肥仔 ,再加上 Zeno Koo 顧定軒。呢位妖怪女教練又會出咩招數去令佢哋佩服,將球隊由丙組打到上甲組！ 所有,就靠佢哋支付汗水,奮力扣殺去爭取。
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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Matt Prendergast
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Shane Sweeney
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Rachel Chambers
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Nina Millns
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Sean Garratt
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珍·爱舍
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Uri Geller
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Sarah Armstrong
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Lina Bo
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Brendan Cleaves
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格雷厄姆·弗莱彻-库克
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汤姆·伯宁顿
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Matthew Butler
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Comedy that takes the audience on a pub crawl around the seaside town of Hastings with its ensemble of fun and kooky characters as they tackle everyday life.
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韩国CJ娱乐宣布将翻拍旗下经典爱情片[假如爱有天意]，制作成泰国版！泰版命名为[爱情自有天意](ClassicAgain，暂译)，将是新人导演ThatchaphongSuphasri的导演处女作，提迪蓬·德查阿派坤、RanchraweeUakoolwarawat主演。影片将于今年晚些时候发行。
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黄颍珊
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「ViuTV 2020有「男排女將」!Stephy執教!鼎力鞭笞MIRROR!ERROR ? !」 當打排球打到女神級嘅Stephy 鄧麗欣 教練, 赶上MIRROR + ERROR隊員Anson Lo !Ian 陳卓賢!李駿傑Jeremy !Tiger!Edan Lui 呂爵安 !柳應廷 90s' beat !Alton Wong 王智德 !梁業-肥仔 ,再加上 Zeno Koo 顧定軒。呢位妖怪女教練又會出咩招數去令佢哋佩服,將球隊由丙組打到上甲組！ 所有,就靠佢哋支付汗水,奮力扣殺去爭取。
