Awol

Setagainsttheworldofamajordrugcartelbust,theseriesfollowstwolow-levelcopswhohavespentfartoomuchtimeinacartogether;twocriminalswhoarelargelykeptinthedark;twodispatchworkerswhohaven'treallyclicked;andtwoMexicantunnelerswhoareinwaytoosmallaspaceconsideringthey'veonlyjustmet.

Anintimateportraitofthelifeandworkoftheoriginalcelebritychef,WolfgangPuck.

Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

安妮（托妮·科莱特ToniCollette饰）和丈夫史蒂文（加布里埃尔·伯恩GabrielByrne饰）带着大儿子皮特（亚历克斯·沃尔夫AlexWolff饰）生活，他们的小女儿查理（米莉·夏普洛MillyShapiro饰）则交由安妮的母亲艾伦抚养。实际上，安妮和母亲之间的关系十分疏远，艾伦去世后，查理重新回到了父母的身边。自从查理回家之后，家里便开始接二连三的发生诡异的事件。神秘的图腾，陌生的姓名以及神出鬼没的不速之客让这个家庭被笼罩在压抑的气氛之中。由于皮特的疏忽，一场车祸夺走了查理的性命，查理的死加快了各家庭成员之间的分裂，在安妮最绝望的日子里，一个名叫乔安（安·唐德AnnDowd饰）的女人出现在了她的身边，她声称自己拥有能够召唤灵魂的特异功能。

Inthisvisuallystunningandcaptivatingseries,bearwitnesstotheextraordinarywildlifeofIberia’sWoodlands–oneofthemostbeautifulyetferociousenvironmentsonearth.Filmedoverayear,theserieschartsthelivesofanincrediblerangeofanimals–fromEaglesandWolvestoWhiteStorksandLynxes–astheystrivetosurvivethedramaticallychangingseasonsoft...

《联邦调查局：通缉要犯部FBI:MostWanted》是《联邦调查局FBI》的衍生剧后门试映集，然后被正式预订。《联邦调查局：通缉要犯部》讲述FBI一个分部门，他们任务是专门追捕联邦调查局最高通缉名单里的犯人；这部衍生剧由DickWolf及ReneBalcer执笔，FredBerner负责执导。

本片改编自奥天时悬疑小说家沃尔夫•哈斯（Wolf Haas）1997年的同名小说。奥天时前侦察西蒙•布伦纳（乔瑟夫•哈德 Josef Hader 饰）被老板贝迪（西蒙•舒瓦茨 Simon Schwartz 饰）指派离开乡下旅馆寻觅一名叫赫瓦特的画家债权人催讨一辆黄色甲壳虫汽车。旅馆老板（约瑟夫•贝尔比奇 Josef Bierbichler 饰）!老板儿媳波独特（波独特•密尼梅雅 Brigit Minichmayr 饰）跟女效劳员亚历克斯（媲雅•海尔泽格 Pia Hierzegger 饰）都对布伦纳立场冷漠。老板的儿子波利（克里斯托夫•卢瑟 Christoph Luser 饰）却偷偷找布伦纳考察本人老爸,试图寻回其私下调用的13万欧元。布伦纳本不想卷入旅馆老板的家庭胶葛,却发明本人爱好上了波独特。布伦纳掉落臂贝迪的督促,频频迁延回程时光…… 本片获2009年柏林片子节全景单位不雅众奖第三名。

Inthemiddleoftheoutback,astolen4WDcollideswithatransporttruck.Twolocalkidsinthecararebadlyhurt.Someoneshouldhavecalledforhelp,buttheydidn’t.Theydidn’tbecausetheyworkforaninternationalresearchprojectno-onetalksaboutandtheircargoisaprohibitedsubstance.TheaccidentwouldhaveremainedamysterywereitnotforNed(DanSpielman)andJesseBanks(AshleyZukerman).Nedisayounginternetjournalistdesperateforabreak,andJesseishistroubledyoungerbrotherwhoseobsessionwithhackinghasgothimintoseriousdifficulties.NedandJesseBanksaregivenapoisonedchalicewhenaphonevideooftheoutbackaccidentarrivesintheirin-box.Theirdecisiontodigdeeperdragsthebrothersintothedarkestheartofpolitics,thewebofblackmarketeersandtheinternationalagenciesthatmonitorandmanipulatethem.Together,theysuddenlybecometheunlikeliestcrusadersfordemocracy.Thequestionisjusthowfarthoseinauthoritywillgotokeeptheirexplosivesecretsafe-andjusthowfarthetwobrotherswillgotorevealthetruth.

KrautploitationShootingstarEverettRayAponte(AtomicEden)explodesinthisinternationalspythrillerasLucasKane|aprofessionalhitmanwhouncoversthecorruptionofhisownagencybyinterrogatingthegreatesthitmantohaveeverlived.Featuring:DonTheDragonWilson(RedSunRising)|VolkramZschiesche(ArenaoftheStreetFighter)andWolfgangRiehm(UltimateJustice)

50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。　　In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.