Eling
搜索"Eling" ，找到 以下影视作品
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史蒂芬·卡嘉克
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1987. Denver, Co. One crazy night in the life of four friends reeling from the sudden demise of iconic British band The Smiths, while the local airwaves are hijacked by an impassioned Smiths fan with a gun. Based on true events.
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扬·加斯曼
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99Moonshomesinontwocharactersunitedbyfeelingsborderingonobsession.There’sBigna,aresearcherspecialisingintsunamiswho’salmostthirtyandonthepointofrelocatingtoChileforworkreasons,andthirty-three-year-oldFrank,whowillshakeupherconvictionstothepointshedecidestostay.
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广濑贵士
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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature,anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile,awomanisluringmenintoaviolentend,bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer,thekillers’fatesintertwine.Thetwomustfaceoffinabattletothedeath,inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder.“Brutal”takesaninterestingapproachtoitsvisuals,drawingheavyinfluencefromWestern“Grindhouse”films,usingafiltertomakethefootageappeargrainy,damaged,andwithlightandcolorfluctuations.Unfortunately,thevisualstylingendsupfeelingmisguided,asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe“Grindhouse”genre.Despitetryingtodirtyupthefilm,itisapparentitwasshotondigital.Thecinematographyisalsoastepabovemost“Grindhouse”productions,withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,lit,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm’simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience,insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch.Thestoryof“Brutal”issimplebuteffective,itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen,butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist,witharevealthatisboundtogrosssomeout,whilegivingothersachuckle.Inspiteofitssimplenature,thosewhoenjoyfilmsthatmakethemsomewhatuncomfortableandenjoythechallengeofgettingthroughsomeultra-violence,“Brutal”posesafunandentertainingchallengeinthatregard.
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When,atthebeginningofDeusIrae,FatherJavierstaresatacrucifix,hisexpressionsandhishandssuggestthatthenervesareconsuminghim.Aflashbackrevealsthatthispriestdevoteshislifetovisitingfamiliesthatclaimtohaveseenthingsthatdonotbelongtothisworldandcleansingtheirhomesfromthedemonsthattrytopossessthem.But,uponreturningtothosehouses,henoticesthattheevidenceisalwaysdestroyed.Thisway,hediscoversthataclanisafterhim,andmustdecidewhethertohidefromthemorjointhem.Intimeswhenhorrorcinematendstofallintothehandsofdirectorsthatseektobuildnarrativesthatareintrospectiveandclosetoreality,PedroCristianigoesbacktoold-schoolhorror,wheregoreandthephysicalexperienceareaboveanyotherkindoffeeling.Acinemathatplacesthecamerainfrontofthefacesofthebloodiestdemonsand,insteadofgivinglogictothem,choosestofacethemwhateverthecost.
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杰西卡·哈蒙
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Sarah is an organic farmer who meets a man claiming to be from 1787, she quickly discovers old-fashioned feelings that can be just as crazy as her story.
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Talent and passion for music can take one to the very top. On the way, however, there are going to be showbiz traps. There is money, fame and fan crowds in册ved. Will a young girl be able to fight for her dreams in this no-holds-barred world where fame is so elusive? A controversial talent show called "Music Race" keeps looking for talented singers all over the country. The decision on who will be started-up for a career and who will get a cold shower is always up to the three jurors: a once-popular singer, Olo (Maciej Zakoscielny), social media queen, Ewa (Julia Kaminska), and the dame of Polish jazz, Urszula Dudziak (playing herself). During an audition held in Olo's home town, there is a row. The person who starts it is "Ostra" (played by Katarzyna Sawczuk). The rebel teen is outraged by the juror's arrogant and dismissive behaviour towards her mother (Anita Sokolowska). The small scandal suits the show's producer (Tomasz Karolak), who pushes "Ostra" through to the next stage. There, it will turn out that the girl doesn't just have a fiery temper, but a great voice as well. Success, though, comes at a price. Being popular is not as pleasant as many people think. Our teenage hero will have to face a genuine test of integrity and character. The young star is about to take on her stage competition, the ruthless world of show business, and, most importantly, her own feelings.
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托姆·齐穆尼
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The nearly 50 years prolific carrier of Sylvester Stallone, who has entertained millions, is seen in retrospective in an intimate look of the actor, writer, director-producer, paralleling with his inspirational life story
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Taylorisaworkaholicwithnotalotgoingoninhersociallife.Oliveisanaspiringactress,withlittlemoneytohername.Astheholidaysnear,TaylorgetsacallfromherdadaboutvisitingherfamilyforChristmasandthattheyfinallywanttomeethergirlfriend.Sheagrees,afterfeelingguiltyaboutnotseeingtheminalongtime,butthere'saproblem:Taylorandhergirlfriendrecentlybrokeup.Notwantingherfamilytoknowthatherrelationshipfailed,Taylorconsiderslookingforadatetohire.Afterafewbaddates,shedecidestotellherparentsthetruth.But,wait,notbeforehercoworker,unbeknownsttoTaylor,putsanadinthepersonals.Butnobodyreadsthoseanymore,right?Inaplayoffate,onepersonaccidentallystumblesuponthead,Olive.Afterreadingtheamountofmoneybeingoffered,she'sdeterminedtobookthisgig.Asit'scomingdowntothewire,TayloragreesandhiresOlive.Theyheadtoherparents'housefortheholidaysandmustconvinceeveryonethatthey'reinaromanticrelationshipandnotthetotalstrangersthattheyare.
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费莉佩·舒尔
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Diogo (17) likes to make anonymous phone calls to his psychoanalyst mother’s patients. That’s how he meets Angela (43), who had just been left by her husband. Although she is first irritated by learning about Diogo and his secret, Angela feels attracted and he brings a new sense to her life. Feeling a true bond between each other, Angela and Diogo fall in love. Yet, they have to face disagreement of his parents and fight for their relationship.
