Mayes

Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.

A young American girl has a chance of a lifetime to visit her ancestors castle in the south of France, only to find that her family is hiding deep, dark secrets about their nefarious past, far away from prying eyes.

报告的是秋末(朱佳希饰)!萝拉（吴冬妮饰）跟罗宾（杨森饰）接到聂SIR（阮巡饰）掠夺时光稀释器的指令,经由一番苦战,支付受伤的价值,“时光稀释器”终于得手。然而螳螂捕蝉黄雀在后,远处的高台上,李陌年（王野饰）按下了“YES”键,从天而降的爆炸,秋末轻伤,萝拉掉落。

Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.

When the all-star player of the local high school football team collapses during practice, all eyes turn to the storied head coach. Instead of mollifying the situation, the coach tries to maintain the team's winning streak. The town turns against him, leading to a lawsuit from the player's mother.

　Nina is twelve years old and her world has just been shattered to smithereens: Her parents’ marriage has broken down and they are getting a divorce. After his internationally successful debut Miracle Juraj Lehotský now brings us an intimate drama in which the viewer looks upon the world and the selfish, visionless behaviour of adults through the eyes of a 12-year-old girl. A girl who is resilient and belligerent, but also vulnerable and just as fragile as the miniature world she creates for herself in the garden shed.

　　A deserted pond. Two lonely children fall under the spell of this wild place that, little by little, draws them closer to each other and gives them the strength to cope with life. Seen through their eyes, and through their imaginations, the pond becomes a secret kingdom, both marvellous and frightening, thronging with creatures born from dreams or nightmares. The children experience an initiation, brief and intense, from which they will emerge transformed.

Theprojectprovisionallytitled“ForgottenLeaders”isaseriesofsevenfilms,eachfeaturinganindividualfromtheleadersoftheSovietstateinpowerduringthetimeperiodfrom1920to1953.Eachepisodeisafilmedportraitdepictingthestoryoflife,politicalandpublicactivitiesofitshero.Theheroesof“TheForgottenLeaders”areindividualsambiguousfromtheperspectiveoftheRussianandworld’shistoryandodiousandoftensharplynegativeintheeyesofpublicconsciousness.Unfortunately,whenlabeling,weoftenforgetthat“eachindividualisatangleofcontradictions”andthat“historyiswrittenbythevictors”.Sevenmen.Sevenlives.Oneera.Whatwasbehindtheirdecisionsandatwhatwasthepricetheypaidfortheirdeeds?

夜深人静的英国伦敦,狡诈夺目的犯法分子雅克布·斯特恩伍德（马克·斯特朗MarkStrong饰）率领部下洗劫位于中央肠带的银行。事成之后,他与部下驾驶摩托逃离现场,而英勇大胆的警员麦克斯·莱温斯基（詹姆斯·麦卡沃伊JamesMcAvoy饰）单身追逐,厮打进程中他被雅可布射中腿部,追捕以掉败了结。三年后,安身冰岛过着忧心如焚生涯的雅可布接到一通德律风,他的儿子卢恩（伊莱耶斯·加贝尔ElyesGabel饰）被枪射中倒毙伦敦机场。经勘查发明,射杀卢恩的与昔时伤及麦克斯的系统一把枪。爱子之逝世,促使雅可布冒险回到伦敦,而他与老敌手麦克斯将开展久违的对决……

玛丽索（阿娜·奥缇兹 Ana Ortiz 饰）的儿子被控诉行刺,为了替儿子洗脱罪名,玛丽索须要大笔的款项周转。罗斯（丹妮亚·拉米雷兹 Dania Ramirez 饰）的老公英年早逝,留下一个儿子靠罗斯菲薄的薪水抚育。左拉（朱迪·雷耶斯 Judy Reyes 饰）自负又迷 人,跟瓦伦蒂娜（Edurne Ganem 饰）既是母女亦是共事。卡门（罗塞莉·桑切斯 Roselyn Sanchez 饰）妄想成为一名歌手,可惨白有力的事实却令她望而生畏。毂击肩摩灯红酒绿的比弗利穷人区,四个女人穿越与今生涯于此,却跟这里的鲜亮堂丽毫有关联,她们只是一群为有钱人效劳,替有钱人整理种种烂摊子的女佣而已。一桩新奇的逝世亡变乱将四个女人的运气接洽到了一同,为了保卫她们独特的好处,她们必需逝世逝世守住某个机密。©豆瓣