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Juin1940.Villeneuve,villageducentredelaFrance,estbouleverséparl’arrivéedel’arméeallemandemeijubar.net.Hortense,Jean,Raymond,MarieétaientalorsdesFrançaisesetdesFrançaisordinaires...ilsdeviendrontpatriotes,traîtres,collaborateursourésistants.Auxrèglesimposéesparl’occupationallemanderépondentcellesdeladésobeissancecivileoudelaclandestinité.Onapeur,onafaim,onsedéchireaunomdesvaleursetd’unecertaineidéedelaFrance...ouparfoissimplementparamour.
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Valparaíso, Chile, 1933. Years of psychiatric treatment and a seemingly happy marriage will not take away Elisa's memory of that youthful love. So, when some years later, Rebecca becomes a beautiful feminist, Elisa's fragile world will collapse in front of her eyes. 美丽少女与她的同性恋倾向主治医生婚后又与学生时初恋女伴重逢的故事。画面美丽，结局可怕。
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阿图·阿拉里
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1944.LeJaponestsurlepointdeperdrelaguerre.Unenouvellegénérationd’officiersderenseignementsestforméeafind’entraverl’avancedel’ennemiaveccommeconsignedenejamaisserendre.Parmicesjeunesgens,unhomme,sec,droitetdéterminé,estenvoyésuruneîledesPhilippines,sonnom:HirooOnoda.Ila22ans.Pourl’Empirelaguerredureraencoreuneannée,pourOnodaelles›achèveradixmillejoursplustard.
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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孙纪剑
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《星学院Ⅱ之月灵手环》是由杭州美盛动漫有限公司推出的一部26集魔幻冒险类魔法少女动画连续剧。主要讲述小月和菲洛两位魔法少女为了拯救自己的同伴美星，进入异世界与黑暗势力斗争的故事。在异世界里，小月与伙伴们展开一场收集月灵手环的奇幻之旅。异世界的山族、湖族、喵族，每一个种族都有着截然不同的风格设定。无论是精美的场景、绚丽的魔法服装，还是炫目的战斗技能、千变万化的魔法道具，都营造出唯美的画面效果，为观众带来一场梦幻般极致的视觉盛宴。本剧注重前期剧情设定和美术设计，角色形象鲜明，向孩子们传达出友情与亲情、爱与责任的珍贵意义，让孩子们能得到思考和反省，对人与人之间的包容与交流产生新的理解。
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哈维尔·巴登
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艾塔娜·桑切斯-希洪
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若塞普·玛丽亚·弗洛塔茨
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玛丽亚·巴兰科
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玛丽娅姆·梅齐埃
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JordiBosch
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Myriam
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Mézières
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Miguel
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Del
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Arco
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Jordi
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Bosch
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胡安·卡洛斯·凡希多
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Shangay
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Lili
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María
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Reyes
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Arias
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安东尼奥·雷西内斯
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Ana
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Goya
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胡安·乔斯·奥特圭
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坎德拉·佩尼亚
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亚松森·巴拉格尔
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卡门·巴拉格
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ngel
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Alcázar
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基蒂·曼维尔
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费尔南多·古林·库弗
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胡安霍·普伊科维
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Anabel
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Alonso
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克多·文图拉VíctorVentura(哈维·巴尔德姆饰)是马德里一个年轻有抱负的失业演员，他因为债务缠身，只好认输准备会自己的老家卡塔赫纳。但是，他的经纪人安赫拉Angela(玛丽亚·巴兰科饰)劝住了他，让他耐心等待去好莱坞施展身手的机会。生活需要钱，维克多开始在一家色情电话公司打工。在那里，维克多同一些肮脏的客户做交谈。客户大部分都是男士，其中一位常客叫里卡多Ricardo(何塞普·马里亚·弗洛塔饰)，是位自我封闭和压抑并有同性恋倾向的医生。有一天，一位叫阿曼达Amanda(艾塔娜·桑切斯-希洪饰)的女客户也和他聊了个火热。维克多私底下开始于阿曼达幽会，为阿曼达的风雅所动心。阿曼达向维克多提出了一项计划，希望维克多能助一臂之力，帮她报复她的丈夫比尔，而比尔正是维克多的老客户里卡多......
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Malvís (Alfredo Landa) is sick of working like crazy for nothing. He'd rather become a bandit, that's much better, he's gonna be the fearful Fendetestas! He'll spread panic in the woods of his region. But there's a little problem there aren't much people living in his region, everyone knows everyone and everyone is so poor, so is gonna be difficult that someone takes MalvísFendetestas too seriously. This is a magic history, so funny, and full of situations that will make you laugh. It's also full of characters that belong to the Spanish idiosyncrasy the strict priest, the Guardia Civil, the old devout women, the village idiot... there's even a lost soul wandering around the woods. The great Alfredo Landa heads a cast that gathered together the best two generations of Spanish scene from Fernando Rey to Encarna Paso, from Manuel Alexandre to María Isbert... A cast like that would be just unthinkable nowadays. El Bosque Animado was the first movie of José Luis Cuerda's trilogy of rural comedies (after this one he made the surreal Amanece Que No Es Poco, and Así En El Cielo Como En La Tierra. Those are movies so personal that stress the Spanish culture. The young directors should take note of films like El Bosque Animado, instead of trying to be the new enfant terrible and imitating US worst cinema.
