Binding
搜索"Binding" ，找到 以下影视作品
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Marci,aspoiledJewishAmericanPrincess,isforcedtotakecontrolofherfathershard-coreraplabel,FelonyAssault,whenhermoguldad,BenFeld,hasastress-inducedheartattackduetothecontroversysurroundingthelabelship-hopsongShootYaTeachabyDr.Snatchcatcher.Torescueherfathersplummetingstock,Marciattemptstotonedowntherappersbad-boyedge.Overtime,theunlikelypairfallinlovejustasaconservativesenatorvowstobanishtherapperandhisoffensivelyricsfromtheairwavesforever.
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杰拉德·麦克穆雷
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电影聚焦于导致清除计划发生的原因，讲述了由于人口膨胀，社会问题加剧，一个名为New Founding Fathers of America的组织进行了一种社会学理论测试，即在某一孤立的社区进行为时一晚的发泄、攻击、侵略，促成社区人们之间的相互残杀。这一制度在全美推广，一时间马路街道都成为了杀戮的战场。故事的荒谬性吸引了大量观众，第一年的杀戮日就要降临，恶魔们都已经准备好了。
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亚伦·保尔
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安娜贝拉·沃丽丝
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加瑞特·迪拉胡特
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特瑞·陈
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扎克里·奈顿
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Jordana Largy
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田· 薇拉莉
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克里斯·乔克
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迈克尔·科普萨
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Dean Redman
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Jessica Heafey
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阿汀内·布朗
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Alan O'Silva
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Tim Perez
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Corey Schmitt
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When his girlfriend goes missing, David must track down her whereabouts after he realizes she's not who she was pretending to be.
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Stuart is a having a mid-life crisis. Desperate for something more in life, he tags along on his best friend's family vacation to Paris - then proposes to his friend's 24-year-old daughter, Rosalind, while standing under the Eiffel Tower.
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尼尔·马歇尔
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Co-written by lead Charlotte Kirk and Edward Evers-Swindell, the 1665 - New England set horror film stars Kirk as Evelyn Haverstock, whose husband (Anderson) commits suicide, finding herself falsely accused of witchcraft after rejecting the advances of her landlord.
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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阿坎·萨塔耶夫
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导演：阿萨达耶夫演员：别阿伊特让诺夫、卡默罕默德让诺娃、阿别依舍纳里耶夫、门乌杰普别尔格诺夫片长：98分钟故事梗概：阿尔塞是一名保镖，在哥哥去世后他得知哥哥的死并非意外。为了寻求真正的杀人犯，阿尔塞开始了艰难的查询工作，随着调查的步步深入，对哥哥之死负有责任的并非一人，他们权高位重，阿尔塞最终能将凶手绳之以法吗Ahighlyskilledbodyguardavenginghisbrothersuntimelydeathuncoversaringofcorruptionextendingtothehighestlevelsofsocietyandgovernment.
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查尔斯·马丁
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Season2willpickupthemorningaftertheendingofSeason1,withJeanettehuntingforthekillersofyoungasylumseekersasthediscoveryinachurchwallandabodyinafreezerrevealachillingconnection.Diggingdeeper,shebeginstosuspectVictoriaBurkeman,amysteriousformerpatientofenigmaticpsychologistDr.SophiaCraven。
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AfterattendingamedicalconferenceinBeijingandcomingfrighteninglyclosetodyinginacarcrash,DrMatthewNolan,playedbyArmitage(Obsession,StayClose)arriveshomeandisimmediatelyarrestedatLondon’sHeathrowAirport.Exhaustedandconfused,Nolanisaccusedofthemurderofawomanwhowasinthecarhecrashed.DCHanaLi,playedbyLusi,istheno-nonsense,LondonofficerchargedwithaccompanyingNolanbacktoBeijing,butplentyhappensontheway.
