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Agnetaisacolorfulandfunnyperson,butit'snotobviousonthesurface.Shehasjustturned49,herchildrenhaveflownthenest,herjobatthetrafficofficeisstagnant,andAgnetafeelsinvisible.Herhusband,ontheotherhand,hasfoundmeaninginlifebydoingice-coldbathsandcyclingfastinexpensivegear.Inacrisisattempttoescapethedullshacklesofeverydaylife,AgnetaleavesthesafeSwedishlifebehindtoworkasanaupairforaSwedishboyinFrance.However,whentheboy,Einar,turnsouttobeanelderlyeccentricdementedgentleman,themisunderstandingisafact.Thisbecomesthestartofamessy,life-affirmingfriendshipthatturnseverythingAgnetathoughtsheknewaboutlifeandherselfupsidedown.Becausehowdoesonereallylivetheironepreciouslife?
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露西·沃斯利
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Lucy Worsley tells the story of Britain’s royals and photography. It’s a tale that begins with Albert and Victoria’s enthusiasm for having their pictures taken – and for taking pictures. Closer to our own time, such figures as Princess Margaret, often photographed by her husband, Lord Snowden, and Princess Diana loom large.
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Inthemiddleoftheoutback,astolen4WDcollideswithatransporttruck.Twolocalkidsinthecararebadlyhurt.Someoneshouldhavecalledforhelp,buttheydidn’t.Theydidn’tbecausetheyworkforaninternationalresearchprojectno-onetalksaboutandtheircargoisaprohibitedsubstance.TheaccidentwouldhaveremainedamysterywereitnotforNed(DanSpielman)andJesseBanks(AshleyZukerman).Nedisayounginternetjournalistdesperateforabreak,andJesseishistroubledyoungerbrotherwhoseobsessionwithhackinghasgothimintoseriousdifficulties.NedandJesseBanksaregivenapoisonedchalicewhenaphonevideooftheoutbackaccidentarrivesintheirin-box.Theirdecisiontodigdeeperdragsthebrothersintothedarkestheartofpolitics,thewebofblackmarketeersandtheinternationalagenciesthatmonitorandmanipulatethem.Together,theysuddenlybecometheunlikeliestcrusadersfordemocracy.Thequestionisjusthowfarthoseinauthoritywillgotokeeptheirexplosivesecretsafe-andjusthowfarthetwobrotherswillgotorevealthetruth.
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Thefilmexploresthelife,philosophyandimpactofoneofthemostinfluentialearly20thcenturymodernists,MarcelDuchamp.ThefilmbreaksdownDuchampsideasandappliesthemtobothhistoricaleventsandthemodernistexplosionthatblanketedtheearly20thcentury.ArtofthePossibleisntsimplyabiopic;rather,thefilmshowshowDuchampsideaschangedthepublicconsciousness,andourunderstandingofaesthetics,art,andculture.ThefilmhighlightsthesingularimpactofDuchampsphilosophyonart,and,moreimportantly,examineshowDuchampsrevolutionaryideasfromtheearly20thcenturyhaveshapedthe21stcenturyandmodernday.
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Afatalaccidentataremotesurvivalisttrainingcampsendsparticipantsintoapanic-andsetsthestageforachillingshowdown.
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奥利维尔·施耐德
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艾娃·巴亚
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加里·勒斯培
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热雷米·拉厄尔特
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蒂博·埃弗拉德
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拉德赫·贝莱彻
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热拉尔·朗万
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Samir
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Decazza
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克莱门汀·塞拉里耶
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Céline
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Jorrion
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Rayan
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Bouazza
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Estelle
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Darnault
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Manon
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Girardi
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Méléane
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Aslan
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文森特·贝尔苏勒
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Sam
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B.
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Louiz
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Jean-Yves
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Rochelle
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Mohamed
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Makhtoumi
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Anthony
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Loison-Antoniotti
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Micha?l
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Troude
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乔尔·拉冯
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Soélie,ayoungmotocrossprodigy,seesherdreamsofsuccessshatteredbyanaccident.Shenowdevotesherselftotrainingherbrother,Michael.WhenheisrecruitedbyTMAXscooterracersforahigh-profileheistinParis,Soéliemustovercomeherfearstosavehim.
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Internationally-acclaimed,multipleawardwinningfilmmakerKimLonginotto(ROUGHAUNTIES,WorldCinemaJuryPrizeinDocumentary,Sundance,2009)returnstoSundance2013withtheWorldPremiereofhernewdocumentary,SALMA-theextraordinarystoryofawomanwhobecomesthelegendaryactivist,politician,poet,Salma.
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拉雷姆·雷迪
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在南印度的一个偏远村庄，101岁的Century Gowda去世了，他的三代子孙们有着不同的反应。儿子Gadappa是一位老头子，总是抽着便宜的烟，喝着白兰地，每天无所事事地穿梭在田野间；同时孙子Thamanna是个见钱眼开的小贩，筹划着非法卖掉Century Gowda的五英亩地；曾孙Abhi是个阳光自信的青年，不屈不挠地追求着一个牧羊女孩。三条故事线索交织着，聚合在Century Gowda死后第十一天的葬礼上。
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恩佐·巴博尼
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The movie concerns about Trinity(Terence Hill=Mario Girotti)a roguish and cocky gunman with fast weapon who works as bounty hunter.His brother Bambino(Bud Spencer)is sheriff in a village but is also an undercover thief which attempts execute a heist. The'll face off against a rich owner(Farley Granger) and a Mexican marauders who try evict to a Mormons group. They help to the pacific settles and the confrontation will be inevitable but is developed by means of successive fights without blood,neither gore or cruel murders.The violence isn't crude but slight and predominates the comedy and parody. The storyline is embarrassment and ridiculous but has its agreeable moments here and there.It's a spaghetti western with humor and narrates the usual issues:invincible antiheroes,spectacular showdown ,violent taking on but united to slapstick and simple humor.It's an entertained Italian western with adequate runtime where there are irony,tongue in check,shoot outs,numerous struggles and is quite funny and amused. Terence Hill is sympathetic,hilarious and likable; Bud Spencer is rough, two fisted,bouncing ,grumpy man but with good heart,their characters are similar to Stan Laurel and Oliver Hardy.The film is a spoof of famous films as ¨the magnificent seven¨ and ¨blazed saddles ¨but covered with spaghetti.The picture obtained a sequel with the same protagonists and director¨Trinity is still my name¨.Besides originated a series of awful imitations and copies. Rating:nice and bemused.
