Bui

Nothing really looks what it really is when you look from a distance and so is Jinwoo’s quiet life, far from the hectic, stressful city life, tucked away in the beauty of the Korean countryside, welcomed with open arms by a loving new “family” that has accepted, on their sheep ranch, him and Seol, his wonderful niece who he loves as if she were his own daughter.　　But when Park Kun-young's careful and precise direction begins to focus on the details of Jinwoo's existence, slowly revealing his restless soul, we gradually discover the complexity of the reasons that led to Jinwoo's extreme choice to retire in the countryside to live like a shepherd.　　The arrival at the ranch of Jinwoo’s longtime male friend from university, Hyunmin, upsets all balance. Moonkyeong, the ranch owner’s daughter, who has a crush on Jinwoo, accidentally discover the two men in bed and shortly afterwards Jinwoo’s twin sister, and Seol’s birth mother, shows up at the ranch after years of absence and silence and wants to take her daughter back to Seoul.　　The community of that small country place, which seemed kind and nice, slowly reveals their true colours and deep disapproval of the two men's relationship. The fragile sandcastle of happiness that Jinwoo has struggled to build is crumbling and the cold, harsh winter is upon him.　　Giovanna Fulvi

When,atthebeginningofDeusIrae,FatherJavierstaresatacrucifix,hisexpressionsandhishandssuggestthatthenervesareconsuminghim.Aflashbackrevealsthatthispriestdevoteshislifetovisitingfamiliesthatclaimtohaveseenthingsthatdonotbelongtothisworldandcleansingtheirhomesfromthedemonsthattrytopossessthem.But,uponreturningtothosehouses,henoticesthattheevidenceisalwaysdestroyed.Thisway,hediscoversthataclanisafterhim,andmustdecidewhethertohidefromthemorjointhem.Intimeswhenhorrorcinematendstofallintothehandsofdirectorsthatseektobuildnarrativesthatareintrospectiveandclosetoreality,PedroCristianigoesbacktoold-schoolhorror,wheregoreandthephysicalexperienceareaboveanyotherkindoffeeling.Acinemathatplacesthecamerainfrontofthefacesofthebloodiestdemonsand,insteadofgivinglogictothem,choosestofacethemwhateverthecost.

片长：88语言：俄语国家：苏联颜色：黑/白导演：谢尔盖格拉西莫夫，米哈伊尔卡拉托佐夫演员：鲍里斯巴博奇金鲍里斯Blinov塔玛拉马卡洛娃Description:Theautumnof1941.LeningradisbesiegedbytheNazis.Anewmodeloftankisbeingdevelopedatalargedefenseplant.Builtintheshortestpossibletimecombatvehiclesaretesteddirectlyonbattlefields,fightingwiththeNazisintheoutskirtsofthecity.Thefirstfeatureagitprop...

Seasonfiveof“ForAllMankind”picksupintheyearssincetheGoldilocksasteroidheist.HappyValleyhasgrownintoathrivingcolonywiththousandsofresidentsandabasefornewmissionsthatwilltakeusevenfurtherintothesolarsystem.ButwiththenationsofEarthnowdemandinglawandorderontheRedPlanet,frictioncontinuestobuildbetweenthepeoplewholiveonMarsandtheirformerhome.

Inthesummerof2006,RobReilly(KillianScott),asmartsuitedhomicidedetectiveandhispartnerCassie(SarahGreene)aredispatchedtoinvestigateachild’smurderandfindacommunitycaughtbetweenoldandnewIreland.Onanaltarliesthebodyofalocalteenagegirl,precociouslytalentedKatyDevlin(AmyMacken).Herbodyisfoundinthemiddleofanarcheologicalsite,threatenedbylocaldevelopersaimingtobuildashinynewmotorway.Theneighbouringestate,Knocknaree,hasneverquitegotitsshareofthe‘CelticTiger’andhasbeenblightedbypovertyandunemploymentforgenerations.Moreover,thisisthenotthefirsttimeachildofKnocknareehasbeenlost:21yearsearlier,inaverydifferentIreland,threechildrenwentmissingandonlyoneevercamebackalive.Memoryrunsdeepinthispartoftheworld,andlocals,pressandtheDublinPoliceworrythatthecasesarelinked.

Inadilapidatedcyberpunkcityplaguedbycrimeandcorruption,anunscrupulousDistrictAttorneyissavagelymurderedandtossedoutofabuildingontohisbrandnewcar.Mysteriously,theDistrictAttorneyandhiscarcomebacktolifeasasinglebeingwithathirstforvengeance.Theeeriedriverlesscarembarksonaviciousrampageexactingrevengeonthecriminalswhomurderedhim…

Bussan死後三年，Bambi、Ani、Master和Uchi四人各散东西，过着自己的生活。四人一直为没有跟Bussan好好的告别而耿耿于怀。某日，Bambi突然听到一把酷似Bussan的声音由天上传来「Ifyoubuildit,hewillcome.」。为了这句说话，四人再次在木更津聚首…《木更津猫眼》原为2002年播出的日剧，由鬼才宫藤官九郎编剧，冈田准一、樱井翔、冢本高史、佐藤隆太和冈田义德主演。故事描写只剩半年寿命的Bussan，与另外四位棒球队的朋友Bambi、Ani、Master和Uchi组成「木更津猫眼」的怪盗团，闹出不少离奇古怪的事。由于剧情荒诞有趣，加上拍摄手法新颖，剧集播出後引起很大的迴响。电视台随即在隔年开拍电影版《木更津猫眼日本系列》。事隔三年，《木更津猫眼》再度复活，由原班人马上阵拍摄系列完结篇《木更津猫眼世界系列》。本片不单是向Bussan说再见，也是大家向《木更津猫眼》系列告别之作。

Yitzhak runs the turkey farm his father built with his own two hands after they emigrated from Iran to Israel. When his son Moti turns thirteen, Yitzhak teaches him the trade, hoping that he will continue the proud family tradition. But Moti doesn't like working in the turkey barn; his passion is fixing up junkyard cars and bringing them back to life. Moti's mother Sarah tries to reconcile between the two, while his grandfather pushes Yitzhak to take a firm hand with his son. Yitzhak takes Moti's refusal to work in the turkey barn as a personal rejection. Though he loves his son dearly, he makes it his mission to impose the family farm on Moti. The arrival of Darius, the uncle from America, sets off a chain of events that will undermine the familial harmony. Soon enough Yitzhak will learn that his son is just as stubborn as he is. The conflict is inevitable. Written by Yuval Delshad

　　Venezuela's economic crisis explodes into riots on the streets of Caracas, as middle-aged Roque heads for the Amazon jungle to revive the abandoned lodge he built during happier, healthier days. As the jungle closes in on him, good friends encourage bad habits and whisper promises of finding gold.

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.