Reo
搜索"Reo" ，找到 以下影视作品
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马塞尔·哈侬
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Synopsis:Julienetsonpreneurdeson,Michel,tournentàBrugesundocumentairedecommande.Julienrêveaufilmqu’ilpourraittournerdanscettevillemystérieuse:uneadaptationdeShakespeareoudeMusset.LerejointbientôtSophie,safemme,anciennecomédienne,quisouffredeladistancequeJuliensemblemettredansleursrapports.Bientôt,àuneexpositiondepeinture,ellerencontreunartistequ’ellevoitsouslestraitsdeJulienetquil’inviteàvenirvisiterFlorence.ElleconfieàMichelsestourments.Julien,desoncôté,vientd’accepterlapropositiondesonproducteur:réaliserune"histoire"avecdes"personnages"et,pourquoipas,des"vedettes"...Alorsqu’ellesemblaitdécidéeàsuivrel’inconnu,SophiesejettedanslesbrasdeJulien.Lemetteurenscènequitourneunfilmintitulé"L’hiver"demandeunenouvelleprise.Pourlasecondefois,SophiesejettedanslesbrasdeJulien.Lepeintreinconnus’enva...©FichesduCinéma“Onecouldspendforeverunravelingthisendlessnet,sotightlywovenwithsignsandechoes,whichbecomesricherwitheveryviewing.Hanoun’sformalinvestigationofthefragmentandthe(almostsubliminal)flashframe,ofveryslightlyalteredvariationsandrepetitions,whichheappliestosituationasmuchastodialogue(oftenrepeated,eitherwithinthesameshotorfromadifferentangle)revealssomethingoftheinteriorityoffilm,ofitscreator’sunconscious,whichbecomesthatofhischaracters.ThisstructuralresemblancetoaRussiannestingdollshouldnotconfuse;it’sratherthecontraryofthisdetachmentwithwhichthefilmends.ThemoreHanouncompresseshisdreamsofdreamswithindreams(films),thecloserhegetstointimacy.”-EmericdeLastens(Re:Voir)
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Intheheartofsomeofthemostdifficultcircumstancesintheworld,thereexistbeaconsofhope.NationalGeographicPresents:IMPACTWITHGALGADOTisacompellingnewsix-partshort-formdocumentaryseriesfromexecutiveproducersGalGadot(“WonderWoman”),JaronVarsano(“Cleopatra”),AcademyAward-winningfilmmakerVanessaRoth(“Freeheld”),EntertainmentOne’s(eOne)TaraLong(Emmy®-nominated“L.A.Burning:TheRiots25YearsLater”)andRPC’sRyanPallotathatfollowsthepowerfulstoriesofresilientyoungwomenaroundtheglobewhoovercomeobstaclesanddoextraordinarythings.IMPACTfollowsinspiringwomenlivingincommunitiesmarredbyviolence,poverty,trauma,discrimination,oppressionandnaturaldisasters,andyet,againstallodds,daretodream,standout,speakupandlead.NationalGeographicannouncedtodaythestoriesofthesixbravewomenfeaturedintheseries,whichincludea19yearoldcollegestudentinPuertoRicowho,afterHurricaneMariadevastatedtheisland,isonamissiontoensurethateverypersonstrugglinghasaccesstocleanandsafewater;atraumatherapistinHalfMoonBay,California,wholosthertwinsistertoCOVID-19andisturninghergrieftoimpactbyhealingwomenthroughsurftherapy;aformallyhomelesstranswomaninMemphis,Tennessee,whoisbuildinghousesforothertransgenderwomeninneedofhomes;aballerinainthemostdangerousareaofBrazil,whothroughdancehascreatedacommunitythatliftsyounggirlstowardsabetterfuture;afigureskaterwhohasbrokenbarriersinhersportanddedicatesherlifetocoachingandempoweringyounggirlsofcoloronandofftheice;andthefirstfemalechiefofacoastalsouthernLouisianatribe,whoisexpectedtobeamongthefirstclimaterefugeesintheUnitedStates,assheimpactsthelegacyofherancestors,thelivesofhercommunitytodayandthefutureofherpeople.
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内详
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Tothestreets,“Raq”Thomasiscold,hardandfierce—asuccessfulanddeadlywomantakingnamesinaman’sworld.Sheistough,resolute,ruthless,butRaqstilliscapableoflove.Greatlove.Thesolerecipientofthataffectionisherson,Kanan;heiseverythingtoher.Asmuchasshecaresforhim,though,therearemanyinstanceswhereonewondersifsheloveshimforwhoheisorifsheloveshimmerelyasanextensionofherself.Themiddlechildofthree,Raqalsocarriestheheavyburdenastheearnerforhertwobrothers.Sheisthesun,andeveryoneelseinheruniverseexistsinherorbit.
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FilminginLosAngelesrightnow(despitethe100-mile-per-hourwinds)isthelatestfearflickfromFullMoonpictureslovinglytitledTheDeadWantWomen,andwe'vegotthefirstimagesofstarEricRobertslikeyou'veneverseenhimbefore.Digit!LookformoreontheflickfromCharlesBandandcompanyreallysoon!SynopsisBeginningatastylishmansionintheroaring192...
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米夏埃尔·艾斯
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Paris,1981.ThewindsofchangeareblowingonelectionnightandtheFrenchstormthestreets,elated.ButÉlisabeth(CharlotteGainsbourg)strugglestosharethegeneralmoodofoptimism.Hermarriageiscomingtoanendandshewillnowhavetosupportherfamily.Sheisdistraught,andherfatherandteenagechildrenareworriedthathertearssimplywillnotdry.Butwhatiflisteningtoheremotionscouldhelphertostartfillingtheblankpageofherfuture?Whatifsheweretowritealetteronawhimtothehostofherfavouriteradioprogramme?Orinviteahomelessgirlintoherhouse?Whatwouldhappenifsheweretomakethekindofgesturesthatactuallychangelives?Inthisfollow-uptothebeautifulAmanda,MikhaëlHersdirectshishypersensitivegazeatthe1980sandtheseeminglymundanemomentsinonefamily’slifethatshapeindeliblememories.Alargenumberofcharacterspopulatesthisnostalgicsagaofself-invention.Thedirectorhonourstheirvulnerabilityandkindnessinawaythatstandsoutinacinematiclandscapemoreoftenfascinatedbydisillusionedantiheroes.Thisisfilmatitsmostprofoundlyintimateandmesmerising,thekindthat,whenwereflectonhowwefunctionasasociety,givesusanideaofwhylovematters.
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TowithstandthepsychologicaltortureoftheGestapo,alawyerimprisonedbytheNazisrescueshimselfintheworldofchess.
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伊塔莉·里奇
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伊纳基·戈多伊
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摩根·泰勒·坎贝尔
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瑞哈娜·迦帕尔
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凯拉·扎戈尔斯基
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Rhys Nicholson
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塞莉纳·马丁
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Junnicia Lagoutin
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雷克哈·莎尔玛
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Ron Selmour
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Chris Cope
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詹妮弗·千
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Brandon Fung
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Siddhartha Minhas
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Diego Stredel
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马克斯·洛伊德-琼斯
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约翰·卡西尼
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E.J. 卡茨
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Mariesa Crouse
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AComingofRagestorycomingtoNetflixin2022.Threetwentysomethingswereturnedintomonstersbyevilscientistsagainsttheirwill.Nowthey’reonthehuntforthemad-manresponsibleinhopesofreversingtheside-effects…butalsothey’rebeingchasedbyagovernmentagency,dealingwithcollegeapplications,teenageromance,randommonstermutations,andallofsortsofcomingofagerelateddramas.Oh,andthegovernmentagencyhastanks.Welcometothisfull-throttle,action-adventure,monstersci-fiNetflixoriginalseries.WelcometoaComingofRagestory.WelcometoTheImperfects.FeaturingItaliaRicci,IñakiGodoy,MorganTaylorCampbell,RhiannaJagpal,andRhysNicholson.Fromshow-runnerDennisHeaton,andthecreativemindsbehindTheOrder,FargoandVanHelsing.
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加林·努格罗
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Awomanintheframe’sforegroundwatcheseventsunfoldinginaroom.Suddenly,hithertohiddenbyherfigure,herdoubleentersthescene,andcatastropheensues.Isthisatrickyhorror-mystery-thrillerbyDarioArgentoorBrianDePalma?No,itistheextraordinary,unexpectedgestureofIndonesianmasterGarinNugrohomarryinghispenchantforother-worldlyfantasywithmyriaddevicesofpopulargenre.ARotterdamregularoverthepasttwenty-sevenyears,Nugroho’simpressivebodyofworkspansfeatures,documentariesandshorts,amongtheseacclaimedOperaJawa,selectedforIFFR2007.
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
