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ThecontinuationofKao,Pete,SunandMorksstory.KaoandPetebeinginablissfulromance,havegrowncloser.ButwithKaobeingclosetedfromhismother,hefearsthedreadedthoughtofherfindingout.HismotherthenintroducesNon,asonofacolleague,asherequirestutoringfromKao.WithNonconstantlygivingoffiffyvibestowardsKao,itonlyfuelsPetesjealousy.Theirrelationshipisputinstrain,butthroughthis,theymustultimatelyovercomeeachothersflaws.Theybothblossomintheiryouthfulnesscoatedbytheireverlastingfondnessforoneanother.Surroundedbythewonderofdarkblue,PeteandKaosurrendertotheirfeelings.SunstartstakinghintsfromhisunrequitedloveandslowlygivesuponKao.ThroughthisMorkhappenedtopossiblycomforthim.WhilstSunpushesRaintostayawayfromMork,theyoungermansuncontrollablebehaviourbringshimin.Ashiswildnessisintriguing,SunsseriousnessholdsMorkdownsomewhat.Underneathitall,thetwostarttocareforeachother.However,withMorksdangerouslife,hecantshakewhoheis.ButmaybehecanforsomeonelikeSun.
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Thisseriesisabovetheexpectationstheyhadaboutit.Itisveryfast(beyondthetempoofeachepisode)conflictsareabletodevelopandresolveineachepisode.Whichforoneasaspectatorisverygoodsincetherhythmisneverlost.Ontheotherhand,humormanagementisconstantandgivesititspointofgracesothatconflicts,whichareverydeep,canoccurwithalightnessthatcatches.ThechemistrythatPaulaUseroandCarolRovirakeepintheseriesisthesameastheyhavein"LoveIsForever"soinjust10minutestheycatchyouinawaythatwhenyoualreadyseethemtogetheryoualreadyknowthateverythingwillworkout,theyarethebasisofthisseriesandthewritersnoticethattheyknowitsincetheseriesisbyandforthem.
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加文·德里
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罗莎·萨拉查
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杰米·米奇
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乔治·韦伯斯特
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杰德·哈里森
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巴夫·乔希
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凯莉·库克
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Omar Baroud
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Ioanna Kimbook
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伊万·凯
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理查德·加德
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Mohammed Amil Shafi
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Fred Johanson
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菲利普·加斯科因
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Maud Druine
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James Payton
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贝琪·贝克
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森约·阿莫库
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赫拉奇·蒂蒂赞
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吉恩-帕斯卡尔·海涅曼德
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尤恩 贝利
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Rikki Chamberlain
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The genre-busting series tells the story of Katie and Stefan who fall for each other at a wedding and begin an affair, despite Katie already having a fiancé. Two months later at Katie’s wedding, her new husband and his entire family are murdered. The po
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This three-part series journeys the length, breadth, and height of the Andes to reveal the incredible natural history of the longest mountain range on earth. In the Northern Andes, rising mountains and erupting 册canoes have produced a stunning variety of life. Boasting poison frogs, legless amphibians, high-flying monkeys, the continent"s only bears, and the world"s last tropical glaciers, the Northern Andes are unlike anywhere else on Earth.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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大卫·默辛格
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Golden Globe® winner Angela Lansbury returns as mystery writer Jessica Fletcher, and more people are turning up dead wherever she ventures. But, Jessica is the only one clever enough to read between the lines and see the clues nobody knew were there.
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
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李·H·卡金
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Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course Le Mans in France. The race goes over 24 hours on 14.5 kilometers of cordoned country road. Every few hours the two drivers per car alternate - but it's still a challenge for concentration and material. In the focus is the duel between the German Stahler in Ferrari 512LM and the American Delaney in Gulf Team Porsche 917. Delaney is under extraordinary pressure, because the year before he caused a severe accident, in which his friend Lisa's husband was killed.
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保罗·塔维亚尼
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ThreeyearsafterthelossofhisbrotherVittorio,withwhomhesharedhisentirecareer,PaoloTavianireturnstotheworksofLuigiPirandello,whichthepairadaptedin1984(Chaos)and1998(YouLaugh).InkeepingwiththeSicilianplaywright’svision,thefilmisnotatallwhatitappearstobe.Thetitlemaycomefroma1910novella,butthereisnotraceofthatbook’sjealousy-riddledplot.Instead,thefocusisonPirandellohimself,orrather,hisashes,whicharetransportedfromahastyburialsiteinfascistRometoapermanentrestingplaceinSicily,onatrekthattakesusthroughpost-warItalyanditsfilmedmemories,asseeninnewsreels,amateurfilmsandfragmentsofNeorealism.Havingburiedthemaster,Leonoraaddiothenshiftsgearfromroadmovietofilmadaptation,buthereitpicksadifferentPirandellostory,namelythelastone,writtenshortlybeforehisdeathin1936.Fromthefarewellofthetitletoitsreturntothewriter’slastwords,itishardnottoreadthiswork,sofreeandyetsomuchapartoftheTavianiworld,asamovingbrotherlyfarewellwhich,justasin2012’sGoldenBearwinnerCaesarMustDie,onceagainusescinematogivevoicetoliteratureandhistory.
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劳拉·西塔雷拉
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Awomanvanishes.Twomentaketotheroadinsearchofher:theybothloveher.Whydidsheleave?Eachoneofthemhashisownsuspicions,andhidesthemfromtheotheronewho—mysteriously—nevertrulybecomeshisrival.Neitherisright—butisanyone?Thissuddenrunawaybecomesthehiddencoreofanumberoffictionsthatthefilmdelicatelyweavestogether:thesecretoftheheartofanotherwoman,lostaswell,manyyearsago;thesecretofthelifeofavillageinthecountryside,governedbyasupernaturalincidentthatnobodyseemstoperceive;thesecretoftheplains,whichneverceasestospreadanddevoureverything,liketheshadowsthatinvadetheworldafterthetwilighthour.
