Rector
搜索"Rector" ，找到 以下影视作品
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托姆·齐穆尼
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The nearly 50 years prolific carrier of Sylvester Stallone, who has entertained millions, is seen in retrospective in an intimate look of the actor, writer, director-producer, paralleling with his inspirational life story
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Belgiandirector/screenwriterBertScholiersjumpsallovertheplaceinhisimaginativefeaturedebut.OnemomentweareinanAntwerppub,thenextwearewalkingacrossanexpanseofsnow,theninacosmicblackholeorchasingaflyingpineapple.ThisishowbestfriendsCharlieandHannah’sdrink-fuellednightpansoutafterswallowingamagicalsweetthatchangestheworldsurrealistically–alsoforeveryonearoundthem.Thelaconictwenty-somethingsrespondtotheseeventswithamusedamazement(whethertheywindupinapre-warbrothelorareblowntosmithereensbyanatombomb),allthewhilesaunteringalonganddiscussingthereallyimportantstuff:dealingwithexesandrelationships.LikeatrippingWoodyAllenorNoahBaumbach,Scholiersplayswithform,usinginventivevisualhumour,colourandblack-and-white,switchingaspectratiosandreferringtosilentmoviesandItaliangiallohorror.
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Ernesto lives life in a limbo of sorts, stuck somewhere between the promise of an exit visa and the fear of rotting away in Havana. But his smooth-talking schemes to secure papers are complicated when he crosses paths with Anita, and is faced with the only incentive to stay in Cuba—love. Screenwriter Alejandro Brugués makes his directorial debut with this poignant romance about the price of freedom, the power of sacrifice and the meaning of happiness.Alejandro Brugues was born in Buenos Aires, but he is a Cuban national. After studying Advertising, Psychology and Philosophy, he graduated with a Screenwriting major from the Escuela de San Antonio de los Banos. After taking his first steps as a screenwriter, he directed and wrote this first work, which received awards at the Cine en Construcción section of the Guadalajara Film Festival. Personal belongings is a love story that takes on the everyday reality of Cuba: Ernesto keeps his "personal belongings" in a briefcase, waiting for the moment when he will finally be able to leave the island; meanwhile Ana has decided to stay and not go with her parents, who fled on a raft. The two youngsters meet when he goes to the policlinic where she works, and although by falling in love they each find what they were looking for in each other, they also know they have decided on very different paths and at some point they’ll have to make a final choice.
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Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
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格雷格·巴克
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The Emmy® and Peabody winning creators and executive producers of HOMELAND, Alex Gansa and Howard Gordon, team up with Emmy® winning director Greg Barker for this documentary feature, which unpacks the human stories and drama behind America's in册vement in Afghanistan, now the longest war in U.S. history. First-hand witnesses — ranging from U.S. intelligence operatives, to soldiers and their families, Afghan officials, journalists, top government and military officials — bring their experiences to life through emotional interviews.
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A heroic fantasy about an artist’s destiny at the tumultuous time of social transformations. One of director Alexander Mitta’s best films. The south of Russia, 1920. In a town square, a mono-performance is on, based on Shakespeare’s “Julius Caesar”. The film’s hero who took the pseudonym “Revarm”, which stands for “Revolutionary Art for the Masses”, is seriously interested in theatre. The real life and the stage one are intertwined in his destiny. In a provincial town where the power continuously changes hands, going from the Reds to the Whites, from the Whites to a band of the Greens, this youthful stage reformer, endowed with the gift of persuasion, attracts people to his cause, leaving no one indifferent.…
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ThedocuserieslaunchesonFebruary10,2025.RidleyScott,directorofBlackHawkDown,contributedtothisdocuseriesthroughhisproductioncompanyRSAFilms.However,JackMacInnesdirectedit.MacInnespreviouslyworkedondocumentaries,includingLeavingAfghanistanin2022.ProducersJamalOsmanandEmmaSuppleworkedwithexecutiveproducersDominicCrossley-Hollandand...
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A12-year-oldboyturnstoacharismaticlonerforhelpafterbeingbeatenupatschool,indirectorMilesWarren’ssearingfeaturedebutaboutfathers,families,andtheeffectsoffighting.
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雅什·乔普拉
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每个人在某个地方总有一个属于你的人存在。“我心狂野”就是让这种信念实现的故事。它讲述的是拉忽尔，一个不相信爱情的人的故事。拉忽尔不太理解人们是如何能够在一起相处一生，难道真的有人是属于他的吗？这又是关于坡佳，一个相信一定有人是属于她的，而且她一定能遇上那个人的女孩的故事。这还是关于妮莎，一个认为爱情就是友谊，终有一天她的梦想会实现的故事。这部电影还有出色的音乐献给那些有梦想而充满热情的人们。他们的梦想能实现吗？他们能找到他们的真爱吗？影片将让我们相信每个人在某个地方总有一个属于你的人存在。 Dil to pagal hai is a fantastic film. Its my all time favorite.I love to watch Yash Chopra films and among them its the best one. Since the year it released i.e 1997 no other film has touched me like this.My extreme love for DTPH is because of following reasons.. -Its tag line touches me i.e someone somewhere...is made for you. -Its story line and Yash Chopra's perfection as a director. -Its superb music by Uttam Singh and above all LATA MANGESHKAR's melodious duets with Udit Narayan.I love its songs; and in them, Lataji's voice (even more than old songs of Lataji) -Uttam singh's background instruments rock me whenever i listen to the numbers. -Shahrukh Khan's first performance in which he didnot deliver dialogs in the way like he earlier used to.He was very serious and his acting was quite,calm and mature.For the same reason he got several awards for this film. -Madhuri's performance was great and so was of Karisma.Both got awards and Karisma also got her first National Award. -I love its screenplay specially in the shots having an acting stage within the film.(See its climax to confirm what i said.) MUST SEE IT AFTER READING MY COMMENTS IF YOU ARE NOT SATISFIED WITH ME. I AM SURE YOU WILL ALSO BECOME A DTPH FAN LIKE ME.
