Torrel
搜索"Torrel" ，找到 以下影视作品
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巴里·詹金斯
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奇伦（艾什顿·桑德斯 Ashton Sanders 饰）的母亲宝拉（娜奥米·哈里斯 Naomie Harris 饰）吸毒成瘾基本无意照料孩子,奇伦从小在孤单中长大,由于过于瘦小的身体而时常受到四周人的欺负跟作弄。一次偶尔中,奇伦结识了毒贩胡安（马赫沙拉·阿里 Maher shala Ali 饰）,今后,胡安跟其女友特蕾莎（加奈儿·梦奈 Janelle Monae 饰）的住处成为了奇伦的第二个家。 凯文（贾雷尔·杰罗姆 Jharrel Jerome 饰）是奇伦独一的友人,跟着时光的推移,两人之间的情感垂垂超出了友情。但是,为了隐蔽本人的性取向,凯文不得不在错误的鼓动下对奇伦大打脱手,之后,两人再也不见过面。一晃眼多年从前,奇伦溘然接到了凯文打来的德律风,两人终于决议正视各自心中真正的情感。
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一部结合了罗密欧与朱丽叶、邦尼与克莱德元素的爱情罪案惊悚片。Seven（Zovatto饰）是一名高端毒贩，Maddie（Turner饰）是他的挚爱，他的生活围绕着富二代客户，模特派对和充斥着毒品的冒险。他们美好的生活被他儿时好友Dave（DarrellBritt-Gibson饰）的出现打断了，他在一次不可靠的交易中寻求帮助，由此引发了一系列事故，每个人都难辞其咎。
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奥利弗·马苏奇
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西尔维斯特·格罗特
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安杰丽娜·汉奇
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Wolf
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Danny
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Homann
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尼娜-弗瑞得里克·吉娜迪格
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尼古拉·卡斯特讷
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Marita
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Marschall
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Pierre
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Besson
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Sebastian
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Schwarz
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瓦伦蒂娜·绍卡
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卢卡斯·图尔图
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Fabian
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Harloff
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Christian
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Beermann
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Bernhard
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Conrad
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Pauline
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Fusban
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Thomas
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Lawinky
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Oda
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Thormeyer
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Stephanie
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Schadeweg
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Norman
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Ha
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Inspiredbyatruecrimecase,thefictionalsix-partseries"GermanCrimeStory:Gefesselt"followsthestoryofoneofGermany’smostnotoriousserialkillers,theso-called"acidbarrelkiller."RaikDoormannstrikesfearintotheHamburgareaintheearly80sand90s,ashekidnaps,torturesandbrutallykillswomeninhisownnuclearbunker.ItisnotuntilNelaLangenbeck,avictimcounselorandlaterhomicidedetective,comesacrosscluestohisdeeds.Butatthattime,womenwithinthepolicedepartmentareregardedmoreassecretariesthaninvestigators-sosheinitiallyearnedheadshakesforherapproaches.Againstallodds,sheeventuallygetsonthetrailofDoormannandhisgruesomedeeds.
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卡马提克
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ABC喜剧电视剧《喜新不厌旧》（Black-ish）的创作人肯雅·巴瑞斯（Kenya Barris）将翻拍1992年的篮球喜剧电影《黑白游龙》（White Men Can’t Jump），NBA洛杉矶快船队（Los Angeles Clippers）的球员布雷克·格里芬（Blake Griffin）与NFL卡罗莱纳黑豹橄榄球队球员瑞恩·卡利（Ryan Kalil）也将参与制片。
老版《黑白游龙》讲述了韦斯利·斯奈普（Wesley Snipes）饰演的西德尼（Sidney Deane）和伍德·哈里森（Woody Harrelson）饰演的比利（Billy Hoyle）合伙利用打球、赌球行骗的故事。比利是个白人，黑人街头篮球手往往认为他不会打球，从而轻敌输了比赛。
本片的片名“White Men Can’t Jump”是西德尼打趣比利的话，因为他说他不会...
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Amysteriousapplicationcalled'Wishlist'comesintothepossessionofagroupofteenagers.Itfulfillseverypersonaldesireifaspecialtaskisperformed-nowtheyhavetodealwiththisresponsibility.Incontrarytotheexpectationsnoheavenlystateoccurs.Theymighthavetoaskthemselves:Howmuchcanthepeopleoftheworldcometruebeforetheyharmtheirrelative...
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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朗·霍华德
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WeFeedPeoplespotlightsrenownedchefJoséAndrésandhisnonprofitWorldCentralKitchen’sincrediblemissionandevolutionover12yearsfrombeingascrappygroupofgrassrootsvolunteerstobecomingoneofthemosthighlyregardedhumanitarianaidorganizationsinthedisasterreliefsector.
