Won
搜索"Won" ，找到 以下影视作品
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Theworld’smostpopularsport.Thebiggesteventonearth.Themostcovetedtrophy.Only8countrieshaveeverwonit.Neverbeforehasthisbeencovered.ThisSeriesexploreseachofthe8countrieswhichhavebecomechampions.Theirgreateststars,theirpersonalstories,theirparticularhistory.Itisajourneytodiscoverthesecretsoftriumphaccordingtotheirveryprotagonistsandbiggestexperts.
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Atthebeginningof2259,CaptainJohnSheridanreplacesSinclairasthemilitarygovernorofthestation.HeandthecommandstafflearnthatthedeathofPresidentSantiagowasactuallyanassassinationmastermindedbyVicePresidentClark(whoassumedthePresidencyuponSantiago’sdeath).AconflictdevelopsbetweentheBabylon5commandstaffandthePsiCorps,anincreasinglyautocraticorganizationwhichoverseesandcontrolsthelivesofhumantelepaths.CommanderIvanova,thesecond-in-commandofthestation,issecretlyalatenttelepathwhohasillicitlyavoidedregisteringwiththePsiCorps.TheShadows,anancientandextremelypowerfulracewhohaverecentlyemergedfromhibernation,arerevealedtobethecauseofavarietyofmysteriousanddisturbingevents,includingtheattackontheNarnoutpostattheendof2258.CentauriAmbassadorLondoMollariunknowinglyenliststheiraidthroughhisassociationwiththemysteriousMr.MordenintheongoingconflictwiththeNarn.TheelderlyandailingCentauriemperor,longanadvocateofreconciliationwiththeNarn,diessuddenlywhilevisitingBabylon5.Anumberofconspirators,includingLondoMollariandRefa,takecontroloftheCentaurigovernmentbyassassinatingtheiropponentsandplacingthelateemperor’sunstablenephewonthethrone.TheirfirstactistostartopenaggressionagainsttheNarn.Afterafull-scalewarbreaksout,theCentaurieventuallyconquerNarninabrutalattackinvolvingmassdrivers,outlawedweaponsofmassdestruction.Towardstheendoftheyear,theClarkadministrationbeginstoshowincreasinglytotalitariancharacteristics,clampingdownondissentandrestrictingfreedomofspeech.TheVorlonsarerevealedtobethebasisoflegendsaboutangelsonvariousworlds,includingEarth,andaretheancientenemiesoftheShadows.TheyenlisttheaidofSheridanandtheBabylon5commandstaffinthestruggleagainsttheShadows.
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Tothestreets,“Raq”Thomasiscold,hardandfierce—asuccessfulanddeadlywomantakingnamesinaman’sworld.Sheistough,resolute,ruthless,butRaqstilliscapableoflove.Greatlove.Thesolerecipientofthataffectionisherson,Kanan;heiseverythingtoher.Asmuchasshecaresforhim,though,therearemanyinstanceswhereonewondersifsheloveshimforwhoheisorifsheloveshimmerelyasanextensionofherself.Themiddlechildofthree,Raqalsocarriestheheavyburdenastheearnerforhertwobrothers.Sheisthesun,andeveryoneelseinheruniverseexistsinherorbit.
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ANigerianwomanandanIndianmanwon’tletculturaldifferencesgetinthewayoftheirromance.
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影片講述了一個在澳大利亞長大的年輕記者在本人父親的家鄉愛上當地美麗的女導游的故事,據導演泄漏,這部影片拍攝時間僅13天,然而片中演員的扮演都非常精彩,導演生机借助這部電影能讓天下的眼光注視到老撾現在的發展狀況。 สะบายดีหลวงพะบาง 晨安瑯勃拉邦 是老撾歷史上第一部故事電影,這部由私家出資,老撾泰國聯手攝制的藝術電影將於6月5日在全泰國上映。影片由ศักดิ์ชาย ดีนาน.以及อนุสอน สิริสักดา兩位導演独特指導,影片男配角是赫赫有名的อนันดา เอเวอร์ริ่งแฮม（Ananda）,這位澳大利亞-老撾混血兒在泰國經典恐惧片“鬼影”中的完善扮演證實了本人在扮演上不淺的天賦。女配角則是老撾美人คำลี่ พิลาวง（Khamli philawong）。
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
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米兰·赫伊洛夫
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艾洛蒂·袁
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阿丹·坎托
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艾娃·德·多米尼奇
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Faith Bryant
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艾迪·弗莱克
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Chelsea Frei
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奥利弗·赫斯顿
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Lily Lei
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Sean Lew
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Martha Millan
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纳维德·内加班
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Filip Sertic
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伊万·肖
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Travis Siemon
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莉莎·维尔
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Dean Allen Williams
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Whenwhip-smartCambodiandoctorThonyDeLaRosacomestotheUnitedStatesformedicaltreatmenttosaveherailingson,shesoondiscoversherpathwon'tbeasstraightforwardasshehadhoped.Asthesystemquicklyfailsher,pushingherintohiding,sheresolvesnottoallowherselftobebeatendownandmarginalizedandbecomesacleaningladyfororganizedcrime.Usinghercunningandintelligence,Thonyforgesherownpathinthecriminalunderworld,doingwhatevershehastosurvive.
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InSeason2 - corporateattorneyJoannaHanley(KristinKreuk)findsherselfatatoplawfirminWinnipegreadytomakeafreshstartawayfromherpreviousfirm.There,anewclientdrawsherintotheshadowyworldofhackers,activists,andapoliticalmovementthatwon’ttakeanyprisoners.ThecaseleadsJoannathroughmanytwistsandturns,untilsheeventuallybecomesakiller’starget.Herestrangedfathertriestoassisther,whichleadstoaneventthatwillchangeboththeirlivesforever.Meanwhile,Millwood’slifebloodhasbeenleftdepletedfollowingthebankruptcyofthemill.Withrisingunemploymentrates,tensionsintownarerunninghigh,leavingBillytoretreatfurtherawayfromtown,butwhenhisrecklessbrotherShane(AndrewChown)showsup,Billy(PeterMooney)isforcedtoconfrontchildhoodmemories.
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Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.
