Alki
搜索"Alki" ，找到 以下影视作品
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Belgiandirector/screenwriterBertScholiersjumpsallovertheplaceinhisimaginativefeaturedebut.OnemomentweareinanAntwerppub,thenextwearewalkingacrossanexpanseofsnow,theninacosmicblackholeorchasingaflyingpineapple.ThisishowbestfriendsCharlieandHannah’sdrink-fuellednightpansoutafterswallowingamagicalsweetthatchangestheworldsurrealistically–alsoforeveryonearoundthem.Thelaconictwenty-somethingsrespondtotheseeventswithamusedamazement(whethertheywindupinapre-warbrothelorareblowntosmithereensbyanatombomb),allthewhilesaunteringalonganddiscussingthereallyimportantstuff:dealingwithexesandrelationships.LikeatrippingWoodyAllenorNoahBaumbach,Scholiersplayswithform,usinginventivevisualhumour,colourandblack-and-white,switchingaspectratiosandreferringtosilentmoviesandItaliangiallohorror.
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Ernesto lives life in a limbo of sorts, stuck somewhere between the promise of an exit visa and the fear of rotting away in Havana. But his smooth-talking schemes to secure papers are complicated when he crosses paths with Anita, and is faced with the only incentive to stay in Cuba—love. Screenwriter Alejandro Brugués makes his directorial debut with this poignant romance about the price of freedom, the power of sacrifice and the meaning of happiness.Alejandro Brugues was born in Buenos Aires, but he is a Cuban national. After studying Advertising, Psychology and Philosophy, he graduated with a Screenwriting major from the Escuela de San Antonio de los Banos. After taking his first steps as a screenwriter, he directed and wrote this first work, which received awards at the Cine en Construcción section of the Guadalajara Film Festival. Personal belongings is a love story that takes on the everyday reality of Cuba: Ernesto keeps his "personal belongings" in a briefcase, waiting for the moment when he will finally be able to leave the island; meanwhile Ana has decided to stay and not go with her parents, who fled on a raft. The two youngsters meet when he goes to the policlinic where she works, and although by falling in love they each find what they were looking for in each other, they also know they have decided on very different paths and at some point they’ll have to make a final choice.
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Simon,ayoungmanwithexceptionalpowers,tracksdownaserialkiller,battlingnotonlyhisowndemonsbutagovernmentagencythathasdecidedSimonistoodangeroustobeallowedtoroamfree.BasedonabestsellerbyPeterFlannery.
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玛娅·鲁道夫
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亚当·斯科特
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MJ·罗德里格斯
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罗恩·芬奇斯
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奈特·法松
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乔尔·金·布斯特
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斯蒂芬妮·斯泰尔斯
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米根·费伊
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安妮·斯泰德曼
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奇普·齐纳里
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吉安·弗朗哥·托尔迪
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奥利维埃·马丁内斯
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维克托·沃尔夫
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洁基伯明翰
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Albert
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Malafronte
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Elizabeth
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Thieme
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Elizabeth
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Thieme
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Cheryl
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Francis
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Harrington
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Michael
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Vargas
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Ana
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Rey
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Kimberly
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Wallis
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Jamila
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Allen
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Alex
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Elin
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Goyc
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MayaRudolphisMollyNovak,abillionairereadytosavetheworld.LootpremieresJune24onAppleTV+.Afterdivorcingherhusbandof20years,MollyNovakmustfigureoutwhattodowithher$87billionsettlement.Shedecidestoreengagewithhercharitablefoundationandreconnectwiththerealworld—findingherselfalongtheway.InadditiontoRudolph,theLootensemblecastisledbystarsMichaelaJaéRodriguez(“Pose”),RonFunches(“Undateable”),NatFaxon(“Married”)andJoelKimBooster(“Sunnyside”).Lootiscreated,writtenandexecutiveproducedbyYangandHubbard.Rudolphexecutiveproduces,alongwithNatashaLyonneandDanielleRenfrewBehrens,throughtheirAnimalPictures.DaveBeckyof3Artsalsoservesasexecutiveproducer.LootisproducedforApplebyUniversalTelevision,adivisionofUniversalStudioGroup.
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萨姆·米勒
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Thegrippingtruestoryofayoungman’sjourneyfromherotoallegedwarcriminal,thedeterminedlawyeronhistail,andtheirsearchfortruthinthefogofwar.AnthonyBoyleplaysthereal-lifesoldierBrianWood,accusedofwarcrimesinIraqbythetenacioushumanrightslawyerPhilShiner,playedbyTobyJones.Thetwomengoheadtoheadinalegalandmoralconflictthattakesusfromthebattlefield-atso-calledCheckpointDannyBoy-tothecourtroom,andoneofBritain’sbiggesteverpublicinquiries,theAl-SweadyInquiry.Memory,evidenceandtraumacollide,asBrianfindshimselfcaughtonthefinelinebetweenwarandunlawfulkilling.AfterhisserviceinIraqandyearsoflegalinvestigation,willheeverbeabletolookhisfamilyintheeyeagainandbethehusband,father,andson,theyneedhimtobe?DannyBoyisanurgentandthought-provokingdramathatquestionswhatweaskofthosewhofight-andkill-fortheircountry.DannyBoyismadebyExpectationfortheBBC.ItiswrittenbyBafta-winnerRobertJonesanddirectedbySamMiller,andalsostarsAlexFerns,LeahMcNamara,PaulineTurner,KiranSoniaSawar,andTomVaughan-Lawlor.ExecutiveProducersareColinBarrandSusanHorthforExpectation,withLucyRicher,JoMcClellanandClareSilleryfortheBBC.
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迈克尔·斯皮勒
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Whatcouldpossiblyhaveendedthetight-knitthirtyyearfriendshipofTullyandKate,our"FireflyLaneGirlsForever"?We'lllearntheanswerthisseason--butfirst--KategrappleswiththepainfulaftermathofJohnny'sill-fatedtriptoIraq,whileTullyfacesalawsuitafterwalkingawayfromhertalkshow,andmuststarthercareeroverfromthebottom.Thisleadsher...
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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Supernatural investigation of a case of sleepwalking
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内详
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IntheanomalouszoneofChernobyl,undertheprotectivesarcophagusofthefourthpowerunit,theGlobalKintekCorporationiscarryingoutillegalconstruction.Theseplansneedtobepreventedfromcreatingaspecialinterstatecommission,butrightduringthepressconferencetheheadofitsgroupofunknownterrorists.HesuccessfullyfoughtwiththeZone,butitseemsthatnowtheZoneitselfhascapturedhim.Aquarterofhisfriends-Everything,time,timeandnight-donotneedanythingelsebuttogoonajourneyagaintotrytosavePashaandcreateaglobalthreat.
