Dizon
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雷纳·佩雷斯
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Inasavagelandwherezombiesroamfreely-LieutenantColonelSawyerisarmedwithmachineguns,bodyarmorandcourage.Heisonamissiontogivehisfamilyaburialatsea.Toreachthecoast,hemustenteraquarantinedinfectedzoneandfightthroughhordesofbloodthirstyzombies.Thereheencountersagroupofsurvivorsincludingayoungwomanwhoisatargetofbotht...
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Yiannis doesn’t have much going for him, save for his adorable dog, Jimi, and his fast-approaching date to get out of Cyprus for good. But when Jimi wanders across the U.N. buffer zone and into the section of the island Turkey seized more than forty years ago, an unregulated state unrecognized by the rest of the world, Yiannis learns, bringing a dog back over the border is not as easy as walking straight home. He enlists a mismatched band of accomplices from every side of the Cyprus dispute to find a way to get Jimi back, while never leaving the land he calls home. Writer and director Marios Piperides has been producing films in Cyprus for more than a decade, and his inside knowledge pays dividends in this narrative feature debut—a whip-smart comedy on legality, disputed nationality, and the frameworks that are erected to maintain a fragile peace. He demonstrates his compassion for locals on both sides of the divide, as he tenderly captures their struggle to find hope and make a living in a divided land. Such serious themes pair perfectly with Piperides’s sense of humor: As Yiannis’s efforts dip farther into absurdity, they offer a send-up of the forces that prolong a conflict that has been poorly understood and largely forgotten by the outside world.
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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阿兰·里奇森
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马尔科姆·古德温
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薇拉·菲茨杰拉德
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克莉斯汀·克鲁克
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布鲁斯·麦克吉尔
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克里斯·韦伯斯特
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哈维·吉兰
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马克斯威尔·詹金斯
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库里·格拉汉姆
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马克·本达维德
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威利·C·卡彭特
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乔纳森考斯庚
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Leslie
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Fray
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Gavin
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White
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马修·马斯登
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拉娜·珍·科洛斯特奇
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阿莉·约翰逊
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迪伦·特罗布里奇
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休·汤普森
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玛丽亚·斯坦
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伊里·哈姆
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克里斯托弗·拉塞尔
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亚历桑德拉·卡斯蒂略
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布雷丹·贝塞尔
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Jackie
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Richardson
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罗恩·米德
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Laurie
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Murdoch
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Tracey
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Roo
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Amazon宣布拿下著名作家LeeChild小说系列《侠探杰克JackReacher》的剧集版项目，并交由《天蝎Scorpion》主创NickSantora负责，AmazonStudios﹑SkydanceTelevision及ParamountTelevision联合制片。JackReacher在小说中曾经是美国陆军的军警，离开美军后他以调查员身份接手调查一些可疑或有危险性的案件。P.S：过去曾主演过两部系列电影《侠探杰克JackReacher》及《侠探杰克：永不回头JackReacher:NeverGoBack》的TomCruise不会在剧中演出。
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黛博拉·法拉贝拉
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莱昂德拉·利尔
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泰丝·阿劳茹
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Thainá
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Duarte
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卡米拉?皮坦佳
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路易斯·卡洛斯·瓦斯康赛罗斯
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罗密欧·布拉加
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古斯塔屋·法尔桑
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Vitor
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Thiré
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Bruno
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Goya
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古斯塔沃·瓦兹
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Ravel
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Andrade
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丹尼尔·里贝罗
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Kay
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Sara
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Abra?o
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Mazuruna
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克劳迪乌·亚博朗迪
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Flávio
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Rocha
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布鲁诺·帕基利亚
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Marcos
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de
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Andrade
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哈法埃尔·普林莫特
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Luti
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Angelelli
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塞缪尔·德·阿西斯
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Daniel
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Volpi
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B
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