Hope

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零异频道梦之门第四季
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Syfy诗选剧「零异频道 Channel Zero」第四序副题目定为「梦门 The Dream Door」,该季故事由Charlotte Bywater,所着的Creepypasta(转贴恐惧故事﹑都会传说)「Hidden Door」所启示。「梦门」报告新婚匹俦Ji llian及Tom实在互无机密,当他们在地下室发明一道奥秘﹑生疏的门时,那些机密将会威逼到二人的婚姻……乃至生命安危。Maria Sten扮演Jillian Hope Hodgson,景不雅计划师的她早先与童年挚友Tom完婚,他们搬到Tom长大的屋子里,生机把它打形成幻想故里。Brandon Scott扮演Tom Hodgson,无能周密的他深爱着老婆。Steven Robertson扮演Ian,Jillian及Tom的隔邻街坊,他是个无先入之见的心思学研讨生,Ian与配角们一起感触了那奥秘门后的奇怪阅历。Steven Weber扮演Jillian的心思医治师Abel Carnacki,Jillian的临时倾吐者,因而Abel懂得她的真正疑问。宁静﹑控制,称得上「冷面」的他偶然会惹末路Jillian,尤其是她试图说明地下室那奥秘的门时。
布里吉·莫汉万岁
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BrijMohan(36),ahosieryshopownerinabusyDelhimarket,desperatelywantstochangehislife.Heisfedupofhisball-crusherwifeandmountingdebts.Inordertoescapehiswretchedlife,hechangeshisappearanceandadoptsanewidentityasAmarSethi,butendsupcommittingabotchedupmurder.Herunsoffwithhisyounggirlfriend,hopefulofmakinganewbeginning.Instead,asluckwouldhaveit,hefindshimselftrappedinawebofhisownKarma.
致命教案
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Afterateachertragicallydies,hisfriend,whohappenstobeaformercop,takesoverhisoldjobinhopesofcatchingthepeopleresponsibleforhismurder.
寿城池
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HeejunghopestoleaveDaeguandtransferstoauniversityinSeoul.Sheworksataticketofficeforpaddleboatstosaveupforhertuition.Onedaywhileshedozesoff,someoneattemptssuicide.[18thJeonjuInternationalFilmFestival-KoreanCompetition]
公主与海盗
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玛格丽特(弗吉尼亚·梅奥 Virginia Mayo 饰)是一名出身尊贵的公主,虽然过着衣食无忧富足奢侈的生活,但玛格丽特却并不感到快乐。因为她无法自由的去选择自己的感情,而是必须听从国王的安排。  一次偶然中,玛格丽特在一条商船上遇见了名为沙巴斯(鲍勃·霍普 Bob Hope 饰)的演员,此时,意外发生了。贪婪的铁驹船长(维克托·麦克拉格伦 Victor McLaglen 饰)劫持了商船,并且绑架了玛格丽特公主要求巨额赎金。为了救玛格丽特,沙巴斯不惜男扮女装,甚至嫁给了海盗羽毛头(沃尔特·布伦南 Walter Brennan 饰)。羽毛头早就不满铁驹船长的独裁统治,他命令沙巴斯去偷取藏宝图。
婴灵复活
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  In 1919 South America, a landowner's wife is desperate for a child of her own, having suffered through multiple miscarriages. She finds hope, however, in a seemingly outlandish plan: She'll pray to a mythical deity to resurrect her stillborn son. The plan works, but with the child comes something else, something evil.
设计爱情
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Cole,anaspiringtwentysomethingscreenwriter,decidestowritehismostambitiousscripttodatebyplottingoutawhimsical,atmospheric,rom-comrelationshipwiththedaughterofhisscreenwritingidol,allinhopesofmeetingherlegendaryfatherandgettingalegupinshowbiz.
胆包天
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.  The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
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