Berta
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
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Elejércitorodeaelinternado.Unaalambradaimpidequenadiepuedaentrarosalir.Estánincomunicados,sequiereevitarquecundaelpánicomásalládeloslímitesdelbosque.LacepamáspeligrosadelvirusdeOttoxhasidoliberadaenplenocorazóndeLaLagunaNegra.Todossushabitantespuedenestarinfectados.Así,enestadodealertamáxima,arrancalaúltimaetapadeElinternado.
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"whentwoworldscollide;theybecomeone."SetinthepicturesquecityofUdaipur,DhadakisthestoryofMadhukarandParthavi.Fromthemomenttheyseteyesoneachother;MadhukarandParthavifeltsomethingfamiliar,somethingpure,butastheirloveblossomed,sodidtheirproblems.Tornbetweensocietyandtheirfamilies,theirfatebecameuncertain.DHADAKisasimple,passionatestoryaboutfirstlove.
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杰罗姆·波奈
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Jonas, a 40 something Parisian, is still desperately in love with his ex-girlfriend Léa. When he knocks on her door to confess his feelings and she turns him down, he ends up at the café downstairs. Inspiration strikes and he sits down to write her a long love letter, dodging everything he was supposed to do that day. What begins as a last attempt to get her back surprisingly turns into a vivid musing on the state of his life. Over the course of a day, helped by a wisecracking bartender and an array of patrons from the neighborhood, Jonas has to face his past relationships, his uncertain future and, most of all, himself.
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AgroupoffriendshitcharidetoACLmusicfestivalinTexaswithaquietyetmagneticdriver.Butwhenpeoplestartdisappearing,onething’scertain:noteveryoneismakingittoAustin.KillTripisarelentlessTexasroad-triphorror-thrillerthatturnsacarefreefestivaljourneyintoanightmareandsomethingelseentirely.
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哈莉·伍特里夫
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露丝·威尔森将主演新片[关于我的真相](TrueThingsAboutMe,暂译)。裘德·洛与合伙人通过旗下公司RiffRaffEntertainment挑选了剧本和女主威尔森。威尔森也将与裘德·洛等一同参与制片。本片由哈莉·伍特里夫([只有你])自编自导,改编自黛博拉·凯·戴维斯的同名小说,讲述了一个生活在社会边缘的年轻女子被一个陌生人颠覆平静生活的故事。影片将于2020年初开拍。
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格雷格·怀特利
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Netflix备受赞誉并荣获艾美奖提名的剧集《最后机会大学》第5季以全新的设定强势回归,将为观众奉上加利福尼亚州奥克兰中心地区的兰尼学院橄榄球队紧张刺激的真实画面。在夺得2018年的州冠军和全国冠军之后,兰尼鹰队将经历一个艰难的赛季,并亟需证明自己。进入他的第八个赛季后,元老级强人主教练约翰·比姆必须在无数的挫折中努力重振球队。在第5季中,无论是在场上还是场下,球员们都在与病痛、压力和心魔作斗争,同时在社区中寻找亟需的支持,并为其坚韧不拔的心态和“兰尼制造”的口号感到自豪。《最后机会大学》由Netflix与CondéNastEntertainment、EndgameEntertainment和OnePotatoProductions联合制作。
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拉尔夫·托马斯
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A series of unexplainable accidents befall the people and companies responsible for developing the world's first supersonic airliner (SST1). A British agent is sent to investigate and with the help of another agent uncovers a plot masterminded by Carl Petersen who stands to gain eight million pounds if the aircraft is not ready by a certain date. The evil Petersen has developed a number of robots (actually rather beautiirls with electronic brains) to help him sabotage the SST1 project by means of infrasound (extreme low frequency sound waves) which can be directed at people or objects with devastating results.
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NarratedbyQuannahChasinghorse,anadventurousjourneydowntheColoradoRiverthatexplorestheregion'sextraordinarywildlife,culturalhistory,anduncertainfuture.
