Balme
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Arivalryformsbetweentwoteacherswhoarepolaropposites:astrict,old-fashionedby-the-bookinstructorandhischeerfulyoungcounterpartinterestedinsocialmedia.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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Inaprisonintheprocessofdecommission,ahandfulofofficersandthelastremaininginmatesawaittransfertoadifferentjail.Overtime,thewrittenandunwrittenrulesinplaceseemtoloseallmeaning,andthiscommunityofmeninlimbotakesonanewandfragileform.
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保罗·塔维亚尼
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ThreeyearsafterthelossofhisbrotherVittorio,withwhomhesharedhisentirecareer,PaoloTavianireturnstotheworksofLuigiPirandello,whichthepairadaptedin1984(Chaos)and1998(YouLaugh).InkeepingwiththeSicilianplaywright’svision,thefilmisnotatallwhatitappearstobe.Thetitlemaycomefroma1910novella,butthereisnotraceofthatbook’sjealousy-riddledplot.Instead,thefocusisonPirandellohimself,orrather,hisashes,whicharetransportedfromahastyburialsiteinfascistRometoapermanentrestingplaceinSicily,onatrekthattakesusthroughpost-warItalyanditsfilmedmemories,asseeninnewsreels,amateurfilmsandfragmentsofNeorealism.Havingburiedthemaster,Leonoraaddiothenshiftsgearfromroadmovietofilmadaptation,buthereitpicksadifferentPirandellostory,namelythelastone,writtenshortlybeforehisdeathin1936.Fromthefarewellofthetitletoitsreturntothewriter’slastwords,itishardnottoreadthiswork,sofreeandyetsomuchapartoftheTavianiworld,asamovingbrotherlyfarewellwhich,justasin2012’sGoldenBearwinnerCaesarMustDie,onceagainusescinematogivevoicetoliteratureandhistory.
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《钢铁苍穹2》(IronSky:TheComingRace)得到AtlasInternational和VInternationalMedia的融资，拍摄计划正式启动。续集预算约为1400万美元，九月开拍，预计明年底后期制作完成，打算在2017年的柏林电影节亮相。影片将于戛纳市场卖片。
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DOMESTICVIOLENCEwasfilmedinTampa,Florida.ThefilmshowsthepolicerespondingtodomesticviolencecallsandtheworkofTheSpring,theprincipalshelterinTampaforwomenandchildren.Sequenceswiththepoliceincludepoliceresponse,intervention,andattemptedresolutionofdomesticviolencecalls.Sequencesattheshelterincludeintakeinterviews,individualcounselingsessions,angermanagementtraining,grouptherapy,staffmeetings,andconversationsamongclientsandbetweenclientsandstaff.Sincetwothirdsoftheresidentsattheshelterarechildren,thefilmalsohassequencesofschoolactivities,therapysessionsforchildrenwheredomesticviolenceisdiscussed,andcounselingforparentsandchildrenorganizedaroundchildrensissuesandexperienceswithdomesticviolence.
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威尔森·康尼贝尔
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AmericanHangmanisathrillerbuiltaroundarelentlesslytickingclockandarapidlyapproachingdeadlineandverdict.Akidnapping,broadcastliveonsocialmedia,turnsintothetrialofajudgewhopresidedoverabotchedcriminalcase.Thistime,however,theaudiencegetstoplayjudgeandjury,decidingifthejudgehimselfgetstoliveordie.
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"LastChanceU"followsagroupofyoungmentrainingtobecomethefuturestarsoftheNFL.BasedatEastMississippiCommunityCollege(EMCC),"LastChanceU"takesusonajourneytounderstandtherealmenofthegridironatoneofthemostsuccessful,butleastknownathleticprograms.Eachplayerhasincredibletalentanddrivetobethebest,buteachfacetheirownuniq...
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They Might be Giants chronicles the adventures of Sherlock Holmes and Dr. Watson in modern-day New York City. The fact that Sherlock Holmes is a psychotic paranoid and Dr. Watson is a female psychiatrist fascinated by his case is almost beside the point. Dr. Watson follows Holmes across Manhattan and is, against her better judgment, drawn into the master detective's world of intrigue and danger. This is a sweet, goofy and fairly romantic film that asks the questions "Whose reality is right...and does it really matter?"
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托德·格拉夫
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故事发生在位于佐治亚州的帕萨豪小镇，当地教堂的唱诗班即将去参加一个名为“快乐噪音”的全国性比赛，可是，就在这个节骨眼上，唱诗班的总指挥却猝死了，失去了指挥的领导，整个唱诗班都走到了濒临崩溃的边缘。教会指派名叫罗斯（奎恩·拉提法 Queen Latifah 饰）女子成为了唱诗班的新指挥，罗斯是一个非常古板的人，希望所有的事情都能按照常规发生，而总指挥的遗孀斯派洛（多莉·帕顿 Dolly Parton 饰）却并不这么认为，她觉得唱诗班应该由她接手，并且应该尝试新的风格。 斯派洛的孙子伯纳德（克里斯·克里斯托佛森 Kris Kristofferson 饰）爱上了罗斯的女儿奥莉薇亚（柯柯·帕尔莫 Keke Palmer 饰），这更加激化了两个女人之间的矛盾。
