Hansa
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Set in Kansas during the early 1900s, a teen-aged Native American boy (newcomer Winter Fox Frank) is..
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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和田纯一
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ProjectANIMA第1弹动画作品《SAKUGAN》公开先导视觉图。该动画讲述了想成为标记人的少女梅梅普与想改行不做标记人的男子刚刚爸共同向迷宫发起挑战的冒险机甲动作动画,将于2021年秋播出。
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“想要忘记,偏又记起”正如耿(ArakAmornsupasiri饰)的初恋,他从学生时代起一直暗恋着凡(YarindaBunnark饰),当年鼓起勇气正要表白时,却发现凡已成为自己死党的女朋友。毕业后,耿参加了他们婚礼,但是一年后的同学聚会上却得知他们离婚的消息。一只受伤的狗,让开宠物诊所的耿与爱宠如命的凡紧密联系;一张尘封已久的CD,让过去本已忘怀的记忆涌现心头……“想要记起,偏又忘记”正如扎木拉爷爷与索姆皮奶奶之间的爱情。他们相识于周日老年计算机培训班,扎木拉爷爷每周从泰国南部的春蓬开车到曼谷,只为做索姆皮奶奶(SansaneeWattanakul饰)3个小时的同学。索姆皮奶奶的儿子反对他们来往,准备带着全家移民美国,但她不想离开扎木拉爷爷,于是瞒着儿子与扎木拉爷爷“私奔”到春蓬。但造化弄人,扎木拉爷爷的老年痴呆症病发,大脑开始慢...
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郑重
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"中年男人李强(葛优饰)陷入了事业与家庭以及自身的三重麻烦:公司陷入三角债的泥潭,讨债的天天上门坐办公室里,欠债的经常约出去唱歌,白吃白喝白玩,可就是不跟他提还钱的事;家里老婆疑心他跟女秘书(林熙蕾饰)有染,儿子(陈柏霖饰)从美国回家度假,跟个哑巴一样,一句话都不说;他自己经常头痛,检查发现脑部有阴影,可能是癌。为了让整个生活有转机,也为了在自己可能死后给家人铺好后路,他决定要购买Frank(JohnSavage饰)祖传的奶酪公司。年过半百的Frank自有另一番不为人知的光景,祖传的公司入不敷出,跟妻子离了婚,女儿又进了戒毒所,于是挺儿走险企图来中国卖掉自己一文不值的公司然后逃之夭夭。两个不同种族但又同样处于困境中的中年男人都渴望能解决自己遇到的问题,而现在又发生了千丝万缕的联系,而身边出现的女秘书、爆矿老板(刘桦饰)等人物也都各有不为人知的心病,大千世界里的这些芸芸群生们将何去何从?"
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Onceawildchildofthemountains,SandraHoferhasbeentransformedintoasophisticatedcitygirl.ShenowworkswithherfriendMatthiasJanseninaverysuccessfuladvertisingagencyinVienna.\rWhenSandrainheritsahutinthemountainsfromherrecentlydeceasedfather,sheplanstosellit.MatthiaslikestobuyapenthouseapartmentinVienna,butSandraisnotquitereadytocommit–shesimplyisnotyetsurethatshewantstolivewithhim.\rWhenshearrivesinTyroltoprepareforthecabin’ssale,shemeetsherfather’sfriends,Theres,KarlandKatti.\rAtfirstSandrafeelsguiltybecausethethreewilllosetheirjobs,butthenwhensherealizesthatthebuyerisMayorXaverRiemer,herfather’smosthatedenemy,shedecidestotemporarilyopenthecabinfortheupcomingseason.Theres,KarlandKattiarethrilled.\rButXaver,aspitefulman,vengefullyuseseverypossiblemeansathisdisposaltodamageSandra’sstandinginthecommunity.HissonMark,Sandra’steenagesweetheart,isafairguywhofrownsonhisfather’smethods.\rAdmiringherfightingspirit,MarkdoeswhathecantohelpSandra.Itisnotlongbeforetheiroldsparksreigniteandtheyareagaindrawntoeachother.BythispointSandrahasalreadyfeltthestingofXaver’spower.Beingthemayor,hehasinfluenceonbakers,supermarkets,printersandbanksandviciouslymanipulatestheminhiscampaignagainsther.\rWillingtogotoanylength,heevenfinallypersuadesMatthiastotakehisside.Thetwodeviseamaliciousplan,inwhichtwovisitorstothecabinareinjured,leavingtheauthoritiesnochoicebuttocloseitdown...
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Aschemingconartist(ElyseDuFour,AMC’sTheWalkingDead)posesasinnocentbabysitter"Amber"tostealfromTedHooper,awealthyoccultenthusiastwithareclusivesonnamedKevin.HercrewarrivestocleanoutthehousejustasKevinstumblesupononeofhisfather’smostprizedartifactsandunwittinglysummonsatrioofwitchesknownasTheThreeMothers.Astheplayful,sadisticwitchesstartpickingpeopleoff,AmberandKevinformanunlikelybondandtrytosurvivethenighttogether.
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马塞尔·哈侬
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Synopsis:Julienetsonpreneurdeson,Michel,tournentàBrugesundocumentairedecommande.Julienrêveaufilmqu’ilpourraittournerdanscettevillemystérieuse:uneadaptationdeShakespeareoudeMusset.LerejointbientôtSophie,safemme,anciennecomédienne,quisouffredeladistancequeJuliensemblemettredansleursrapports.Bientôt,àuneexpositiondepeinture,ellerencontreunartistequ’ellevoitsouslestraitsdeJulienetquil’inviteàvenirvisiterFlorence.ElleconfieàMichelsestourments.Julien,desoncôté,vientd’accepterlapropositiondesonproducteur:réaliserune"histoire"avecdes"personnages"et,pourquoipas,des"vedettes"...Alorsqu’ellesemblaitdécidéeàsuivrel’inconnu,SophiesejettedanslesbrasdeJulien.Lemetteurenscènequitourneunfilmintitulé"L’hiver"demandeunenouvelleprise.Pourlasecondefois,SophiesejettedanslesbrasdeJulien.Lepeintreinconnus’enva...©FichesduCinéma“Onecouldspendforeverunravelingthisendlessnet,sotightlywovenwithsignsandechoes,whichbecomesricherwitheveryviewing.Hanoun’sformalinvestigationofthefragmentandthe(almostsubliminal)flashframe,ofveryslightlyalteredvariationsandrepetitions,whichheappliestosituationasmuchastodialogue(oftenrepeated,eitherwithinthesameshotorfromadifferentangle)revealssomethingoftheinteriorityoffilm,ofitscreator’sunconscious,whichbecomesthatofhischaracters.ThisstructuralresemblancetoaRussiannestingdollshouldnotconfuse;it’sratherthecontraryofthisdetachmentwithwhichthefilmends.ThemoreHanouncompresseshisdreamsofdreamswithindreams(films),thecloserhegetstointimacy.”-EmericdeLastens(Re:Voir)
