Rivera
搜索"Rivera" ，找到 以下影视作品
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Alice and Niklas are happy, they lack nothing - but a child. After several failed invitros, they go on a holiday to Sardinia to leave their wish for a child behind. Right there, however, everything they tried to repress resurfaces. A cheerful Tyrolean family moves directly into the neighboring house and seems to have everything that Alice and Niklas lack in life. An unforeseen incident changes their view on life, in which the most natural thing in the world does not avail.
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Euskadi 1985. El colegio ha terminado, por fin llegan las ansiadas vacaciones. Marcos y sus tres amigos, José Antonio, Paquito y Toni, reciben expectantes la llegada del verano, un verano prometedor sobre todo porque a sus doce a?os poco importa dónde, ni cuándo, ni cómo. Recorrerán las horas en el laberinto que la vida les ha deparado, en una Euskadi antigua, luchadora, convulsa. Un laberinto de paredes grafiteras, donde rebotan las pelotas de goma y los sue?os de libertad; cubierto de un cielo gris prefabricado en cooperativas, donde la muerte y la vida ya no mantienen relaciones formales.
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DanGrin
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Diana
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Belova
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Andrew
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Craig
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Roman
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Danilychev
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Svetlana
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Egorova
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Fluora
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Iskhakova
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Vitt
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Ray
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Evgeniya
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Yarushnikova
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Arnella
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Zubkova
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Ornella
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Zubkova
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Sergey
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Kevorkyanz
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Yana
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Guledza
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Vladimir
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Pisarev
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Dmirty
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Bikchentaev
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Xander
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Cage
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Mc
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Almaz
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Stepan
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Bordachev
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Timur
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Krim
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AyoungAmericanclerkAnthony,whowasrecentlydivorced,ledalonelylifestyle.HisoldfriendMattdidnotanswercallsforseveraldaysanditlookedlikeheleftsomewherewithoutwarninganyofhisfriends.Oneday,soundswereheardfromMatt'sapartmentandAnthonywenttocheckwhathappenedthere.Suddenly,hestumbleduponanunfamiliar,beautifulgirlandfellins...
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大卫·里恩
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Noel Coward's attempt to show how the ordinary people lived between the wars. Just after WWI the Gibbons family moves to a nice house in the suburbs. An ordinary sort of life is led by the family through the years with average number of triumphs and disasters until the outbreak of WWII.
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埃德加·G·乌默
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One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .
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夏洛特·布罗姆
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Theyneverstoplovingeachother,eveniftheyfromtimetotimecan'tstandthesight.LivandTerjeisobservedbydaughterDianafrombabytoherleavinghome.Theworld'sworstparents,noteventryingtodotheirbest.KomedienDianasbrylluperenh?ylytthyllesttildesomhiverseghodel?stinnikj?rligheten.Omtosomaldrislutter?elskehverandre,selvomdeipe...
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Outatsea,thecampersseesunnyskies-thendiscoverastowawayonboard.Asurpriseattackfromthedeepleavesthemstrandedonun
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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CUCKisagrippingfly-on-thewallcharacterstudyandpsychosexualthrillertrackinganisolatedandlonelyyoungmanasheisindoctrinatedintotheonlineechochambersofAlt-Rightideologyandhate.Touchingonseveraltopicalnerves,CUCKgivesaraw,unforgivingglimpseintoadarkworldthathidesinplainsight.
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Thecastreunitetolookbackoveradecadeofsuchfun,friendship,romanceandeverythingthatmademillionsoffansconnectwiththisuniqueandveryspecialsitcom.
