Vipul

SetintheAmericanWestof1876,'R.I.P.D.2:RiseoftheDamed'isaspiritual(pardonthepun)sequelto2013's'R.I.P.D.'SheriffRoyPulsipherisn'ttoothrilledaboutfindinghimselfdeadafterashootoutwithanotoriousoutlawgang,buthedoesgetasecondchancetoreturntoearthafterbeingrecruitedbytheR.I.P.D.(RestInPeaceDepartment.).Butavenginghisown...

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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

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Terrie Carpenter and David Crabtree are two of the most popular segment hosts on the SHC aka Shopping from Home Channel. They have an antagonistic professional relationship in being opposites in the way they approach their job. Terrie likes to be prepared in knowing product specs, David who accuses her of being boring in her striving to have an air of perfection. David has a devil may care attitude, his catch phrases, which he didn't even write himself, Terrie finding pretentious in wanting to come across as every viewer's best friend. They and the rest of the staff at SHC discover that the rumors that have been circulating around the station are true: that SHC's founder Sharon St. Clair, who still hosts the prime time spot segments, including the Monthly Pick, which pulls in quadruple the viewership of any other segment, is retiring, she and the Board who will make the decision of her replacement both as host for those lucrative time slots, and as head of the company. Terrie and ...

Professor Stephen Hawking thinks the human species will have to populate a new planet within 100 years if it is to survive. With climate change, pollution, deforestation, pandemics and population growth, our own planet is becoming increasingly precarious.                                                                    Planet Earth has been home to humankind for over 200,000 years, but with a population of 7.5 billion and counting and limited resources, this planet might not support us forever.                                                                    In this landmark film Professor Hawking, alongside engineer and radio astronomy expert Professor Danielle George and a former student, Christophe Galfard, join forces to find out if, and how, humans can reach for the stars and relocate to different planets.                                                                    Travelling the globe, they meet top scientists, technologists and engineers who are working to answer our biggest questions: is there another planet out there that we could call home? How will we travel across the vast distances of space to get there? How will we survive the journey? And how will we set up a new human civilization on an alien world?                                                                    Taking in the latest advances in astronomy, biology and rocket technology from the Atacama Desert to the wilds of the Arctic, viewers will discover a whole world of cutting edge research. This programme shows that Professor Hawking's ambition isn't as fantastical as it sounds - and that science fiction is closer to science fact than we ever thought.

Talent and passion for music can take one to the very top. On the way, however, there are going to be showbiz traps. There is money, fame and fan crowds in册ved. Will a young girl be able to fight for her dreams in this no-holds-barred world where fame is so elusive? A controversial talent show called "Music Race" keeps looking for talented singers all over the country. The decision on who will be started-up for a career and who will get a cold shower is always up to the three jurors: a once-popular singer, Olo (Maciej Zakoscielny), social media queen, Ewa (Julia Kaminska), and the dame of Polish jazz, Urszula Dudziak (playing herself). During an audition held in Olo's home town, there is a row. The person who starts it is "Ostra" (played by Katarzyna Sawczuk). The rebel teen is outraged by the juror's arrogant and dismissive behaviour towards her mother (Anita Sokolowska). The small scandal suits the show's producer (Tomasz Karolak), who pushes "Ostra" through to the next stage. There, it will turn out that the girl doesn't just have a fiery temper, but a great voice as well. Success, though, comes at a price. Being popular is not as pleasant as many people think. Our teenage hero will have to face a genuine test of integrity and character. The young star is about to take on her stage competition, the ruthless world of show business, and, most importantly, her own feelings.

FilmedfrominsidetwoofthemostactivetherapeuticfeedingcentersinYemen,HUNGERWARDdocumentstwofemalehealthcareworkersfightingtothwartthespreadofstarvationagainstthebackdropofaforgottenwar.ThefilmprovidesanunflinchingportraitofDr.AidaAlsadeeqandNurseMekkiaMahdiastheytrytosavethelivesofhunger-strickenchildrenwithinapopulationonthebrinkoffamine.

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Whatbeginsasanimpulsive"date"betweensuburbanhusbandJackandneophyteescortIzzy,spinsintoawhirlwindthree-waysexualaffairincludingJack'swifeEmma,whohasbeenkeepingsecretsofherown.Overaspanofjust10days,their"arrangement"breaksfreeofitsfinancialbondstobecomesomethingelseentirely:Arealromance,withrealstakes,involvingthreereal...