Hayes

费城一个毫无征兆的宁静早晨，前联合国调查员盖瑞·雷恩（布拉德·皮特 Brad Pitt 饰）驾车载着妻子凯伦（米瑞·伊诺丝 Mireille Enos 饰）和两个女儿蕾切尔（Abigail Hargrove 饰）、康妮（Sterling Jerins 饰）外出。谁知原本快乐的气氛很快变为恐慌与死亡所替代，连环的爆炸，惊恐逃散的人群，无序的车祸以及啃咬他人的丧尸，繁华大都会转瞬沦陷。盖瑞费尽九牛二虎之力带着妻女逃生，最终逃到联合国副秘书长所在的航母上，进而得知包括美国总统在内的数名大国首脑均已死亡，丧尸病毒业已蔓延全球。为了阻止世界毁灭，格里无奈受命，和来自哈佛的病毒学博士法斯巴克（Elyes Gabel 饰）前往病毒的源头之地寻找解除危机的办法。　　这是一场几乎完全没有希望且充满磨难的征程，世界命运危在旦夕……

GhostsreturnsforathirdseriesfollowingyoungcoupleAlison(CharlotteRitchie)andMike(KiellSmith-Bynoe),whounexpectedlyinheritagrandcountryestateonlytofinditisbothfallingapartandoverrunwithghosts.WhenahistoricaldocumentaryteamcomestofilmatButtonHouse,Alisonandtheghostsareshockedtodiscoverthattheassassinationplotthey’reexplori...

偷窃是门技术,更是艺术。Albert足智多谋,是团队中的父老,更是“下钓饵”的那自我。MickeyStone是步队的青年首脑,担任全局策划。Danny跟Stacie07年之后就分开步队了。换了一男一女。SeanKennedy跟EmmaKennedy。-----------------------HUSTLEThursday08January9 - 00pm-10 - 00pmBBC1ThereareadozenreasonstofindHustleinfuriating,butsomehowitalwaysmanagestofloatabovethemandbecomeenjoyable.Asseriesfivebegins,theusualquirksarethere:aplotmadeofbrightlycolouredSticklebricks,charactersmuggingatthecamera,afatalfondnessforflashbacksandAdrianLesterdeliveringhislinesasifitwereanelocutioncontest.Andifthatweren’tenough,there’sanotherhitch:MarcWarrenandJaimeMurrayhavelefttheseries,andlosingtwo-fifthsofyourleadcastwoulddentanydrama.SowithDannyandStacey"stillintheStates"aftertheLasVegasfinaleofthelastseries,andAlbert(RobertVaughn)inprison,Mickey(Lester)islookingtoassembleanewcrew,withthehelpofAsh(RobertGlenister)-stilltheonlyoneyoucouldalmostbelieve,ifyouhalf-closedyoureyes,mightbeaconman.Luckily,Alberthasfoundatemptingmarktogetthemstarted.VIDEOPlus+:9595EpisodewrittenbyTonyJordanCastMickey"Bricks"Stone-AdrianLesterAshMorgan-RobertGlenisterSeanKennedy-MattDiAngeloEmmaKennedy-KellyAdamsAlbertStroller-RobertVaughnEddie-RobJarvisCyclops-BillBaileyNeilRyder-JohnnyPhillipsRory-DavidKennedyPrisonguard-GaryCargillRogerLevell-SteveHopeWynneMartha-LeenaDhingraGary-DavidSemark

索尼推出的一部对于席琳迪翁(Celine Dion)寰球巡回演唱会的同范例记录片「席琳：透过天下的眼睛」(Through the Eyes of the World)。

　　The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael.　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism.　　As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television.　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

InthefuturisticcityofVanille,withproperlytunedImmerSystEyes&Earstheworldcanlookandsoundlikeaparadise.Butthelifeofafatherandhisyoungsonthreatenstodisintegratewhenthefather’sdevicebeginstofail.Desperatetoavoidfacinghisowntraumaticreality,themanmustventureoutsidetofindareplacement,intoacitywhereviolenceanddangerlurkbeneathaskimofbeautifulillusion.

GhostsreturnsforathirdseriesfollowingyoungcoupleAlison(CharlotteRitchie)andMike(KiellSmith-Bynoe),whounexpectedlyinheritagrandcountryestateonlytofinditisbothfallingapartandoverrunwithghosts.WhenahistoricaldocumentaryteamcomestofilmatButtonHouse,Alisonandtheghostsareshockedtodiscoverthattheassassinationplotthey’reexploringinvolvesoneoftheirown.Meanwhile,Mike-alwaysonthelookoutforfreepublicity-begsAlisontoaccepttheofferofatelevisioninterviewabouttheoldhouse.TheonlyhitchisAlisonisterrifiedofspeakingoncamera.Luckily,Thomasistheretocoachherintheartofspeech-giving.Whatcouldpossiblygowrong?

本片是迈可与安迪这两个以政治与全球化议题为主要诉求的行动艺术家自导自演的纪录片。他们两个自称“没问题侠客”YesMen，自1999年起，不断地在狭小的车库里，策划了一件又一件令人莞尔的夸张伪装行动，以冒充政府官员或大企业发言人的方式，用假网页做工具，透过大众媒介来表达政治诉求，布希政府当然是经常的受害者。强调自由放任资本主义的诺贝尔奖得主米尔顿傅利曼当然也是这部纪录片调侃攻击的对象，侠客们甚至到了他的墓前求助，但显然傅利曼对当前的时局无言以对。“没问题侠客”最出名的一次行动是在2004年，他们成功地扮成跨国超大化学公司DOW的发言人，并在巴黎接受BBC新闻台的访问，在数百万观众收看的直播新闻里，声明DOW愿意负起夺走15,000条人命的1984年印度波帕化学灾变的所有责任，提拨120亿美金给受难家属与作为受灾户的永久医疗费用、清理现场、并针对他们的有害产品进行学术研究等。后知后觉的DOW公司虽然立即否认该项声明，但不明就里、对做善事没兴趣的的投资人仍快速抛售手中DOW的股票，让DOW的股价在一日内狂跌20亿美金，损失惨重。然而，DOW却从来没有对‘没问题侠客’进行法律诉讼。YesMen仿佛是21世纪的廖添丁，虽然行动方式明显触法，但有着媒体与世界公民作后盾，这些彼此勾结的政府机器与跨国企业完全不敢吭声，只好吃闷亏。“没问题侠客”不仅获得了毫无资源来跟大企业与政府对抗的广大群众的支持，也靠着幽默、无限的创意与正义感，一举征服了柏林的观众，拿下‘电影大观单元的观众票选最佳影片’。

Thehalvesoftwobodies,onebelongingtoafemaleSwedishpolitician,arediscoveredinthemiddleoftheØresundBridge,whichconnectsCopenhageninDenmarkwithMalmöinSweden.Thebody,cutinhalfatthewaist,hasbeenplacedpreciselyontheborderbetweenthecountries,thusfallingunderthejurisdictionofboththeDanishandSwedishpoliceagencies.Afterfurtherexamination,itturnsoutthatthebodyisthatoftwoseparatecorpses,withonehalfbelongingtoaDanishprostitute.SagaNorén,fromtheSwedishside,andMartinRohde,fromtheDanish,leadtheinvestigationtocatchthemurderer.[4][5]Theinvestigationquicklyescalatesasajournalist,DanielFerbé,whosecarwasusedinthecrime,beginsreceivingphonecalls.Thecaller,whobecomesknownasthe"TruthTerrorist",claimstobecommittinghiscrimesinordertodrawattentiontovarioussocialproblems.Asocialworker,StefanLindberg,whosesisterbecomesavictimoftheTruthTerrorist,becomesanearlysuspect.However,eventssoonleadtheDanishandSwedishteamstoconcludethatthekillerhasconnectionstothepolice.Theydiscoverthatthecrimeshavebeenplannedoveraperiodofseveralyears.ThetraileventuallyleadsthemtoJens,aDanishpolicemanandformerclosefriendofMartin’s,whowasthoughttohavecommittedsuicideafteranaccidentonthebridgecausedthedeathsofhiswifeandson.Inthecourseoftheinvestigation,MartinandSagadevelopacloseworkingrelationship,althoughtheyareverydifferentpeople.Martinhasatwenty-yearoldsonfromhisfirstmarriage,August,whoisnowlivingwithMartinandhiscurrentwife,Mette,bywhomMartinhasthreechildren;afterMartinhashadavasectomy,Mettediscoversthatsheisexpectingtwins.Sagalivesaloneanddoesnotseemtofeelsheneedsaseriousrelationship,insteadpickingupmeninbarsforcasualsex.SheappearstohavesymptomsconsistentwithAspergersyndrome,resultingindifficultyestablishingrelationshipsandfeelingsofinadequacyinmanagingpeople;sherefusesapromotionforthislatterreason.Afterthekillerhasmurderedseveralpeopleandsuccessfullythrownredherringsinthewayoftheinvestigation,histruepurpose-tostrikeatMartinhimself-eventuallybecomesclear.Jens,nowcallinghimselfSebastianSandstrod,firstapproachesMette,whoissusceptibletohisadvances,afterlearningthatMartinhassleptwithCharlotteSöringer,awomanwhoisperipherallyinvolvedintheinvestigation.SebastianluresMetteandherchildrentoaremotespotwherehesubjectsthemtoaterrifyingordeal,lockingtheminwitharoomandgivingherahandgrenadewithitspinremovedtoholdaslongasshecan.However,SagarealisesthatAugustistherealtarget.Theinvestigationculminatesinaconfrontationonthebridge,whereshecannothelpbuttellMartinwhathappenedtoAugustandhastofireathiminordertopreventhimdestroyinghiscareerbykillingSebastian,thekiller’sfinalintention.

October 6 - 1973. Arab states led by Egypt and Syria launched a surprise invasion and nearly overran Israel during the holiest day of the Jewish calendar: Yom Kippur. The story is told through the eyes of three characters, whose lives were thrown into the heart of battle and its intoxicating, addictive effects as well as its absurdities.