Moro
搜索"Moro" ，找到 以下影视作品
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On an emotional journey in Morocco, an entrepreneur pieces together the turbulent life of his estranged mother and meets her adopted daughter.
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丹妮拉·涅维斯
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珍妮弗·柯比
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克雷格·史蒂文森
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Louisa Connolly-Burnham
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Nikol Kollars
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亚历克斯·哈夫纳
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Blake Patrick Anderson
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阿曼达·德鲁
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Javier Ramos
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吉姆·斯图格恩
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Paul S. Tracey
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米娅·麦肯纳·布鲁斯
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安德烈·金
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奥古斯特·理查兹
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茜茜·斯特林格
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Joseph Ollman
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克劳迪娅·特鲁希略
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莉莉安娜·卡巴尔
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Ana Rosa De Eizaguirre Butler
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首部片子以校园故事为主：莉萨（Lissa）是吸血鬼家属的纯血公主,她占有极习见且壮大的邪术。她就读于名为圣弗拉米尔的吸血鬼学院,在这里她要不时防备莫里（Moroi）家属的打击。固然莉萨公主并非孤身一人,她有好友人萝斯·海瑟薇（RoseHathaway）跟监护人迪米特里（Dimitri）助阵,后者还跟她产生了一段浪漫的恋情故事。
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扬·高能
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1913年的巴黎,可可·香奈儿（安娜·莫格拉莉丝 Anna Mouglalis 饰）在俄国作曲家伊戈尔·斯特拉文斯基（麦德斯·米科尔森 Mads Mikkelsen 饰）的「春之祭」首演中初次留神到了这位被不雅众的嘘声与喧闹繁重袭击的音乐蠢才。七年后,二人再次相遇,可可大方约请因俄国反动而亡命法国的伊戈尔携乐评熟男子卡特琳娜（伊莲娜·莫罗佐娃Yelena Morozova 饰）跟四名后代搬入本人在巴黎郊野的府邸。跟着时光的流逝,可可与伊戈尔之间愈发互相吸引。与此同时,可可也在踊跃研发本品德牌的香水。病中的卡特琳娜仍是觉察了本人老公对可可的豪情,三人的关联变得越来越缓和…… 本片获2010年法国恺撒奖最佳打扮计划提名。
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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蕾雅·普尔
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麦赫迪·麦斯卡尔
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Aron
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Archer
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塞琳·邦尼
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Maxime
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Afshar
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Paul
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Ahmarani
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Christophe
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Baril
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Sebastien
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Beaulac
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Giuseppe
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Calvinisti
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塞利娜·卡马拉
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Sylvestre
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Caron
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Emmanuel
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Chevalier
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乔尔·德尔索
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Florian
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Francois
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Shiva
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Gholamianzadeh
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Amir
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Hedayati
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Colette
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Kieffer
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Simon-Pierre
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Lambert
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亚历山大·朗
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Saad,ayoungMoroccanillegalimmigrant,isplanningaperilousjourneytoCanadawithReza,hisIranianlover.InMontreal,SaadiscalledupontosavehisbelovedfromcertaindeportationtoIran,whereinevitablepunishmentawaits.
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當Jack（ScottRyan飾）被葡萄牙美麗女子AnnaMaria（ClaudiaFerri飾）救出來的時候，他不知道他的生活和運氣都要發生重大改變。在這個偶然的《第一次約會》，傑克和自己的理想對象——Maria發生了一系列令人捧腹大笑的浪漫故事……這部愛情喜劇電影由JohnL′Ecuyer執導，RyanScott和JeannetteSousa擔任編劇，同時在片中出演重要角色。WhenJackgetsrescuedbyMaria,asuperstitiousPortuguesebeauty,hehasnoideathathislifeandluckarebothabouttochange.Duringthisaccidentalfirstdate,JackandMariaprojectidealisticimagesofthemselves--imagesthatarehumorouslycontradictedthroughaseriesofflash-forwardstotheirfuturelifetogether.-WrittenbyfromFacebook:ADateWithMissFortune
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AfterthemurderofhertwoScandinavianfriendsinMorocco,ARussianbloggerdecidestodoherownjustice.
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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EveryweekendthegaymalechoirG-VoicerehearsesinSeoul–astheyhavebeendoingsince2003.Thechoir,beingakindofantidotetohomophobicKoreansociety,makestheeverydaylivesofgaymenitsthemeinanintelligentandhumorousway.Fortheirtenthanniversary,themembersareplanningtogivetheirfirstbigconcertwithambitiousarrangements,creativechoreograp...
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佩内洛普·克鲁兹将主演艾曼纽尔·克里亚勒斯([内陆])执导的新片[巨大](L’immensita，暂译)。艾曼纽尔与弗朗塞斯卡·马尼里(《本色》)、VittorioMoroni共同操刀剧本。该片故事背景设定在上世纪70年的罗马，意大利社会正处于转折点，影片描绘了一个家庭的生活点滴。佩内洛普饰演Clara，她是一位母亲，是整个故事的核心。
