Pom
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M·J·德莱尼
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格里森兄弟布莱恩·格里森、多姆纳尔·格里森将出演6集喜剧剧集《爱尔兰的弗兰克》(FrankofIreland，暂译)。两人同时将担任编剧及执行制作人。剧集卡司还包括PomBoyd、莎拉·格林、汤姆-沃恩-劳勒。亚马逊与Channel4联合打造。该剧讲述32岁的音乐家弗兰克·马龙(布莱恩饰)的故事，遁世的他与母亲住在都柏林。多姆纳尔将饰演他的好友。
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ABC宣布续订《实习医生格蕾》第19季。和第18季一样，ABC没有宣布这会是最终季，或是EllenPompeo出演的最后一季。KristaVernoff继续担任运作人。EllenPompeo则签订了一年期限的全新合约，并将在新季中从联合执行制片升级为执行制片。此外，剩余的初始演员ChandraWilson和JamesPickensJr.据悉签订了多年合约，其中就包括第19季。
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编剧兼导演Jacek Koprowicz在「Mistyfikacja」中环绕着Witkacy之逝世的疑问,发明白一个布满豪情与跋扈狂!爱与假话!掉常与幸福的故事,这些每每超出了咱们所能懂得的规模。依据导演的说法,Witkacy并不自残,而是在他恋人的屋子里藏了许多年,直到这个有点奥秘的行动被揭穿。这部片子不只在克拉科夫拍摄,并且在威特凯西栖身多年的Zakopane拍摄,还在全部马?好比受艺术家欢送的小型度假胜地兰可罗那(Lanckorona),以及在Puszcza Niepo?omicka (Niepo ?omice丛林)。难怪克拉科夫外地当局跟外地当局介入了这个名目。假设一部好片子是一种很好的自我宣扬方法,他们在2009年创建了地域片子基金,其重要目标是支撑片子制造,并确保片子在地域内的放映所在。
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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约翰·斯科特
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Will's grandfather fought in WWII. Will's father fought in Vietnam. Will plays Call of Duty on his PS3 - and drinks non-dairy hazelnut creamer. So what happened to all the real men? They're still here - they just smell like pomegranate body wash now. Meet Will (Mather Zickel). His e册ved, sensitive nature is why his awesome wife, Theresa (Teri Polo), married him. But Will and his friends find themselves wondering - in a world of Axe ads and manscaping - what does it really mean to be a guy anymore?
