Sattar

2013年新年将至，盘桓在国际大都会美国纽约的三个泰国小青年：藏着诸多秘密的小碧（Jarinporn Joonkiat 饰）、超级啃老族杰克（Pachara Chirathivat 饰）、风骚贱格追逐物欲的小潘（Pattarasaya Kreuasuwansri 饰）无聊头顶，决定在租住的公寓内好好狂欢一下。杰克从隔壁的吸毒分子那里找到毒贩子残缺的电话号码，并最终联系上了癫狂多话的贩毒佬黑苏斯（David Asavanond 饰）。夜幕降临，黑苏斯带来的毒品让三个人high翻天，他们围坐一起说着无聊且有些残忍的笑话。感觉到气氛有些不对，三人决定快点付钱送走黑苏斯，却意外发现这个家伙似乎并非他们要找的毒贩子。　　可是一切为时过晚，疯狂的黑苏斯即将对他们展开恶梦一般的大审判……

他们想一夜暴富,于是合资出翻戏,终局倒是到处逃跑。Tod（Shahkrit Yamnarm）都城名吧的把戏师,人送绰号“牌仙”,切牌换牌手段灵巧天然多少乎看不出任何马脚。Sian（Suthep Po-ngam）造假卖假佛牌的新手,是一个佛牌专家。他的侄子Riang（Akkharin Akkharanithimeatharat)狡诈无比,生成嗜赌成性。为了让牌技高明的Tod挑衅赌坛真正的大仙,他们开出巨款,让Tod最后决议参加他们的步队。Riang还试着让本人暗恋已久的性感舞女Sri(Pattara Atiratkul)充任此次义务的钓饵。

Wefollowthehitsand(moreoftenthannot)themissesoftwohapless,dead-brokecontractkillerswhofrankly,aremoreofadangertothemselvesthantoanyoneelse.EachepisodeseesFran(SuePerkins)andJamie(MelGiedroyc)trytotrackdownandkilladifferenttarget.Buteveryhitturnsintoashamblesofmistakenidentities,mistimedentrancesandmisfiringweapons.Whetherit’slosingtheirtargetinthewoodsornotbeingsurewhichoneofapairofidenticaltwinsthey’resupposedtobekilling,thingsrarelygoaccordingtoplan.

Thisdocumentarytellsthestoryofthe1999Londonbombingsthattargetedminoritycommunities,andtheracetofindthefar-rightextremistbehindthem.

　　Real-life adaptation of the jewellery robbery that occurred in Kasargod. The case took a 5 member team from the Kerala Police to a dreaded village in Uttar Pradesh where they risked their lives to nab the culprits.

The film is a unique social comedy based in a small town of Uttar Pradesh directed by Hansal Mehta.

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

从英国苏格兰场返国的警探Kemal,行将退休的资深老警探Settar以及研讨宗教跟奥秘学的大学先生Yaşar构成了一个破案小组,考察一个奥秘诡异的连环杀人案。

　　他们想一夜暴富,于是合资出翻戏,终局倒是到处逃跑。Tod（Shahkrit Yamnarm）都城名吧的把戏师,人送绰号“牌仙”,切牌换牌手段灵巧天然多少乎看不出任何马脚。Sian（Suthep Po-ngam）造假卖假佛牌的新手,是一个佛牌专家。他的侄子Riang（Akkharin Akkharanithimeatharat)狡诈无比,生成嗜赌成性。为了让牌技高明的Tod挑衅赌坛真正的大仙,他们开出巨款,让Tod最后决议参加他们的步队。Riang还试着让本人暗恋已久的性感舞女Sri(Pattara Atiratkul)充任此次义务的钓饵。

　　从英国苏格兰场返国的警探Kemal,行将退休的资深老警探Settar以及研讨宗教跟奥秘学的大学先生Yaşar构成了一个破案小组,考察一个奥秘诡异的连环杀人案。