Bess
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罗布·康
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荣获金球奖最佳戏剧类电视剧集。荣获艾美奖最佳戏剧类影集选角。萤幕演员公会最佳戏剧类电视剧集。故事连续第三季杰出的剧情。西雅图恩惠病院由于这些练习大夫之间的爱恨情仇,变得愈加热烈更有可看性。第三季中格蕾终於解脱了德瑞克跟兽医间的三角爱情,依本人的情意挑选了所爱的人。伊兹在丹尼逝世后一厥不振,乃至想要废弃成为外科大夫的妄想。克莉丝汀晓得了柏克的机密后,始终妄图帮他掩盖。而乔治跟性感火辣的住院医师之间的关係变得更迷离。而艾破克斯竟发明本人仍是爱著伊兹。别的,马克为了艾蒂森竟也离开了西雅图恩惠病院任务。Meredith跟Cristina蜜月返来（买好的机票欠好糟蹋~）,Burke曾经消逝无踪。客岁的练习大夫Meredith,Cristina,Izzie跟Alex,曾经掉掉落了正式驻院大夫的资历,而且有了本人的跟从,一群初出茅庐,青涩而稚嫩的练习大夫。傍边,有客岁测验分歧格的George,另有Meredith素未碰面的妹妹LexieGrey。明天,他们将要处置一宗三车连环相撞的交通不测,大批的伤者让新来的练习不知所措,呆若木鸡。另一边厢,Derek跟Meredith的情感堕入僵局,有可能他们都市跟新来的共事有新的情感开展。Bailey对Callie成为驻院总大夫觉得愤慨,兴许她一时三刻还难以接收本人当初要向Callie报告任务。Richard留任外科主任,仍旧是各人的老迈~(简介转自YDY)Afterfailinghisexam,Georgereluctantlyfaceshisfirstdayrelivinghisinternshipamongaseaoffreshfaces.Meanwhile,Cristina,Meredith,IzzieandAlexareinchargeoftheirowninternsandGeorgeisassignedtoMeredith.NeitherCristinaorMeredithhaveheardfromherexessincethewedding,andtheydon’tseemoverlyconcerned,whichastoundsIzzie,whoiscountingeverydaysinceshelastspoketoGeorge.GeorgeaskstotalktoMeredithbutbeforehecangetheralone,therestofthenewinternsshowupinthehallandareshooedoffbytheresidents.Georgegivesupandjoinstheinterns.Cristinanicknameshim"Bambi,"sayingheneedstolearnhowtodealwithhisnewsituation.
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安迪·威尔逊
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London,20February2018 - Filmingbeginsthismonthonthehighly-anticipatedthirdseriesofITVandMainstreetPictures’compellingcrimedrama,Unforgotten.CreatedandwrittenbyscreenwriterChrisLang(TheTunnel,AMother’sSon,DarkHeart),thenewsix-partseriesseesthereturnofBAFTAnomineeNicolaWalker(LastTangoInHalifax)andSanjeevBhaskar(GoodnessGraciousMe)asDCICassieStuartandDISunil‘Sunny’Khanastheyinvestigateanotheremotionally-chargedcoldcase.ThepairwillbejoinedfortheseriesbyacclaimedactorsAlexJennings(Victoria,TheCrown)KevinRMcNally(PiratesOfTheCaribbean,DesignatedSurvivor),NeilMorrissey(LineOfDuty,TheGoodKarmaHospital)andJamesFleet(IndianSummers,TheVicarOfDibley)whoplayaclose-knitgroupofoldschoolfriendsthathavestoodbyoneanotherthroughthickandthin.However,whenthebodyofateenagegirlwhowentmissingattheturnofthemilleniumisfoundatabuildingsiteofftheM1motorway,thefourmenareplacedunderthespotlightandtheirrelationshipsaretestedtothelimit.ExecutiveProducersandManagingDirectorsofMainstreetPicturesSallyHaynesandLauraMackiesaid,“WearedelightedtoonceagainwelcomesuchafantasticcastofhugelytalentedactorstojoinNicolaandSanjeevforthethirdseriesofUnforgotten.ChrisLang’scomplexandintricatescriptsgetbetterandbettereachyear,andthenewstoryisnoexception.WealsodelvedeeperintoSunnyandCassie’sownpersonallivesthisseries,experiencingtheeffectsthatthecaseshaveontheirownrelationshipsandwellbeing.”SetacrossthesouthofEnglandinlocationsincludingNorfolk,WestSussex,Bristol,HampshireandLondon,thenewserieswillexplorehoweverydaylivescanbefracturedanddestroyedbyoneevent,showingthatappearancescanoftenbedeceiving.Hailedthe“bestdetectivedramaofthedecade”bytheDailyTelegraphand“crimedramaofthehighestclass”byTheGuardian,thefirsttwoseriesprovedhugelysuccessfulwithviewersandcriticsalike,withthelastseriesreceivinganaverageconsolidatedviewingfigureofover6millionwitha21%share.TheserieshasbeencommissionedbyITV’sHeadOfDrama,PollyHill,withMainstreetPictures’SallyHaynes(BleakHouse)andLauraMackie(StateOfPlay)asExecutiveProducers,alongwithcreatorChrisLang.AndyWilson(Endeavour)returnstodirect,whilstGuydeGlanville(AgeBeforeBeauty)isproducingtheseries.TheserieswillbedistributedinternationallybyBBCWorldwide.
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托尼·蒂尔斯
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咆哮的二十年代下的墨尔本，芙莱妮·费雪(PhryneFisher,EssieDavis饰),一位独具韵味的摩登女侦探，凭着自己的机智幽默与一把珍珠左轮，游走于纵情声色的花街酒巷，替无助的弱势群体为正义而战。
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咆哮的二十年代下的墨尔本，芙莱妮·费雪(PhryneFisher,EssieDavis饰),一位独具韵味的摩登女侦探，凭着自己的机智幽默与一把珍珠左轮，游走于纵情声色的花街酒巷，替无助的弱势群体为正义而战。
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彼得·霍尔
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FilminghasstartedonBBCTwo’scriticallyacclaimeddramaTheLastKingdom,fromCarnivalFilms.Thesecondseries,adaptedbyBAFTA-nominatedandRTSaward-winningwriterStephenButchardfromBernardCornwell’sbestsellingseriesofnovels,istoreturntoBBCTwonextyear,withNetflixjoiningasaco-productionpartner.Theemotionallycomplexandcompellinglandscapeofrevenge,rivalry,hostility,corruption,love,sex,loyaltyandfriendship,formsthebackdroptoagrippingadventurebasedonCornwell’snovels,TheLordsOfTheNorthandSwordSong–partofthehugelypopularbestsellingfranchiseTheLastKingdom.Setintheyear878 - thesecondseriesreturnsasfearlessandinstinctivewarriorUhtredcontinueshisfightforhisnativelandofNorthumbria.Uhtred,havinggivenhisswordtoKingAlfred,despitehisupbringingbytheinvadingpaganDanes,embarksonhisvoyagenorthtoreclaimhisownfate:toavengeEarlRagnar’sdeathandrecapturehisancestrallandsofBebbanburg.Alfred’sconvictiontocreateaunitedEnglandisstrongerthanever,andhesetshissightsonthewildlandsofthenorth,whichhavefallenintochaosandrebellion.ItisadangeroustimeforSaxonandDanealike,butAlfredchampionsanewking-aChristianDane-tounitethetribes.However,thiskinghasbeenenslaved,andUhtredbecomesembroiledinarescuemission,whichbringshimfacetofacewithanenemyofold.
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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萨杜斯·奥沙利文
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TheindomitableDCIVeraStanhope,assistedbyhertrustedcolleague,DSJoeAshworth,stepsupforanotherseriesofchallengingcases.Sheinvestigatesthemysteriousdeathofapensioneronabusycommutertrain(OnHarbourStreet),unearthsathirtyyearmysteryafterabrutalmurderonthesandsofaseasideresort(Protected),unpicksthetragiclastmonthsofafailednovelistgunneddownonaremoteNorthumberlandmoor(TheDeerHunters),anddelvesintothetangledlifeofabusinessmanfoundfloatinginthewaterundertheGatesheadMillenniumBridge(DeathofaFamilyMan).InspiredbythenovelswrittenbyrenownedcrimewriterAnnCleeves,andfilmedagainstabackdropofoutstandingNorthumberlandlandscapesandatmosphericproduction,eachenthrallingstoryisenhancedbythecaptivatingperformanceofBrendaBlethynasthisshambolicyetbrilliantdetective.
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兰德尔·赖特
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The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael. Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism. As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.
