Elli
搜索"Elli" ，找到 以下影视作品
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在美国某个平凡的小镇，达林家双胞胎兄弟帕特里克（艾瑞克·列宁EricLehning饰）和卡罗尔（科迪·德沃斯CodyDeVos饰）共同喜欢的女孩温迪（谢莉·玛丽·沙泽尔ShellieMarieShartzer饰）突然失踪。这一变故让兄弟俩以及他们的朋友们难过不已。时间过去好久，温迪始终下落不明。最终，大家为她举行了一个没有尸体的葬礼。葬礼过后，达林兄弟意外在野外发现半死半生的温迪，他们瞒着亲朋偷偷将这具“活着的”尸体运回家，兄弟俩试图找到方法让温迪起死回生。这是青春时代才会有的不顾后果的狂热爱情。惹人动容，令人唏嘘……本片荣获2008年亚特兰大电影节评委会大奖。
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史蒂芬·里希特
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Julian,a14-yearoldteenager,diessurroundedbythecolorfulproductsofahugesupermarket.Thefilmisinspiredbyatruestoryandshowstherebellionofthelocalyouthagainstthebleaklifeofsuburbia.
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David Wenham's feature film directorial debut is a touching love letter to Sydney. This World Premiere is an improvised experiment about the random meeting of two strangers.Conceived, workshopped and shot in just ten days, Ellipsis begins with an accidental meeting between Viv (Emily Barclay; Prime Mover, 2009) and Jasper (Benedict Samuel) on the streets of Sydney. The two literally bump into each other, leading to conversation, a coffee and a nightlong adventure. They travel through the city from Bondi to Kings Cross, from a sex shop to bars and parks revealing more to each other and growing closer. Reminiscent of Richard Linklater's Before Sunrise, Ellipsis is refreshing and a great deal of fun, taking full advantage of its improvisational, loose nature. It's an affecting and longing love letter to Sydney at its most seductive: at night.
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夏友庆
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Theplotre册vesaroundthelivesoffourex-convictstryingtoturnoveranewleaf.AhHu(Lian),MadDog(Lei),JianRen(Lim)andShaBao(Chin)startafoodandbeveragebusiness,buttheirpastcatchesupwiththemasAhHu’steenageson,playedbyShawnHo,getsintotroubleforsellingdrugs.
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本·法尔科内
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梅丽莎·麦卡西
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詹姆斯·柯登
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鲍比·坎纳瓦尔
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布莱恩·泰里·亨利
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珍·斯马特
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Jock McKissic
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卡兰·索尼
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莎拉·贝克
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朱万达斯·坎迪斯
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迈克尔·比奇
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乌斯曼·阿利
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Damon Jones
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Jay Lay
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Jenna Perusich
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Carolyn Trahan
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山姆·理查森
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安德鲁·T·李
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施奎塔·詹姆斯
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艾琳·法萨诺
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麦克斯威尔·海史密斯
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帕蒂·舍尔哈斯
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Tina Witherby
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查尔斯·格林
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何塞·阿尔弗雷多·费尔南德斯
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保罗·皮尔斯伯里
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梅丽莎·麦卡西将主演举措笑剧「超等智能」(Super-Intelligence),麦卡西老公本·法尔科内执导,这是两人自「塔米的游览」「老板」「派对配角」后第四次以演员-导演身份协作。麦卡西扮演前企业高管Carol Peters,当她被天下上第一个超等智能——一个可能掌控天下的人工智能选中作为视察目的后,她的生涯产生天翻地覆的变更。Steve Mallory(「老板」)编写脚本,7月开拍,新线出品。
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AlMcCord在他最爱好的餐厅里赶上了一个年青英俊的男子。事先,这位男子想搭车去她妈妈的家--摩哈维戈壁。故事就在这里开端了,Al并不晓得 Ellie曾经爱上了他,但无论Julie的男友人对Al怎样千般刁难,他仍是义无返顾地爱上了Ellie的妈妈,Archer。于是,愈加新奇异僻的事 情接踵产生了,Al的故事由此改写。在加州的戈壁,玉轮的魔力令人放肆。一纽约来客被一对母女的艳色所吸引,纵情陷溺于爱欲中,但他不知浩劫将至,一个布满忌妒的暴力狂已在暗中中眈视着他们…
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AboutaweekaftertheWoodsfamilymoveintoXaosHouse,theirdaughterElliegoesmissingduringapowercut.Ellie'smotherKeirainvestigatesandfindsthatthewallshavestrangesymbolsengravedintothem.AfteranumberofterrifyingsupernaturalexperiencesshecomestotheconclusionthatthehousetookEllie.ShediscoversthataphysicistandoccultistcalledJohnF...
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
