Dance

InthesecondBrazilianseason,therealityshowthatisahugesuccessbringsmenandwomeninsearchoftruelove,onreallyblinddates!Getreadyformoreromanceanddramathaneverbefore!

BBCOne在过去预订了剧集《TheSplit》，而Sundancemeijubar.netTV在TCA上宣布将与BBCOne合作拍摄该剧；《TheSplit》由艾美得奖者AbiMorgan负责，讲述在这快节奏的世界中，三姐妹Hannah﹑Nina及Rose皆是离婚律师，Hannah与Nina在竞争对手的公司中领导离婚及家庭法的律师，只有三妹Rose还在找寻自己的位置。同时，三姐妹及母亲因为那缺席了30年的父亲/丈夫Oscar重新出现，令她们的生活面临瓦解。

This is story about a dentist with the talent of painlessly extracting teeth, and what happens to him as a result of being naturally good at his job. It is told with humour (much of it quite subtle, almost surreal, and in the background - imagine a street scene where everyone on the sidewalk on one side of the road walks in just one direction, and on the other side in the other), poignancy, and a frequent breaking of the 4th wall between the movie and the audience (think of what happens in Shakespeare's plays, and you'll be close). It also features some songs by Novella Matveyeva, a famous Russian singer-songwriter (her songs are sung by the leading actress).

响马麦尔斯（马丁·劳伦斯 Martin Lawrence 饰）与三名朋友协作偷盗钻石,岂料此中一人德克背离了他们,警方被轰动,麦尔斯穷途恼,只得逃跑中将钻石藏在一栋未开工的大楼透风管道里,之后计无所出。两年后,麦尔斯刑满开释,但表面的所有好像都已转变,女友不再须要他,而昔时他藏钻石的那栋楼竟然酿成了——警员局。为了取回钻石,麦尔斯偷到ID卡,又凭仗捏造的档案乔装成警员混入警局,因为警方缺人手,假警员麦尔斯很快掉掉落录用,跟菜鸟捕快卡森（卢克·威尔逊 Luke Wilson 饰）结成错误。麦尔斯凭仗本人的偷盗教训很快表示出位,在警局掉掉落重用,而管道中的钻石经由冲刷后着落不明,麦尔斯只得保持伪装下去。未多少,德克为了掉掉落麦尔斯的钻石再次涌现……

Ittellsthefraudmarriageromanceoftwopersonswhodonotwanttomarrybutdecidedtogetmarriedtogetbeabletoreceivethe“Newlywedsjeonseloan”[e.g.governmentalfinancialsupportfornewlymarriedcouplestohelpthemrenthouses].

　　FOX宣布直接预订Karin Gist及Lee Daniels负责的剧《我们一族 Our Kind Of People》，这部剧灵感来自Lawrence Otis Graham所写《Our Kind of People: Inside America’s Black Upper Class》，讲述在马萨葡萄园岛的橡树崖镇上，这里有个已经超过50年历史的黑人富人家族，而单亲母亲的女主Angela Vaughn为了使家庭名誉再次发挥光芒而发明了一种给黑人女性发质用的护发产品。但这也使得女主母亲的秘密被发挖

This three-hour, two-film presentation "Elvis Presley: The Searcher" focuses on Elvis Presley the musical artist, taking the audience on a comprehensive creative journey from his childhood through the final 1976 Jungle Room recording sessions.

　　Sensitive wallflower Cara exists in her humdrum life until the appearance of charismatic Jay unlocks powerful desires within her. When Jay's beautiful French lover arrives, Cara's journey to self-discovery takes a dark and unexpected turn, with tragic consequences. Written by Official

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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!