Dimov
搜索"Dimov" ，找到 以下影视作品
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The movie stars Sam, 18, an aspiring musician that just lost her older sister Amber. During the difficult grieving process, Sam finds comfort in singing and songwriting - fulfilling the dreams that Amber would now never be able to pursue. Along with Amber's band, Sam moves to Nashville to pursue Amber's dream of making a career in the music industry. Upon arrival, they sign wit...
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基于BobZellner的自传「TheWrongSideofMurderCreek:AWhiteSouthernerintheFreedomMovement」,Zellner出身于阿拉巴马州,是某个三K党成员的孙子,1961年,他被卷入平易近权活动的中央。提尔扮演Zellner,海尔扮演Zellner的大学女友CarolAnn,丹内利扮演Zellner的爷爷,福曼扮演Zellner的爸爸。
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InSeason2 - corporateattorneyJoannaHanley(KristinKreuk)findsherselfatatoplawfirminWinnipegreadytomakeafreshstartawayfromherpreviousfirm.There,anewclientdrawsherintotheshadowyworldofhackers,activists,andapoliticalmovementthatwon’ttakeanyprisoners.ThecaseleadsJoannathroughmanytwistsandturns,untilsheeventuallybecomesakiller’starget.Herestrangedfathertriestoassisther,whichleadstoaneventthatwillchangeboththeirlivesforever.Meanwhile,Millwood’slifebloodhasbeenleftdepletedfollowingthebankruptcyofthemill.Withrisingunemploymentrates,tensionsintownarerunninghigh,leavingBillytoretreatfurtherawayfromtown,butwhenhisrecklessbrotherShane(AndrewChown)showsup,Billy(PeterMooney)isforcedtoconfrontchildhoodmemories.
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After20yearsoflivinginWashington,D.C.,MarkKleinseeksmuch-neededsolacebymovingtotheremotewildsofWestVirginia.Toeasehisloneliness,hesendsregularvideoupdatestomembersofhisOCD-supportgroupbackinthecity.ButMarkgraduallyrealizesthatdespitehisnew,isolatedsetting,hemaynotbealone.Fromtheendlesswoodssurroundinghishome,somethingelseiswatching.
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Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.
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FaroukOmarisahistoricalArabseriesco-producedbyMBC1andQatarTVanddirectedbyHatemAli,whichisbasedononeofthebestcompanionsofProphetMuhammad(Peacebeuponhim)andthe2ndCaliphoftheIslamicstate,UmarIbnAl-Khattab(MayAllahbepleasedwithhim).A30-episodeseriesshowcasingthevariouseventsduringthelifeofUmarIbnAl-Khattab(MayAllahbepleasedwithhim)fromhispre-Islamicdaystillhisassassination.Theseriesdependssolelyonestablishedhistoricalfactshencedidn’tfacecriticismintermsofitscontentaspastmoviesonsimilarsubjectsdid.Theseriescommenceswiththe23yearofHijraatMakkah,wheretheMuslimpilgrimshavecometogetherfortheHajj.Inmidstofthem,wecanseeUmarIbnAlKhattab(MayAllahbepleasedwithhim)supplicatingtotheLordwhiledoingtheTawaafaroundtheKa’abah.OnthereturnjourneytoMedinahfromMakkah,theypassbyagroupofpeopletendingtotheircamelsinthedesert.Umar(MayAllahbepleasedwithhim)reminisceshispastdays,whenheusedtotendtohisfatherAl-Khattab’scamelsinthedesert,andhowhisfatherusedtoworkhimtoexhaustionandbeathimupifheslackened.However,nowafterhisembracingIslamhowlifehaschangedforhimwithnoonetostandbetweenhimandhisLord.TheseriesthentakesyouonahistoricalrideasmemoriescomegushingbacktoUmar(MayAllahbepleasedwithhim)aboutthevariouseventsthathappenedduringhislifetime.
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依莱姆·克里莫夫
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Thisisstoryaboutadentistwiththetalentofpainlesslyextractingteeth,andwhathappenstohimasaresultofbeingnaturallygoodathisjob.Itistoldwithhumour(muchofitquitesubtle,almostsurreal,andinthebackground-imagineastreetscenewhereeveryoneonthesidewalkononesideoftheroadwalksinjustonedirection,andontheothersideintheother),poignancy,andafrequentbreakingofthe4thwallbetweenthemovieandtheaudience(thinkofwhathappensinShakespeare’splays,andyou’llbeclose).ItalsofeaturessomesongsbyNovellaMatveyeva,afamousRussiansinger-songwriter(hersongsaresungbytheleadingactress).
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翁贝托·伦齐
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UmbertoLenziisundoubtedlythekingofItaliancrimemovies,butunfortunately;SyndicateSadistsisnotthebestexamplesofhisworkinthisgenre.Lenzi’scrimeflickstendtobeacutabovetherestbecausehemakesfilmsbasedonstorieswithapoint,andtheydon’tlackdirection;butthisfilmfeelsabittoowaywardtofullyfitwiththerestofhisstuff.ThefilmtakesobviousinfluencefromSergioLeone’slandmarkwestern’AFistfulofDollars’(whichinturn,tookinfluencefromAkiraKurosawa’slandmarksamuraiflickYojimbo),inthatitfeaturestwowarringfamiliesandastrongcharacteratthecentre.ThecrimethatLenzifocusesoniskidnapping,andwecentreonacharactercalled’Rambo’.Ramboisdraggedintothewarbetweenthetwofamiliesafterhisbrotheriskilledbecauseofit.Rambouseshisbrainsandbrawntopitthetwofamiliesagainstoneanother,inthehopeofgainingrevengeforhisbrother’sdeath,rescuingayoungboythatthey’vekidnapped,andultimatelylettingthetwosidesdestroyoneanother.Thefilm’sbiggestassetisundoubtedlyTomasMilian.MilianwasputtogreatusebyLenziinalmostallofhiscrimethrillers.TherangeofcharactershehasplayedforLenziisimmense,andthisoneiseasilyoneofthecoolest.ThecharacteriscalledRambo,whichimmediatelysprangtomindthepopularSylvesterStallonecharacter-butforonce,theItaliansactuallyhaven’tstolenthisnameasSyndicateSadistswasreleasedfirst!Asusual,thefilmiswickedlyentertaining,aswegettowatchMiliangethimselfinvolvedintheusualarrayofcarchases,shootoutsandbrawls.Lenzihasgothimridingamotorbikethistimeround,andeveryscenefeaturingitandMilianisarealstandout!However,thefilmoftenfeelslikeitdoesn’treallyhaveanywheretogo,andthismeansthattherunningtimeisstretchedoutmorethanitshouldbe.ComparedtothecrimefilmsofotherItaliandirectors,SyndicateSadistsismorethanaboveaverage;butinrelationtoLenzicrimeflickssuchasAlmostHumanandTheCynic,TheRatandTheFist-itdoesn’tstandtallasoneofLenzi’sbest.Still,ifyou’relookingforninetyminutesoftestosteronefuelledmayhem-SyndicateSadistswillsuffice!
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WhenToryCoroturnsupdead,theneighborhoodturnsupsilent.RumorhasitshebecameyetanothervictimofthesmalltownknownasFIGHTVALLEY.Tory’ssisterWindsormovestotowntobeginherowninvestigationonhersister’smysteriousdeathafterweeksofnoleadsfromthepolice.She’squicktolearnthatToryfoughtformoneytomakeendsmeet.Ifgirl-next-doorWindsorisgoingtomakeherwayintoFIGHTVALLEYtofindthetruthaboutTory,she’sgoingtohavetofightherwayin."Jabs"(MieshaTate)sworeshewouldneverthrowapunchintheValleyagain.JabsnowfindsherselftrainingWindsortosurvivethepainful,unexpectedpathshe’sabouttotake.Everycorner.Everyalley.Everydoorway.Shemustfollowthelastfootstepsofhersisterinordertocomeface-to-facewithTory’skillerinFIGHTVALLEY.
