Mabli
搜索"Mabli" ，找到 以下影视作品
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Thefilmexploresthelife,philosophyandimpactofoneofthemostinfluentialearly20thcenturymodernists,MarcelDuchamp.ThefilmbreaksdownDuchampsideasandappliesthemtobothhistoricaleventsandthemodernistexplosionthatblanketedtheearly20thcentury.ArtofthePossibleisntsimplyabiopic;rather,thefilmshowshowDuchampsideaschangedthepublicconsciousness,andourunderstandingofaesthetics,art,andculture.ThefilmhighlightsthesingularimpactofDuchampsphilosophyonart,and,moreimportantly,examineshowDuchampsrevolutionaryideasfromtheearly20thcenturyhaveshapedthe21stcenturyandmodernday.
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冈·纳缇萨勘·差洛特
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Nice
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Boripat
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Jamsat
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塔纳克里特·塔拉索蓬
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Dech
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Narongdet
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Rungarun
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贾卡林·普里帕特
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Nueng
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Malys
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Choeysobhon
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坎塔彭·措姆普潘
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威·维瑟缇
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沙玛·帕亚卡荣
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纳帕斯萨科恩·米代姆
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DeepPublishing与DeeHup合作开拍《KnockOut》，改编自作家Dawin(???????)小说《?????????????????》。因为过着过度自给自足的生活，被父亲送去朋友的拳击馆并担任助理推广员，但之后的一切发展都很稳定。如果他没有遇到像“丹尼”这样曾经有过纠纷的老对手，一切都将会更顺利。面对过去，有一种不可抗拒的吸引力，这将引导一对恋人走上充满危险的道路。当一个无情的拳击手面对一个刚毕业的大学生时，谁将在爱的擂台上获胜？
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Apoliceofficerarrivesataseeminglypeacefulstationbutfacespressurewhenhumanremainsarediscovered.Givenoneweektosolvethemurder,hemustnavigatedemandsfromhisdepartmentandananxiouspublicseekingswiftjustice.
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①OnaSerpentineRoad,WiththeTopDown一个女人和已故丈夫仅存的联系是她的老式车,但三十年后的今天,她面临着出售这辆汽车的艰难选择,卖掉车就意味着永别旧爱。②TheNightGirlFindsADayBoy一名患有睡眠相位后移综合症的女性,遇到了她的一生挚爱。问题是,当阳光照耀时,他正醒着,而她却不是。③StrangersOnA[Dublin]Train2020年3月从戈尔韦开往都柏林的火车上,两个陌生人相遇了,他们决定走老风格：不交换电话号码,只承诺两周后在火车上碰面。紧接着全球新冠大流行导致爱尔兰进入了全面封锁。④ALifePlanForTwo,FollowedbyOne学校里新来的女孩爱上了她最好的朋友,并且确信他们是命中注定,即使她似乎永远都走不出...
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Banksy,theworld'smostinfamousstreetartist,whosepoliticalart,criminalstunts,anddaringinvasionsoutragedtheestablishmentandcreatedarevolutionarynewmovementwhilehisidentityremainedshroudedinmystery.
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Fromillegalgamblingtomatch-fixing,discovertheseedyunderworldbehindtheonce-reveredsportofMuayThaiinthisdramainspiredbyrealevents.
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
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Returningforanextendeddurationofeightepisodes,Patience(EllaMaisyPurvis)willcontinueherworkinthepolicecriminalrecordsdepartmentofCityofYorkPoliceafterestablishingherselfasaninvaluablememberoftheteam,bringingheruniqueinsightintoaseriesofperplexingcases.However,whenanewboss,DetectiveFrankieMonroe(JessicaHynes)bringsaveryd...
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ITV’ssixpartfactualdrama,WhiteHouseFarm,producedbyNewPicturesrevolvesaroundonefatefulnightinAugust1985whenfivemembersofthesamefamilyweremurderedatanEssexfarmhouse;SheilaCaffell,hertwinsix-year-oldsons,DanielandNicholas,andherparents,NevillandJuneBamber.TheserieswillseektoprovidefreshinsightintothisfamilytragedyandthecontestedaccountsoftheeventsthattookplaceatWhiteHouseFarm.Basedonextensiveresearch,interviewsandpublishedaccountsincluding,‘TheMurdersatWhiteHouseFarm’byCarolAnnLeewithadditionalmaterialfrom‘InSearchofTheRainbow’sEnd’byColinCaffell,husbandofSheilaandfathertoDanielandNicholasCaffell.EssexPoliceinitiallybelievedthatSheila,whohadmentalhealthproblems,hadmurderedherownfamilybeforeturningthegunonherself.ButDetectiveSergeantStanJoneshaddoubtsaboutthemurder-suicidetheory,andaboutSheila’sbrotherJeremyBamber,whofirstcalledthepolicetothefarm.EventuallyitwasJeremyBamberwhowaschargedandconvictedofthemurdersofhisownparents,sisterandnephews.Bamberiscurrentlyservinglifeimprisonmentwithoutthepossibilityofparole.HeisoneofthefewprisonersintheUKsubjecttoawhole-lifeorder.Bamberstillmaintainshisinnocence.
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50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
