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THE COFFEE MAN follows Sasa from Ethiopia, the birthplace of coffee to Seattle, Washington (USA), the home of the specialty coffee movement and host of the World Barista Championship. From humble beginnings in war-torn Yugoslavia to his adopted home in Australia, Sasa Sestic's journey to the 2015 - World Barista Championships is a long one. But his dedication and pursuit of excellence carries him through as do his family, his staff, coffee growers and roasters and the vendors who travel with him on this remarkable journey. THE COFFEE MAN is an intensely personal, observational documentary that will have you biting your nails, standing up and cheering; and wishing that you, too, could experience Sasa's Holy Grail: the perfect cup of coffee.
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罗伯·威廉姆斯
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格拉汉姆（Steve Callahan 饰）是一位小著名望的电视明星,迫于职业的压力,他隐蔽了本人身为同性恋者的身份,但是,一场性爱录像带泄漏变乱让格拉汉姆的奇迹跌入了谷底,他决议前去棕榈泉度假,好好的给本人紧绷的神经放个假。 在棕榈泉,格拉汉姆不测的碰见了同道斗士特瑞（马修·蒙戈马利 Matthew Montgomery 饰）,只管特瑞非常瞧不上格拉汉姆遮讳饰掩的风格,但他本人亦由于招蜂引蝶被媒体发明而使始终在为之尽力的为同道婚姻谋取权利的奇迹堕入了停留,这令格拉汉姆不屑一顾。跟着时光的推移,两个一开端互相看不悦目的男子垂垂向相互关闭了心扉,扑灭了恋情的火花。
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OnlyforTerezaisaromanticcomedyfullofawkwardsituationsanderrors,whichproves,thatfightingforlovecansometimesbeincrediblyarduous,especiallywhenlifeslapsyouinthefaceallthetime.Thecharactersofthe"severelytriedcouple"areplayedbyIgorOrozovicandVeronikaKhekKubarova,supportedbyDavidMatásek,LenkaVlasákováorMatousRuml.
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萨姆·佩金帕
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Mike Locken is one of the principal members of a group of freelance spies. A significant portion of their work is for the C.I.A. and while on a case for them, one of his friends turns on him and shoots him in the elbow and knee. His assignment, to protect someone, goes down in flames. He is nearly crippled, but with braces is able to again become mobile. For revenge as much as anything else, Mike goes after his ex-friend.
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After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --? Official Site
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肖恩·吉布朗尼
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露露·威尔逊
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佩顿·伊丽莎白·李
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伽塔·马塔拉佐
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马库斯·斯克里布纳
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小克里斯·施密特
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莎拉·谢尔曼
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凯莱布·希伦
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杰克·马丁
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Shiv·Pai
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Adam·Herschman
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瑞安·米乔
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Aidan·Micho
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Lucas·Zelnick
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Luke·Burke
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Chelsea·Matkins
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Tommy·Armstrong
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Lydia·Hynes
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Hyde·Healy
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Miguel-Andres·Garcia
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Thestoryissaidtofollowapairoflonercollegeundergrads,JackandMontgomery,whoorderatake-outpie,butaccidentallytakeahomemadedrugthatturnsatwo-floorjourneydownstairsintoa“mind-bendinglytransformativequest.”
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
