Malling
搜索"Malling" ，找到 以下影视作品
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InDiciannove(translatingtoNineteen),GiovanniTortorici’selegant,heartfelt,anddaringdebut,acuriousstudentlearnsthattheroadtoself-discoveryisworthwhile,ifnotnecessary,nomatterhowunfamiliarordauntingthepath.Eagertoescapehisoverbearingmotherandtheonlylifehe’sknown,19-year-oldLeonardo(ManfrediMarini,whogivesanexceptionalperformance),leavespicturesquePalermotostudyinbustlingLondon.HislandingisbufferedbyhissisterArianna(VittoriaPlaneta)andherroommateGrazia(DanaGiuliano),thoughtheinitialexcitementoflivingabroad—andunrestrictedpartying—wanesquickly,andLeonardofindshimselfenrollingattheUniversityofSiena,focusingonItalianliterature.Backinfamiliarsurroundings,hefallsinlovewiththemedievalcity,butisnotsokeenonhisliteratureprofessor.Seekingthatindescribablefeelingofknowingyou’vefoundyourplace—beyondjustgeography—Leonardodelvesintotheclassicsindependently,spawningasoul-searchinganddeepinterestinearlymodernauthorslikePulci,Segneri,andLeopardi.Surroundinghimselfwithbeauty,vibrantyouth,andnewideas—aswellasimageshe’dpreviouslyrepressed—hisworldblooms.Ayearintohisunboundjourney,LeonardotravelstoTorinowherehemeetsamanwho,thoughmucholder,mayfinallybeacontemporary—ifnotthekeytounlockinghisinnermostdesires.
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彭妮·伍库克
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NasagreestoashamengagementtoNav,whoisalsointhecloset,butashockrevelationathomeleavesherquestioningeverything.Fallinggradespromptdrasticactioncausinguproar.
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Wyatt,acynicalnarcolepticwholivesinaflophouse-likeapartment,wantstobeajournalist.HiscareerdreamsarenearlydashedwhenhenoticesamysteriousgirlnamedFernlivingonhisblockinan88ToyotaTercelhatchback.FernsfatherwentmissingandassumeddeadwhenshewasayoungchildlivinginMontana.AfterreceivingacrypticletterfromastrangernamedDr.Green,tellingherthatherfatherisaliveandlivinginLA,shedecidestogolookforhimherself.TogetherthetwosetoffonajourneytofindFernselusivedadamongthederelictcornersofthecity,whiledevelopinganotsoplatonicinterestforeachotheralongtheway.
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
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科迪·卡拉汉
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Duringaragingsnowstorm,adrifterreturnshometotheblue-collarbarlocatedintheremoteCanadiantownwherehewasborn.Whenheofferstosettleanolddebtwithagrizzledbartenderbytellinghimastory,thenightseventsquicklyspinintoadarktaleofmistakenidentities,double-crossesandshockingviolence.YourenotgoingtobelievewhathappenedatTheOakRoom.
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It's the close of World War II. Unwilling to surrender| rogue German forces shoot down a returning British squadron leaving Sydney Baker wounded and lost with the enemy closing in. He's saved by American soldier and the duo must face their fears both internal and external| to defeat the enemy and make it back to friendly territory alive.
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A graduate of the Offenbach College of Design, Piotr J. Lewandowski has made his directorial debut with JONATHAN (working-title) based on an award-winning screenplay. The moving drama about family secrets and the obstacles to achieving one’s own happiness features Jannis Niew?hner, one of this year’s European Shooting Stars, in the title role of the 24-year-old Jonathan. The young man is caring unstintingly for his terminally-ill father Burghardt, but then sees his life in a new light after falling in love with Anka, who has come to nurse his father. However, the story takes another twist when Ron, Burghardt’s long-lost friend from his youth, re-appears — and a well-kept family secret is uncovered....
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50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
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Forced to live a life inhabited by her wicked step mother and her two step sisters, Cinderella Perrault, learns about the fruition of love, life, and self discovery in this modern retelling..
