Stu

StudioGetItBeauty

Every year, thousands of high schoolers enter the August Wilson monologue competition for a chance to perform on Broadway. This film follows these students, examining how Wilson and his characters speak to a new generation, inspiring them to listen to his words and find their own voice.

ColleaguesLesandNataliearedelayedintheAlbuquerqueairport.Restless|irritated|andunabletostandtheserviceworkershemeetsateveryturn|Lesheadsdowntown.Natalierefusestoleavehissideanddiscoversthathissupposedlyaimlesswanderinghasmoreofapointthanheiswillingtoadmit.Natalieconcealssecretsofherown|thoughneithercankeepthemquietforlong.Arapportgrowsbetweenthisunlikelypair|andsoontheysearchoutasparkofexcitementinthismostunlikelyoflocales.

之前曾经为玩家们介绍，日本Capcom公司于11月3日在日本东京品川举办一场“卡普空大格斗祭”活动宣佈该公司预定2009年冬天跨PS3主机与Xbox360等平台发售推出的这款人气大型机台对战格斗移植作《StreetFighter4》(StreetFighterIV)，将预定於2009年2月推出，并将附赠推出由动画公司Studio4℃所制作的约60分鐘长篇卡通动画作为本作的先行购入特典；如今官方除了正式宣佈这款跨平台新作将预定於2009年2月12日推出，定价两个版本各8390日圆之外，也公佈了这个先行购入的“长篇动画收录DVD”的光盘包装设计图样以及动画画面！由官方为纪念“StreetFighter4”系列发售20週年所推出的纪念活动其中一环的这款系列最新家用版中，除了将把像是“刚拳”、“赛斯”(Steh)”等之前在大型机台中让玩家尝...

"BehindCut"tellsthestoryoftwomenworkingtowardstheirdreamstogether.ThestoryrevolvesaroundKiJin,adesignstudentwithaspirationstobecomeaworld-famousdesigner,andYeongWoo,whoworkspart-timeasadeliverymanwithabrightpersonality,andtheirstrugglesofworkandlove.Korea'stopmodelLeeBincomesintothepictureandisexpectedtogivethesto...

在挪威某个国度丛林公园的要地,坐落着一家清凉阴沉的旅馆。12年前运营旅馆的匹俦跟他们的孩子接踵掉落,令这里蒙上一层奥秘恐惧的面纱,同时也成为年青人们追求安慰!心驰向往的绝佳地点。1988年的一天,马格（PalStokka饰）!纳特（SturlaValldalRui饰）!西蒙（ArthurBerning饰）!安德斯（KimsFalck-Jorgensen饰）!海达（IdaMarieBakkerud饰）跟斯瑞（JulieRusti饰）等6名年青人相约离开山中度假,旅馆的氛围令斯瑞深感不安,在她激烈的请求下,世人废弃在旅馆留宿的筹划,转而露宿湖旁。夜晚,互有好感的斯瑞跟纳特偷偷幽会,却掉慎跌入一个补兽圈套,纳特身受轻伤,未多少更被一个奥秘的女子杀戮。自此,这群年青人开端了一段残暴无比的血腥假期……

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

Gravity Rush: The Animation - Overture, bridges the gap between the original Gravity Rush and the sequel Gravity Rush 2. This anime has been produced by Studio Khara, best known for their work on Rebuild of Evangelion.

ComedyandHorroruniteinthis"TheBreakfastClub"meets"ShaunoftheDead"taleaboutagroupofoddballhighschoolstudentswhofindthemselvestrappedindetentionwiththeirclassmateshavingturnedintoahordeofZombies.Cantheyputtheirdifferencesasideandworktogethertosurvivethenight?Fatchance!ThisisHighSchoolafterall.

CBS宣布开发英剧《鬼屋欢乐送Ghosts》的美版，Lionsgate及BBCStudios合作制片﹑由JoePort及JoeWiseman负责。《鬼屋欢乐送》讲述一对年轻夫妇搬到梦想的乡间别墅后，发现这儿原来有着一群不同时期的鬼魂，而他们都想把主角二人赶出去。