Cayon
搜索"Cayon" ，找到 以下影视作品
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SummertimearrivesApril29,onlyonNetflix.Onesummercanchangeyourlife,whetheryou’rereadyornot.ThisiswhathappenstoSummer,Ale,Dario,EdoendSofia.ThreemonthsspentunderthesunoftheAdriaticCoasttomakethembreakwiththepast,questiontheirbeliefsandletthemdiscoverwhotheyreallyare.AserieswithLudovicoTersigni,CocoRebeccaEdogamhe,AndreaLattanzi,AmandaCampana,GiovanniMaini,AliciaAnnEdogamheandThony.GiorgioPoiistheauthoroftheOSTandoneofthemusicsupervisor.Thesoundtrackfeatures,amongothers,FrancescaMichielin,FrahQuintale,GiorgioPoi,AchilleLauro,Salmo,Franco125,TommasoParadiso,Gemitaiz,Izi,ThonyRaphaelGualazziandComa_Cose.
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埃里克·侯麦
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改编自埃德加·爱伦·坡的短篇小说《贝蕾妮丝》（Berenice,1835），由侯麦本人出演男主角。原著译文请参看httpt.cnRvRdtAO（曹明伦译本）或httpwww.douban.comgrouptopic19613162（娅冰_Alcyone自波德莱尔法文译本的汉译）
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Having become a campus celebrity after a (fictional) cancer diagnosis, a young woman (Kacey Rohl) struggles to maintain her fabrication in this fearless and emotionally affecting new feature by Calvin Thomas and Yonah Lewis (Amy George, The Oxbow Cure, Spice It Up).
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片长：88语言：俄语国家：苏联颜色：黑/白导演：谢尔盖格拉西莫夫，米哈伊尔卡拉托佐夫演员：鲍里斯巴博奇金鲍里斯Blinov塔玛拉马卡洛娃Description:Theautumnof1941.LeningradisbesiegedbytheNazis.Anewmodeloftankisbeingdevelopedatalargedefenseplant.Builtintheshortestpossibletimecombatvehiclesaretesteddirectlyonbattlefields,fightingwiththeNazisintheoutskirtsofthecity.Thefirstfeatureagitprop...
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李濬益
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申河均，韩志旼，李姃垠，郑进永确定合作主演TVING原创新剧《Yonder》。该剧改编自小说《Goodbye，Yonder》，以2040年代Ubiquitous环境下的韩国大都市为背景。男主的妻子因为癌症去世，沉浸在丧妻的悲痛中的他突然收到一封邮件，之后决定舍弃自己的躯体，前往能和妻子再在一起生活的Yonder。“Yonder”是指不死永生的世界，该剧将通过Yonder讲述永生与死亡、记忆与忘却、幸福与不幸的真谛。申河均剧中饰演妻子过世后一个人活着虚无的生活的记者一角，然后偶然契机下他收到一封邮件，可以见到亡妻，之后他陷入混乱之中。韩志旼剧中饰演男主亡妻一角。在决定安乐死之前她签下一个疑问的合约，之后将男主引领到yonder之中。李姃垠剧中饰演招待人们来到未知空间yonder的运营者一角。郑进永剧中饰演研究死亡的脑学专家一角由《王的男...
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ThelifeofDrHanhasbecomeapermanentquestforperfection.Fromthelivestreamedoperatingtheatretoartfairsviafashionshows,thefamousChineseplasticsurgeonhasonlyoneaim:beauty.Throughtheimplacableportraitofthischaracter,thefilmquestionsbeautyasasimultaneouslyessentialyetvainelementofsocietyintheeraofselfies.
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Taylorisaworkaholicwithnotalotgoingoninhersociallife.Oliveisanaspiringactress,withlittlemoneytohername.Astheholidaysnear,TaylorgetsacallfromherdadaboutvisitingherfamilyforChristmasandthattheyfinallywanttomeethergirlfriend.Sheagrees,afterfeelingguiltyaboutnotseeingtheminalongtime,butthere'saproblem:Taylorandhergirlfriendrecentlybrokeup.Notwantingherfamilytoknowthatherrelationshipfailed,Taylorconsiderslookingforadatetohire.Afterafewbaddates,shedecidestotellherparentsthetruth.But,wait,notbeforehercoworker,unbeknownsttoTaylor,putsanadinthepersonals.Butnobodyreadsthoseanymore,right?Inaplayoffate,onepersonaccidentallystumblesuponthead,Olive.Afterreadingtheamountofmoneybeingoffered,she'sdeterminedtobookthisgig.Asit'scomingdowntothewire,TayloragreesandhiresOlive.Theyheadtoherparents'housefortheholidaysandmustconvinceeveryonethatthey'reinaromanticrelationshipandnotthetotalstrangersthattheyare.
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Inthesummerof2006,RobReilly(KillianScott),asmartsuitedhomicidedetectiveandhispartnerCassie(SarahGreene)aredispatchedtoinvestigateachild’smurderandfindacommunitycaughtbetweenoldandnewIreland.Onanaltarliesthebodyofalocalteenagegirl,precociouslytalentedKatyDevlin(AmyMacken).Herbodyisfoundinthemiddleofanarcheologicalsite,threatenedbylocaldevelopersaimingtobuildashinynewmotorway.Theneighbouringestate,Knocknaree,hasneverquitegotitsshareofthe‘CelticTiger’andhasbeenblightedbypovertyandunemploymentforgenerations.Moreover,thisisthenotthefirsttimeachildofKnocknareehasbeenlost:21yearsearlier,inaverydifferentIreland,threechildrenwentmissingandonlyoneevercamebackalive.Memoryrunsdeepinthispartoftheworld,andlocals,pressandtheDublinPoliceworrythatthecasesarelinked.
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In2013,anAustralianmanafewmonthsshyofturning60decidedtowalktheCaminodeSantiago–an800kmpilgrimagetrailacrossthetopofSpain.Hehadnoknownreligion,andabsolutelynoideawhyhefeltsodeeplycompelledtodothistorturouswalk.Butcompelled,hewas.Hecompletedthewalk,battlinga“triumvirateofpain”-akneethathelaterdiscoveredlackedanymeaningfulcartilage,ablisterthesightofwhichwouldmakeagrownmanweep,andshin-sorenessthatfeltlikehislowerlimbhadbeensplitwithamountainaxewieldedbyadementedtroll.ArrivingattheendoftheCamino,themajesticcathedralinSantiagodeCompostela,heexpectedanepiphany–ananswertothequestionhe’dbeenaskinghimselfeveryday:WhyamIdoingthis?Butnoanswercame.Sowhenhegothomehewroteabook,hopingtheanswerwouldrevealitselfinhisscribblings.TheresultwasTheWay,MyWay,ahumourousandself-deprecatingbookthatmanyconsiderthebestmemoireverwrittenonwalkingtheCamino.Thebookhasnowbeenmadeintoafilm,andit’sanextraordinaryaccountofamanatapivotalpointinhislife,searchingformeaningandfindinghimselfundergoingafundamentaltransformationsoprofoundthathenowdivideshislifeinto“BeforetheCamino”and“AftertheCamino.”It’sastoryparticulartooneman,yetofappealtoanyoneseekingagreatermeaningfromlife.
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Belgiandirector/screenwriterBertScholiersjumpsallovertheplaceinhisimaginativefeaturedebut.OnemomentweareinanAntwerppub,thenextwearewalkingacrossanexpanseofsnow,theninacosmicblackholeorchasingaflyingpineapple.ThisishowbestfriendsCharlieandHannah’sdrink-fuellednightpansoutafterswallowingamagicalsweetthatchangestheworldsurrealistically–alsoforeveryonearoundthem.Thelaconictwenty-somethingsrespondtotheseeventswithamusedamazement(whethertheywindupinapre-warbrothelorareblowntosmithereensbyanatombomb),allthewhilesaunteringalonganddiscussingthereallyimportantstuff:dealingwithexesandrelationships.LikeatrippingWoodyAllenorNoahBaumbach,Scholiersplayswithform,usinginventivevisualhumour,colourandblack-and-white,switchingaspectratiosandreferringtosilentmoviesandItaliangiallohorror.
