Crush

Anunassertiveseventeenyearoldturnshishighschoolonitsheadwhenheasksouthiscrush,atransgenderclassmate.

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　　PG-13　　An endless army of shadow demons bent on the destruction of all reality swarms over our world and all parallel Earths. The only thing opposing them is the mightiest team of metahumans ever assembled. But not even the combined power of Superman, Batman, Wonder Woman, Green Lantern and all their fellow superheroes can slow down the onslaught of this invincible horde. What mysterious force is driving them? And how do the long-buried secrets of the Monitor and Supergirl threaten to crush our last defense?

　　Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.　　Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.　　The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.　　Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.

Thirteen year-old Holly Hobbie lives with her family in Collinsville, a picture perfect North American small town with main-street values. Each episode follows Holly trying to make the world a better place, while tackling the everyday challenges of growing up – from bullies to breakouts, crushes to curfews. Holly’s principle mission in Season 1 - is saving the struggling Calico Café which is run by her grandmother, as her relationship with Amy (best friend since the age of two) is tested by the arrival of new girl in town, Piper. Holly is a budding singer/songwriter, and catchy original music performed by Holly (Ruby Jay, 485k IG followers) connects which each episode’s plot during live performances at Holly’s open-mic events at the Café.

A psychological thriller set in the world of underground dubstep, Snap is the story of Jim Whitman, a brilliant but painfully introverted musician who develops a crush on a young social worker. While the social worker is initially drawn in by Jim's musical genius, his inner demons spiral out of control when the romance fizzles, with shocking and tragic results.

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　It is Friday night and five friends gather at a house in rural Australia. Their parents are out of town and it is time to celebrate the end of another school week. No big deal; just a few drinks, a few laughs. As the night grows later, the teens reach a state of alcohol-induced openness. They reveal secrets, crushes and an unintentionally cruel streak. The final year of high school can be paradoxical. Having found some passions and close friends, you often begin to understand your own identity for the first time. And yet, still so young, you can't deny that you've so much to learn about yourself and the world. Maybe, despite thirteen straight years of schooling, you kind of don't know anything. A tribute to an awkward phase that we have all made it through and have powerful memories of, About An Age is a nostalgic coming-of-age film. With charm and authenticity, it examines themes of responsibility, first love and the passing of time via one single evening shared by a group of playful mates.

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　　Best friends, Alex and Bryan, have a bitter fight entirely via text message when one of them sleeps with the other's crush. But, just as things seem to settle, an unexpected development may lead to yet another rift.