Saura
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翁贝托·伦齐
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UmbertoLenziisundoubtedlythekingofItaliancrimemovies,butunfortunately;SyndicateSadistsisnotthebestexamplesofhisworkinthisgenre.Lenzi’scrimeflickstendtobeacutabovetherestbecausehemakesfilmsbasedonstorieswithapoint,andtheydon’tlackdirection;butthisfilmfeelsabittoowaywardtofullyfitwiththerestofhisstuff.ThefilmtakesobviousinfluencefromSergioLeone’slandmarkwestern’AFistfulofDollars’(whichinturn,tookinfluencefromAkiraKurosawa’slandmarksamuraiflickYojimbo),inthatitfeaturestwowarringfamiliesandastrongcharacteratthecentre.ThecrimethatLenzifocusesoniskidnapping,andwecentreonacharactercalled’Rambo’.Ramboisdraggedintothewarbetweenthetwofamiliesafterhisbrotheriskilledbecauseofit.Rambouseshisbrainsandbrawntopitthetwofamiliesagainstoneanother,inthehopeofgainingrevengeforhisbrother’sdeath,rescuingayoungboythatthey’vekidnapped,andultimatelylettingthetwosidesdestroyoneanother.Thefilm’sbiggestassetisundoubtedlyTomasMilian.MilianwasputtogreatusebyLenziinalmostallofhiscrimethrillers.TherangeofcharactershehasplayedforLenziisimmense,andthisoneiseasilyoneofthecoolest.ThecharacteriscalledRambo,whichimmediatelysprangtomindthepopularSylvesterStallonecharacter-butforonce,theItaliansactuallyhaven’tstolenthisnameasSyndicateSadistswasreleasedfirst!Asusual,thefilmiswickedlyentertaining,aswegettowatchMiliangethimselfinvolvedintheusualarrayofcarchases,shootoutsandbrawls.Lenzihasgothimridingamotorbikethistimeround,andeveryscenefeaturingitandMilianisarealstandout!However,thefilmoftenfeelslikeitdoesn’treallyhaveanywheretogo,andthismeansthattherunningtimeisstretchedoutmorethanitshouldbe.ComparedtothecrimefilmsofotherItaliandirectors,SyndicateSadistsismorethanaboveaverage;butinrelationtoLenzicrimeflickssuchasAlmostHumanandTheCynic,TheRatandTheFist-itdoesn’tstandtallasoneofLenzi’sbest.Still,ifyou’relookingforninetyminutesoftestosteronefuelledmayhem-SyndicateSadistswillsuffice!
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Yi-Ming,whosehusbandworksoutsideoftown,livesalonewithherson.Afteryearsapart,shereconnectswithTing-Tingatawedding,agirlshewasintimatewithbackinhighschool.TheencounterwithTing-TingnotonlysetsYi-MingfreefromheroppressivemarriagebutalsoreawakensherfeelingsforTing-Ting.NowthatTaiwanhasfinallylegalizedsame-sexmarriage,willYi-Minghavethecouragetochangeherlife?
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何塞·帕迪里亚
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4年前,如雷贯耳的拉西欧牢狱产生了一场暴乱,这一变乱惹起里约热内卢州社会的普遍争辩,也差别水平转变了很多人的运气。直接引导精英军队（BOPE）的罗伯特·纳西贝托中校（Wagner Moura 饰）由此荣升为平安局的副秘书长,占有更大的发挥空间；而他的爱将安德鲁·马蒂亚斯（André Ramiro 饰）被政客看成替罪羔羊,踢出了BOPE军队。固然,纳西贝托也遭遇着来自政坛!战友跟家人各方面的压力,他将一腔怨愤转化就任务中,不只扩编强化了BOPE的气力,还经由过程一次次铁腕的袭击清洗了穷人区毒贩的罪行权势。 毒贩偃旗息鼓,暗中的阴郁却未散去。以罗卡（Sandro Rocha 饰）等工资首的腐烂警员权势进入穷人窟,他们欺行霸市,官匪勾搭,成为里约州另一个难以消灭的恶疾……
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LouisTherouxinvestigatesthecurrentconditionsof3differentcitiesintheUSwhichhavebeennegativelyimpactedbythecatalyticencouragementofprescriptiondrugsupontheircitizens.Peopleofthesecitiesofferinsightintotheirexperiencesoftheirabuseofprescriptiondrugswhicheventuallyprovedtobegatewaysubstancestohardernarcotics.
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Nina is twelve years old and her world has just been shattered to smithereens: Her parents’ marriage has broken down and they are getting a divorce. After his internationally successful debut Miracle Juraj Lehotský now brings us an intimate drama in which the viewer looks upon the world and the selfish, visionless behaviour of adults through the eyes of a 12-year-old girl. A girl who is resilient and belligerent, but also vulnerable and just as fragile as the miniature world she creates for herself in the garden shed.
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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大卫·惠灵顿
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在这部加拿大冬季剧会合,多伦多Hope-Zion病院的外科主任CharlieHarris（MichaelShanks）遭受车祸后昏迷不醒,让整座病院堕入凌乱,他的未婚妻兼共事AlexReid大夫（EricaDurance）更是忧心如焚。Alex信心在新来的有名外科大夫JoelGoran（DanielGillies）的赞助下挽救Harris的性命。与此同时,Harris的「魂魄」在病院里浪荡,不晓得本人真的酿成了幽灵,仍是纯洁在理想。总的来说,这既是一部惯例医学剧（Alex跟病院里的其余大夫天天还要照常诊治病人）,又是一部带有灵异颜色的理想剧。剧名「挽救生机」共有三重含意：挽救Harris!挽救一般病人,挽救Hope-Zion这所病院。HuseMadhavji!JuliaTaylor-Ross跟KristopherTurner介入上演。该剧的演员跟制造班底大多来自加拿大外乡剧集「雏鹰展翅」（RookieBlue）。
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AftertheeventsofStarWars:EpisodeIX-TheRiseofSkywalker(2019),PoeDameronandBB-8mustmakeanemergencylandingonthevolcanicplanetMustafarwheretheymeetthegreedyandconnivingGraballatheHutt.ThecrimebosshaspurchasedDarthVader’scastleandisrenovatingitintothegalaxy’sfirstall-inclusiveSith-inspiredluxuryhotel.WhilewaitingforhisX-Wingtoberepaired,Poe,BB-8,Graballa,andDean(apluckyandcourageousyoungboywhoworksasGraballa’smechanic)venturedeepintothemysteriouscastlewithVader’sloyalservant,Vaneé.
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The goal with CLOWNADO is to make a damned good, scary and splatter-filled, nonstop roller coaster ride of a Horror movie. It's something new, fresh, original and unique but also familiar. Using only Practical Special Makeup Effects and old school styled Visual Effects, CLOWNADO has the vibe of Classic Horror movies we love. Think Evil Dead, Dead Alive, Bad Taste and Texas Chainsaw Massacre if Lucio Fulci was directing, all mixed in a swirling storm of insanity. Now add in scary supernatural Clowns and the cinematic visual style known as FILM NOIR. - intense composition with shadow and light. - and a bit of that incredible John Carpenter suspense (John was also influenced by Noir classics). - and you have an Ambitious, Over the Top Gorefest Epic!. Don't judge a book by it's cover - This is certainly no comedy.
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This1992Japanesefilmtellsthestoryofascientistwhosetsouttocreatethenew"superAdamandEve",humanswhocannotbecontrolledbytheiremotions.Ofcourse,theendresultitnotexactlywhatthegooddoctorexpects.commentsfromimdb:Thismoderntaleofanattempttobuildacreatureisoneofthebest"horror"filmsevermade,evenifitsnotahorrorfilmbutsomethingelseentirely.Certainlyitsonmyshortlistofalltimegreatfilms.Thisfilmwasintroducedtomebysomeonewhotoldme"Ihavethisfilmthatprobablyoneofthebestfilmsyou’lleversee.Itwillmoveyouandtouchyouandmakeyouthink,butifItoldyouwhatitisandtoldyouhowitsdoneyouwillthinkitsthestupidestthingonthefaceofitandyouwon’twatchit."IntriguedIaskedwhatdidhemean,andhesaid,"WellitsaFrankensteinstory,withaverygoofysortofedge,butwhichusesittoitsadvantage."Myearsperkedup,andIbeingatrustingsoultookthetapeandwatchedit.Iwasblownaway.TheplotconcernsamadscientistattemptingtomakeanewAdamandEveinthewakeofasuicidalplaguethatisravagingtheworld.Lockedupinhislabhisexperimentsgodifferentlytheneitherheorweexpect.Someofitissilly(Theboltsintheneck,thewrestlingmoves...),allofitistouchingandthoughtprovoking.Icannotrecommendthismovieenough.IfyouarewillingtotakethefilmonitstermsandallowittotellitsstorythenIurgeyoutoseekthisfilmoutandseeit.Thisisanundiscoveredgemthatwillstaywithyouforever.15outof10andthensome.10/10Alsoknownas"TheLastFrankenstein",thisisanextraordinary,impeccablyproducedhorrorfilm.DirectorTakeshiKawamurausesMaryShelley’snovelasamerelaunchingpadforanexplorationofsubjectsasdiverseandfascinatingasthenatureoflove,desire,suicide,masshypnosis,sex,alienationandjealousy.Andthoughthefilmisdensewithsubtext,itisalsostunninglyphotographedandrichinatmosphereanddetail.TheperformancesareallamazingandKawamura’ssensitivehandlingofthestrange,delicaterelationshipsbetweenthecharactersresultsinanemotionallycharged,angst-riddentragedy.Thescenesoftheconfused,troubledmonsterhurtlingthroughafog-shroudedforestatnightarememorableandstriking,asisabrillianthomemovie-stylemontageofthefilm’smorecuriouscharactersenjoyingapreciousafternoonatthebeach.KawamuracreatesresonatingvisualpoetryofhorrorandsadnessbarelysightedsinceToddBrowning’sclassic"Freaks".Intelligent,emotional,tragicandreal,thisisanabsolutegem.9/10
