Victor
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斯图尔特·奥玛
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Dr.Brewster’ssuicidetakesaparticulartwistwhenthepathologistdeterminesthathehadalsobeenboundandgagged.TheBrewsters,bothmedicaldoctors,ranaprivateclinicandtheirsonJohn,wholivedathome,isdoctoralcandidateinphilosophy.OnepossiblesuspectisMichaelSteppingswhothreatenedtheBrewstersandtheirnurseafterhisdaughtersufferedsevereside-effectsandisnowinavegetativestatefromabotchedoperationtwoyearspreviously.TheforensicslabdeterminesthatoneofSteppings’sthreateningletterswasalteredandMorselearnsthatBrewstermayatonetimebeenhavinganaffair,sohemustconsideranotherpossiblemotiveformurder.
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内详
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Settobroadcastintwoone-hourfilms,thisfamilytreatisinspiredbytheclassicbooksofBarbaraEuphanToddandispeggedtobetheTVeventoftheseason.MackenzieCrookhastakenScatterbrookfarmandtheinfamouscharactersofthiswell-lovedtaleandinjectedthemwithatenderandauthenticcharm.Thisistheperfectfamilyadventure,packedwithafun,mischievousspiritanddeliveredwithanenvironmentalmessage.MackenzieCrook,(PiratesOfTheCaribbean,Detectorists)whohaswritten,directedandstarsasWorzelGummidge,hasgatheredahostofbothaccomplishedandbrilliantactorswhoaresettoappearinthiseagerlyanticipatedadaptation.PlayingTheGreenMan,creatorofthescarecrows,whoarrivestoScatterbrookinepisodetwo,iscomedylegendSirMichaelPalin.Hesays:“It’salovelypartforme,butthewholescriptisverymemorableandtouching,andveryfunnytoo.Itquiteskillfullyweavesinsomethingforeverybodyallthetime.”ZoëWanamaker(MyFamily,HarryPotterAndThePhilosophersStone)willplaytheeccentriclocalaristocrat,LadyBloomsburyBartoninepisodetwo.Shesays:“Thewholethingissocharmingandinventive.It’sthesortofthingI’dwatch.I’msureitwillbeahugesuccess.Iknowitwill-it’sdivine.”VickiPepperdine(GettingOn,TheWindsors)takesontheroleoftheformidableAuntSallyinepisodeone.Shesays:“There’ssomethingforeverybody.It’sgotthishearttoit,andyou’dbehardpushedasanadultnottoengagewithit.”StevePemberton(LeagueOfGentleman,Benidorm)willplayMrBraithwaite,thefarmer.Hesays:“Thisisthekindofshowthewholefamilycanenjoytogether.Ithasalotofhumour,alotofvisualhumourtoo,andIthinkkidswillenjoywatchingthechildrenbeingcentraltothestory.”RosieCavaliero(GentlemanJack,CleaningUp)willplayMrsBraithwaite,sheadded:“It’sastoryabouttheimagination,andchildrenescapingintothisdifferentworld.Mackenzie’sversionistotallycontemporary.”OnestowatchIndiaBrown(HettyFeather)andThierryWickens(makinghisTVdebut)willplaySusanandJohn,twocitychildrenspendingtheirsummeratScatterbrookfarmwhoquicklybefriendWorzelandbeginasummerofadventures.Thefirstepisode,TheScarecrowOfScatterbrook,seestwoyoungstrangersarriveinthevillageofScatterbrook.It’snotlongbeforeSusanandJohnencounterWorzelGummidge,theScarecrowofTenAcreField.TheirworldissentspinningintoconfusionwhentheyrealiseGummidgecomestolife.TheonlypersonmoreshockedisWorzel,whenhediscoversthatthechildrenarenotinfactfellowscarecrowsbuthumans.Theirworldsshouldnevercommunebutfatehasconspiredtocreateanextraordinaryunion.Theseasonshavestoppedandtheharvesthasn’tarrived.Therhythmofthenaturalworldisoutofkilterandthisunlikelytriomusttrytoputitright.Magic,mysteryandmayhemunfurl.Thesecondepisode,TheGreenMan,welcomesanothermysteriousarrivaltoScatterbrook.TheGreenManisthecreatorofscarecrowsandkeeperofscarecrowlore.Heisn’tatallhappythatWorzelisconsortingwithhumans.Elsewhere,localaristocratLadyBloomsburyBartonisholdingafete,withaScarecrowcompetitionthatWorzelisdeterminedtowin.WhatwillTheGreenManandWorzel’smostcompetitiverival,SoggyBogartmakeofitall?WorzelGummidgeiswrittenanddirectedbyMackenzieCrookandisaLeopardPictures,TreasureTroveProductionsandLolaEntertainmentproductionforBBCOne.ItisExecutiveProducedbyKristianSmithforLeopardPictures,LisaThomasforLolaEntertainment,MackenzieCrookforTreasureTroveProductions,withrightsholdersPatrickD.PidgeonandEricS.RollmanexecutiveproducersforPidgeonEntertainment,Inc.ItisproducedbyGeorgieFallonandAlexMoodyistheCommissioningEditorfortheBBC.Furthercasting:FrancescaMills-EarthyMangoldTimPlester-ClartyColinMichaelCarmichael-SoggyBogartAndrewJamesSpooner-FlatAlistairPhilHulford-HannahHarrowTomMeeten-HMSOdneyChristopher-RobertBarlow-RagBagKiranShah-ChopperandRootBoundCharlieMayhew-RustleSprouterLucyMontgomery-JackiePuddingGusBrown-OswaldPollypopMalikIbheis-TrikeBenLangley-DriverMariamHaque-Receptionist
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Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.
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梅拉尼·罗兰
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梅拉尼·罗兰将自编自导一部由女性主导的年代惊悚片[疯女人的舞会](暂译)。本片将根据VictoriaMas的小说改编，聚焦一位在萨尔佩替耶病院被不公正地收容并设法逃脱的女人的故事。在19世纪末的巴黎，当时被认为过于叛逆或难以相处的女人常被贴上疯子和体制化的标签。那些被诊断患有不同类型神经系统疾病的女人被限制在萨尔佩替耶病院。每年，医院都会和病人一起举办一场盛大的舞会，吸引到巴黎的精英。这是一个可以看见与被看见的地方。
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翁贝托·伦齐
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UmbertoLenziisundoubtedlythekingofItaliancrimemovies,butunfortunately;SyndicateSadistsisnotthebestexamplesofhisworkinthisgenre.Lenzi’scrimeflickstendtobeacutabovetherestbecausehemakesfilmsbasedonstorieswithapoint,andtheydon’tlackdirection;butthisfilmfeelsabittoowaywardtofullyfitwiththerestofhisstuff.ThefilmtakesobviousinfluencefromSergioLeone’slandmarkwestern’AFistfulofDollars’(whichinturn,tookinfluencefromAkiraKurosawa’slandmarksamuraiflickYojimbo),inthatitfeaturestwowarringfamiliesandastrongcharacteratthecentre.ThecrimethatLenzifocusesoniskidnapping,andwecentreonacharactercalled’Rambo’.Ramboisdraggedintothewarbetweenthetwofamiliesafterhisbrotheriskilledbecauseofit.Rambouseshisbrainsandbrawntopitthetwofamiliesagainstoneanother,inthehopeofgainingrevengeforhisbrother’sdeath,rescuingayoungboythatthey’vekidnapped,andultimatelylettingthetwosidesdestroyoneanother.Thefilm’sbiggestassetisundoubtedlyTomasMilian.MilianwasputtogreatusebyLenziinalmostallofhiscrimethrillers.TherangeofcharactershehasplayedforLenziisimmense,andthisoneiseasilyoneofthecoolest.ThecharacteriscalledRambo,whichimmediatelysprangtomindthepopularSylvesterStallonecharacter-butforonce,theItaliansactuallyhaven’tstolenthisnameasSyndicateSadistswasreleasedfirst!Asusual,thefilmiswickedlyentertaining,aswegettowatchMiliangethimselfinvolvedintheusualarrayofcarchases,shootoutsandbrawls.Lenzihasgothimridingamotorbikethistimeround,andeveryscenefeaturingitandMilianisarealstandout!However,thefilmoftenfeelslikeitdoesn’treallyhaveanywheretogo,andthismeansthattherunningtimeisstretchedoutmorethanitshouldbe.ComparedtothecrimefilmsofotherItaliandirectors,SyndicateSadistsismorethanaboveaverage;butinrelationtoLenzicrimeflickssuchasAlmostHumanandTheCynic,TheRatandTheFist-itdoesn’tstandtallasoneofLenzi’sbest.Still,ifyou’relookingforninetyminutesoftestosteronefuelledmayhem-SyndicateSadistswillsuffice!
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雷吉纳·哈德林
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AninspirationalstoryhonoringthelifeandlegacyofHollywoodlegend,SidneyPoitier.SidneypremieresSeptember23intheatersandonAppleTV+.FromproducerOprahWinfreyanddirectedbyReginaldHudlin,thisrevealingdocumentaryhonorsthelegendarySidneyPoitierandhislegacyasaniconicactor,filmmakerandactivistatthecenterofHollywoodandtheCivilRightsM...
