Woo
搜索"Woo" ，找到 以下影视作品
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詹妮弗·乌尔里希
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When the driver manages to crash the car on the road in the middle of nowhere the four-man-passenger-team (well, 1 girl and 3 guys, actually) have no other choice than to walk through the dark woods to the nearest hostel. Combine this scenario with zombies, a hockey-mask wearing giant and an annoying doll who demands popcorn, and you'll have "H3: Halloween Horror Hostel".
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AMC恐怖剧集《极地恶灵》第2季发布首个预告。本季名叫《骇人事件：罪行昭彰》(TheTerror:Infamy)，相对第一季是全新的剧情和设定。由DerekMio(《明日危机》)、竹井乔治(《星际迷航》)主演，聚焦第二次世界战争时期一个美籍日本裔社群，从在南加州的家到太平洋战争俘虏收容所，他们都被可怕的恶灵威胁，“不论你去哪，它都会跟着你”。Mio饰演日裔青年ChesterNakayama，想离开自己孤立的社群去参军，竹井饰演这群人中一个经验丰富的渔民。主创团队这季也换了新的，AlexanderWoo(《真爱如血》)和MaxBorenstein(《金刚：骷髅岛》)打造，JosefKubotaWladyka(《毒枭》)执导首集，共10集，8月12日开播。
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Fifteenyearsago,twoteenagegirlsweremurderedatMerrymakerCampgrounds.Thecasewasfiledananimalattack,thecampwascondemnedandthekillerneverfound-butsomethinghorrificstillwaitsinthosewoods.
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"Deepwithinthe100-Acre-Wood,adestructiveragegrowsasWinnie-the-Pooh,Piglet,Owl,andTiggerfindtheirhomeandtheirlivesendangeredafterChristopherRobinrevealedtheirexistence.Notwantingtoliveintheshadowsanylonger,thegroupdecidestotakethefighttothetownofAshdown,homeofChristopherRobin,leavingabloodytrailofdeathandmayhemintheirwake.Winnieandhissavagefriendswillshoweveryonethattheyaredeadlier,stronger,andsmarterthananyonecouldeverimagineandgettheirrevengeonChristopherRobin,onceandforall."
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LucycomplainsthatshedoesnthavenearlyenoughHollywoodsouvenirs,astatementwithwhichRickytakesissue.WhensheandEthelgototheGraumansChineseTheater,theynoticethatJohnWaynesfootprintsareloose,sotheyprythecementblockoutofthegroundandtakeitbacktothehotel.
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让-保尔·萨罗米
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巴斯蒂安·布永
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康坦·多尔迈尔
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洛丽塔·夏马
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勒达·卡代布
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弗兰西斯·莱珀雷
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萨拉·吉罗多
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奥利维尔·卢斯托
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弗朗索瓦·佩彻
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塞德里克·韦伯
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卡米尔·雅毕
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皮埃尔·洛廷
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Victor·Poirier
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Arthur·Teboul
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Margaux·Rossi
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Christophe·Kourotchkine
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Frédéric·Buret
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皮埃尔·吉拉德
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Helena·Sadowy
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Julien·Massetti
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阿兰·布兹盖
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ThestorychartshowyoungPolishrefugeeJanBojarskibecamethebiggestcounterfeiterofalltime,“theCézanneoffakemoney”,inpost-warFrance;how,foroverfifteenyearsandunbeknownsttohisfamily,thismanledadoublelifemakingcounterfeitmoney-whichwas“morereal”thanthenotesprintedbytheBankofFrance-inashedatthebottomofhisgarden;andhow,inalltheseyears,thisunparalleledfakermanagedtoslipthroughthepolice’snettobecomethethorninCommissionerMattei’sside,overthecourseofahuntwhichfastturnedintoaduelforthesetwoobsessives…
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约翰·卡朋特
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吸血鬼猎杀者杰克（詹姆斯•伍兹 James Woods 饰）有着差别平常的童年,他亲手杀逝世了酿成吸血鬼的父亲,从小被教会养大。杰克受梵蒂冈教廷委派,在美国猎杀吸血鬼王华生,华生本是一名神父,在七百年前化身吸血鬼,是威力惊人的鬼王鼻祖。对华生一窍欠亨的杰克小队在义务中丧掉沉重,只有杰克跟一名队员幸运逃生,华生在屠戮杰克队员的进程中咬啮了一名玩伴少女卡莲娜,因被吸血鬼咬啮的人在48小时之内能够保持人类头脑并通灵吸血鬼王,杰克将卡莲娜带走以便追踪鬼王。教会方面为杰克派来了新的导游——亚当神父,杰克始得悉鬼王的终纵目标是牟取圣物十字架,以便能够在阳光下生涯。当初有素性能阻拦鬼王的人,只有杰克……
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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In1997,fourkidsvanishinSilverpointWoods.23yearslater,oneboytriestofindoutwhathappened.by:mke6.com
