Battle
搜索"Battle" ，找到 以下影视作品
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杰伊·阿诺德
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WhenIraandJoshplanaquietescapetotheiridyllicbeachhouse,littledotheyknowitwillincludeIra'sestrangedchildhoodfriendRoger.Theirquietescapeturnsintoasurprisingreunionthatrevealsacomplexrelationshipbetweenchildhoodfriends.Asexy,psychedelicweekendattemptstoresolvethepast,andthemessybusinessoffriendship,sexandlove,intheroman...
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Afteralifeoflittlescams,aself-centeredmillennialissentencedtotakecareofhisgrandmother,whoisaffectedbyAlzheimer's.Asherealizestheextentofherwealth,theprotagonistgetsclosertothetreasurehe'sbeenlookingfor.
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TheradicalhonestyofthebooksbyyoungadultfictionpioneerJudyBlumechangedthewaymillionsofreadersunderstoodthemselves,theirsexuality,andwhatitmeanttogrowup,butalsoledtocriticalbattlesagainstbookbanningandcensorship.源自：https://festival.sundance.org/program/film/638a1a91d406b20bd7f2d581
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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皮克斯知名动画《怪兽电力公司》《怪兽大学》将拍衍生剧集,登陆迪士尼流媒体Disney+,最新宣布大量信息：剧名为《怪兽上班》(MonstersAtWork,暂译),2020年推出,电影版配音大眼仔比利·克里斯托和毛怪约翰·古德曼等都回归继续配音。设定在《怪兽电力公司》背景时间后六个月,怪物电力公司如今能够靠着收获孩子们的笑声而不是尖叫来为城市发电,多亏了大眼和毛怪的发现,笑声能产生比尖叫强十倍的能量。剧集主角将是新人：TylorTuskmon(《百味超市》的本·费德曼配音),怪物电力公司的一名年轻技工,雄心勃勃,想要加入他的爱豆大眼和毛怪所在的笑声层,成为一名创造笑声的Jokester。《星球大战8》的Rose凯莉·玛丽·陈将配音他的一生好友和知己ValLittle。
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16 year old Rocco's two aims in life are to get laid and to see his favourite pop star in concert with his best friends, sassy and tomboyish Maria and nerdy and quiet Mauri. When a bullying incident at school forces Rocco to come out to his divorced middle-class parents their liberal leanings are severely tested. Luckily his two friends stand by him and join him in running away from home (in his parents stolen car) to see their favourite singer in concert, followed hot on their heels by his neurotic mother and eccentric gran to hilarious effect. A vibrant , funny coming out tale,, A Little Lust is both immersive and totally life-affirming.
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Eric and Quentin, hosts in a children's show, are at the peak of their television careers. On a night that is a little too crazy, they drink too much and do a little rubbish. Unfortunately, someone films their exploits and broadcasts the video over the Internet. It's bad buzz, the dreaded phenomenon for a public figure. Their producer gives them 48 hours to restore their image, otherwise they will be fired. The more the duo tries to get by, the more they accumulate blunders, as during the funeral of Quentin's grandmother.
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Eminent Boston Psychiatrist, Frasier Crane, last seen gracing the bars of Cheers has left his life there to start afresh in Seattle. He now has a spot as a popular radio Psychiatrist, giving him the chance to spread words of wit and wisdom to the masses. He shares his apartment with his retired cop father, Martin, and his father's physical care assistant, Daphne Moon. Add in brother Niles, Eddie the dog, some bizarre situations and plenty of humour and you've got all the ingredients for an excellent show and worthy successor to Cheers.
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迭戈·奥利瓦雷斯
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Cosimo, a buffalo farmer, refuses to sell off his land to the family of the young mayor candidate. When he finds out he has a tumour caused by all the toxic waste that are illegally disposed of in the fields of the so-called “Land of Fires”, his wife decides to carry on his battle. Diego OlivaresDiego Olivares (1965) is a Neapolitan director, scriptwriter and dialogues writer. After directing some short films he embarks in the making of a documentary about the closing of the Frullone psychiatric hospital in Naples, Gli ultimi giorni del Frullone – Cronache da un manicomio nel 2000. In 2003, he directs his first feature film I chinghiali di Portici. In 2014, he directs the short film Canemalato produced by Figli del Bronx for Sky Cinema.
