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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

Following the crisis in Ukraine and Russia’s involvement in Syria, the world is closer to super power confrontation than at any time since the end of the Cold War. Now a committee of senior former British military and diplomatic figures comes together to war game a hypothetical ‘hot war’ in Eastern Europe, including the unthinkable - nuclear confrontation. The War Room faces a scenario that has haunted western strategists since civil war broke out in Ukraine potential Russian military involvement in the Baltic States of Latvia and Estonia. Like Ukraine these countries have sizable Russian speaking minorities, but unlike Ukraine they are members of NATO, whose founding treaty states that an attack on one ally is an attack on all of them. Because of this, western analysts regularly war game a situation where Russia seeks to exploit ethnic tensions in the Baltic and test the strength of the NATO Alliance.

翻拍自1974年经典恐怖片的[黑色圣诞节]释出正式海报。本片由导演索菲亚·塔卡尔与AprilWolfe合写剧本，卡司有伊莫琴·普茨、AleyseShannon、BrittanyOGrady等，讲述一群学生在圣诞假期被一个陌生人跟踪的故事。该片将于12月13日北美上映。

Infournewfeature-lengthepisodesofthebelovedBritishmysterysetinEnglandsmostmurderouscounty,DCIJohnBarnaby(NeilDudgeon,LifeofRiley)andDSJamieWinter(NickHendrix,Marcella)investigatethekillingsofaballroomdancecompetitorandarealestateagent,aseriesofattacksinavillageknownforitsspecialtyhoney,andaviolentclashbetweenfishermenandmudrunners.

Anagingprotectionspecialisttakesononelastjobbeforeretirement,protectingacouplewhostoleeightmilliondollarsfromaruthlesscrimefamily.

从英国苏格兰场返国的警探Kemal,行将退休的资深老警探Settar以及研讨宗教跟奥秘学的大学先生Yaşar构成了一个破案小组,考察一个奥秘诡异的连环杀人案。

Two people, a man and a woman, wake up naked and with their abdomens attached to each other.

Emerson Graham's nights as a cab driver are filled with annoyances and inconveniences, but until tonight, never attacks and disappearances. After picking up a mysterious passenger her evening goes from working a job to performing a quest as they must race against the clock to defeat a force of evil. The meter is running.

SummertimearrivesApril29,onlyonNetflix.Onesummercanchangeyourlife,whetheryou’rereadyornot.ThisiswhathappenstoSummer,Ale,Dario,EdoendSofia.ThreemonthsspentunderthesunoftheAdriaticCoasttomakethembreakwiththepast,questiontheirbeliefsandletthemdiscoverwhotheyreallyare.AserieswithLudovicoTersigni,CocoRebeccaEdogamhe,AndreaLattanzi,AmandaCampana,GiovanniMaini,AliciaAnnEdogamheandThony.GiorgioPoiistheauthoroftheOSTandoneofthemusicsupervisor.Thesoundtrackfeatures,amongothers,FrancescaMichielin,FrahQuintale,GiorgioPoi,AchilleLauro,Salmo,Franco125,TommasoParadiso,Gemitaiz,Izi,ThonyRaphaelGualazziandComa_Cose.

The8thtellsthestoryofIrishwomenandtheirfighttooverturnoneofthemostrestrictivelawsonabortionintheworld.Aftera35-yearstrugglethepro-choicesidehavetoradicallyshifttacticstotryandbringthishistoricallyconservativeelectorateovertheline.