Deva
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村井浩
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MackenzieDavis及HimeshPatel将主演HBOMax的10集末日题材限定剧《#第11号站#StationEleven》,这部剧改编自EmilySt.JohnMandel所写的小说。《第11号站》由PatrickSomerville负责,是部在末日下的多线剧集,剧中讲述世界因为灾难性流感而陷入末日,幸存者们则试图重建这个世界。MackenzieDavis饰演佐治亚州流感下幸存的Kirsten,现在是莎士比亚剧团演员﹑HimeshPatel饰演失望的Jeevan,在流感爆发后得站出来成为领导人。
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艾米利奥·艾斯特维兹
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劳伦·格拉汉姆
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布雷迪·诺恩
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Swayam Bhatia
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塔根·伯恩斯
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茱莉·塞尔达
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贝拉·希金伯森姆
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Luke Islam
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基弗·奧莱利
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马克斯韦尔·锡姆金斯
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德琼·瓦茨
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Kasra Wong
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莉亚·弗兰克兰
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艾米丽·海内
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Hayley Lee
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考特尼·里克特
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安东尼·哈里森
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Joe MacLeod
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迪伦·普莱费尔
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报告在明尼苏达州的现在,[Mighty Ducks]曾经过一支弱旅酿成极具竞争力的冰上曲棍球队,但当12岁的Evan(Brady Noon饰)被步队无情踢走后,他跟母亲Alex(Lauren Graham饰)决议组建一支在其余人眼中以为是弱渣的新步队。
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A young environmentalist wakes, trapped, kidnapped in the elevator of a super high-rise building at the mercy of her tormentors
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林根·路德维奇
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苏菲(阿梅丽娅·华纳 Amelia Warner 饰)跟艾利克斯(肖恩·埃文斯 Shaun Evans 饰)是一对来自英国的伉俪,两人正在景致壮阔俏丽的澳大利亚直接一场自驾游览。途中,他们碰见了一位名叫泰勒(斯科特·麦克洛维茨 Scott Mechlowicz 饰)的美国男子,泰勒跟伉俪两人一起结伴前行。 跟着时光的推移,泰勒露出出的奇异举措让艾利克斯开端懊悔约请他一起上路了,不只如斯,泰勒跟苏菲之前好像还发生了化学反响。一天夜里,艾利克斯分开了,苏菲在觉得担忧的同时居然也有一丝的豁然,现实上,她跟艾利克斯之间的关联并不看上去的那么密切。就如许,苏菲跟泰勒继承他们的旅途。
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约翰·克劳利
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24岁的杰克(安德鲁·加菲尔德 Andrew Garfield 饰)掉掉落假释出狱,担任接收他的特里(彼得·穆兰 Peter Mullan 饰)为他支配了新名字新屋子新任务,于是他用“杰克”这个名字开端了重生涯。在新的任务情况中,杰克意识了新友人克里斯(肖恩·埃文斯 Shaun Evans 饰),也交友了一个女友米歇尔(凯蒂·里昂丝 Katie Lyons 饰),还在一次车祸中救了一名女孩。但是,已经痛改前非的他必需向全部人瞒哄——本人已经是个杀人犯的机密。已经的杰克是个遭到教师家长冷清的少年,他跟独一的友人菲利普终日胡混在一同,有一天,他们在小树林里残暴地杀戮了一名美女…… 杰克在顺应重生涯的同时,昔日的影象经常一幕幕地显现。多年前的命案惹起社会的激烈存眷,小报们时辰在存眷这个少年杀人犯,网上也炒起了赏格金。随后女友的无端掉落让他堕入不安中,已经被称作“男孩A”的他又怎样面临当前的生涯…… 本片改编自乔纳森·特里盖尔掉掉落多项大奖的同名小说。
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迈克尔·塞缪尔斯
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LeedspoliceconstableJoGillespie(SheridanSmith)isdevastatedwhenherhusband,undercoverofficerRyan(KennyDoughty),iskilledinsuspiciouscircumstances.AsshebattlestostaystrongforthebenefitofdaughterMelly(HonorKneafsey)andstepsonHal(OliverWoollford),Joisurgedbyherbosses,DCIWillHepburn(DouglasHenshall)andChiefConstableCarolynJarecki...
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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InDiciannove(translatingtoNineteen),GiovanniTortorici’selegant,heartfelt,anddaringdebut,acuriousstudentlearnsthattheroadtoself-discoveryisworthwhile,ifnotnecessary,nomatterhowunfamiliarordauntingthepath.Eagertoescapehisoverbearingmotherandtheonlylifehe’sknown,19-year-oldLeonardo(ManfrediMarini,whogivesanexceptionalperformance),leavespicturesquePalermotostudyinbustlingLondon.HislandingisbufferedbyhissisterArianna(VittoriaPlaneta)andherroommateGrazia(DanaGiuliano),thoughtheinitialexcitementoflivingabroad—andunrestrictedpartying—wanesquickly,andLeonardofindshimselfenrollingattheUniversityofSiena,focusingonItalianliterature.Backinfamiliarsurroundings,hefallsinlovewiththemedievalcity,butisnotsokeenonhisliteratureprofessor.Seekingthatindescribablefeelingofknowingyou’vefoundyourplace—beyondjustgeography—Leonardodelvesintotheclassicsindependently,spawningasoul-searchinganddeepinterestinearlymodernauthorslikePulci,Segneri,andLeopardi.Surroundinghimselfwithbeauty,vibrantyouth,andnewideas—aswellasimageshe’dpreviouslyrepressed—hisworldblooms.Ayearintohisunboundjourney,LeonardotravelstoTorinowherehemeetsamanwho,thoughmucholder,mayfinallybeacontemporary—ifnotthekeytounlockinghisinnermostdesires.
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
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One year has passed since Satria Garuda Bima-X defeated VUDO and the earth is in peace again. Ray and Rena are rebuilding the Parallel World again. However, new evil forces attack and old enemies rise again to devastate the earth.
