Carsa
搜索"Carsa" ，找到 以下影视作品
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Charoen,whoisfamousbillionaire,shothimselfonhismansion.Hisfamilymembersaresorelieveaboutthis,notfeelsadatall.Inthedayoftestimentannoucement,Piroon,Charoensillegalchildgainthemostasset.Pimonpa,hislegaldaughter,issoangryaboutthis.Piroonthensawaclueabouthisfatherdeath,maybeitwilbemurder.Whilehesfindingthetruth,thensuddenlydiefromcarcrash.ThereisletterP.M.nearhisbody.Ansaya,Piroonslover,doesntbelivethiswillbeaccident.Someoneneedtokillhimforasset.Shebelivethathetriedtowritethenameofkiller.SuspectisParmandPimonpa.ShetrustonInspsctorKomkritwhoinvestigatethiscase.Themoreshefindthetruth,themoresherealizethatthisisjustnotassetsnatching
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萨拉·舒格曼
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乔纳森·普雷斯、萨曼莎·莫顿、汤姆·费尔顿将主演新片[拯救电影院](SaveTheCinema，暂译)。该片由萨拉·舒格曼([青春舞会皇后])执导，PiersAshworth根据威尔士作家LorraineKing创作的故事撰写了剧本，讲述了利兹·埃文斯的真实故事，她是威尔士卡马森市的一位美发师，同时也是一家青年剧院的管理者。她在1993年开展了一场拯救抒情剧院免于关闭的运动，她与当时的卡马森市市长理查德·古德里奇(影片将这一人物改为了地方议员)一起，争取到了史蒂文·斯皮尔伯格的帮助，获得了[侏罗纪公园]特别首映活动举办权。该片目前正在威尔士拍摄中。
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The presidents of two superpowers, the Soviet Union and the United States, are expected to meet for important negotiations. However, the meeting in jeopardy due to raging of the Russian Mafia, settled in America. Mafioso Rabinovich even interfere with the conversation of top secret hotline between the presidents. So begins a comedy, in which KGB agent Fyodor Sokolov and CIA agent Mary Star expose the Artist, a head of the Mafia, feigning of various Soviet leaders.
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Inthistwo-partseries,SimonReevetravelstoGreece,oneofthemostbeautiful,troubled,andextremecountriesinEurope.TravellingfromtheIslandsoftheAegeantotheruggedandmountainousnorth,Simongetsbehindthepicture-postcardimagetolearnmoreaboutGreeceandtheGreeks-andwhythecountryhasfacedaseeminglyendlesseconomiccrisis.Alongthewayheencountersanextraordinarycastofcharacters,fromrebelmonksandgun-totingpriests,todesperatemigrantsandaninjuredbearcub.ThefirstlegofSimonReeve’sjourneyaroundGreecetakeshimfromtheholidayislandsoftheAegeantothecapitalcityofAthens.OffthetinyislandofPserimosSimongoesunderwaterwiththediverswhostillhuntfortheseacreaturewhichmadetheseislandsrich:thenaturalsponge.Hehearshowtheisland’spopulationisstrugglinginthefaceofdecliningstocksandthewidereconomiccrisis.TravellingontoLesvos,justafewmilesfromtheTurkishcoast,Simonencountersanotherofthehugechallengesfacingthecountry:themigrantcrisis.TheislandhasbecomeEurope’sfrontline,withthousandsofrefugeesarrivingdaily,fundamentallychangingthelivesoftheislanders.OnGreece’slargestisland,Crete,Simonheadstotheruggedmountainswhereeveryshepherdisarmedandthelocalpriestisalsoheadofthelocalgunclub.CampingoutunderthestarsSimonlearnshowforCretans,memoriesofGermany’sroleintheSecondWorldWarstillcolourtheirviewoftheGreekdebtcrisis.InAthens,Simoninvestigatestheeffectsofthatcrisis.Hehearshowhardlifeisforanimpoverishedcommunitylivinginconvertedshippingcontainers,andinthecityheisconfrontedbyangryprotesters-andseesjusthowquicklytheseprotestscandescendintoariot.
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尹瑞镇
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ThefilmbeginswiththetitleChorokbamfillingthescreen,whichisamazingtosee.Thisistheverymomentatwhichtheaudiencedecidestotrustthisfilmwithouthesitation.Intermsofhowtofillandemptythesquareframe,thefilmisboldandskillful.Chorok,meaninggreeninEnglish,isthecoloroffateinthismovie.Theproblemsofallthefamilymembersahopeles...
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ThisisthestoryofEvaPerónafterherdeath.Theembalmedbodyof“Evita”hadaneventfuljourneythatlastedfor22years,andwaseverybitaseventfulasher33yearsoflife.Evitadiedin1952,buthercorpsewaitedabovegroundforthreeyearsfortheconstructionofamonumentthatwasultimatelyneverbuilt.In1955,PresidentPerón’sgovernmentwasoverthrownbyamilitarycoup,whohidthebodyfor19yearstopreventitfrombecomingasymbolagainsttheregime.WhileonlyapoliticalfigureforsixyearsasGeneralPerón'swife,hercorpseinfluencedArgentinepoliticsformorethantwodecades—weavingamorbidlystrangestorythatpassedintotherealmofmythology.Tothemilitaryofficersthattookover,Evitawasevenmoredangerousthanwhenshewasalive,asallfearedthaterrantcorpsewithoutarestingplace.
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SamedilivesinavillageinWallonia.Heworksfromtimetotimeasagardenerandhasacloserelationshipwithhismother.Everydaylifeinthevillage,whichhasseenbettertimes,Samedi'squietandfriendlynatureandthestilllargelyintactruralsettingstandinstarkcontrasttotheheroinaddictionSamedihassufferedfromforover20years,whichonlyhisfamilyknowsabout.Hisrelationshipwithhismotherchangeswhenhemakesanotherattempttogetclean.PalomaSermon-Daï’sdocumentarypaintsarestrained,highlyprecisepictureofarelationshipmarkedbyaffectionandlovebutwhichisalsodifficulttodefineinrelationtoSamedi'sproblem.Asthecameraobservesthelong,concentratedconversationshehaswithbothhismotherandhistherapist,apictureofaddictioncomesintoviewwhichispartofafamilystructure.Thisbecomesembeddedinsomethinglargerinturnviatheindividualimagesofthevillage.PetitSamedicreatesanimageofdependenceinwhichindividual,familyandsocialcoexistenceareintertwined,withoutfallingintothetrapofsayingwhatmightbeabletosolvetheproblem.
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Thesamepeoplewhoaremurderingfisheriesobserversarethepeopleresponsibleforkillingtheocean.
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The12thSuspectisafull-lengthfeaturefilmdirectedbyKOMyoungsung,whoalsodirectedadocumentarytitledGoodBye(2009)aboutKoreanimmigrantslivinginJapanwhowenttoNorthKorea.SetinateahouseinMyeong-dong,SeoulrightaftertheendoftheKoreanWar,The12thSuspectfollowsthesuffocatingpsychologicalshowdownthattakesplacebetweenadetectiveandthe11suspectswhofindthemselvescaughtupinamurdercase.ThetightnarrativebetweenthecharactersandtheenthusiasticperformancesofKimSangkyung,HeoSungtae,ParkSunyoung,KimDongyoung,andtheotheractorspreventthefilmfromfallingintoamonotonythatcouldpotentiallybecausedbyalimitedspacelikeateahouse.ThroughsymbolicspacessuchastheKoreanWar,Myeong-dong,andNamsan,thefilmattemptstotakealookatthedarkfoundationofthemodernhistoryofKoreawhichhasbeencarriedforththroughliberation,theKoreanWar,anddivision.
