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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.

Dating app，或者轉個字母叫 Eating app，皆因本世紀無數男男女女都在 app 上覓食，由餐檯上吃到床褥上，有空再約多幾次！三個單元故事，三組男女，因 dating app 以食會友，發明出 Food Buddies 的關係。 　　沉悶 IT 狗阿德（吳肇軒 飾）用盡一生運氣，終於得到大數據之神的憐憫，邂逅開朗女神 Asha（蘇皓兒 飾）。誤打誤撞，大數據之神還幫他們進入多元愛情宇宙，一齊 match 到好 woke 的 Jan（談善言 飾），三個人原來都可以盡興?？ 　　幸福人妻 Kelly（衞詩雅 飾）有日收到衛生署通知，丈夫在 dating app 感染群組之中，立即成為全港皆知的失婚中女。 Kelly 下載 dating app 尋覓慰藉，match 到魅力不凡但熱衷 NTR 的 BJ（柯煒林 飾），手把手調教她成為一個慾食女人。其後...

该剧基于公共记录和Egil“Bud”Krogh、MatthewKrogh合著的《Integrity》一书创作。故事讲述总统RichardNixon自己的政治打手、“水门事件”主谋E.HowardHunt（伍迪·哈里森饰）和G.GordonLiddy（贾斯汀·塞洛克斯饰）如何意外推翻了他们本想竭力保护的总统职位。Nixon有一支团队“水管工/WhiteHousePlumbers”，专门为他收集政敌情报、抹黑对手、阻止内部人士爆料等，E.HowardHunt和G.GordonLiddy就是该团队的指挥人。

Chad Gates has just gotten out of the Army, and is happy to be back in Hawaii with his surf-board, his beach buddies, and his girlfriend. His father wants him to go to work at the Great Southern Hawaiian Fruit Company, but Chad is reluctant. So Chad goes to work as a tour guide at his girlfriend's agency. Written by Pat McCurry {[email protected]}

Thirteen year-old Holly Hobbie lives with her family in Collinsville, a picture perfect North American small town with main-street values. Each episode follows Holly trying to make the world a better place, while tackling the everyday challenges of growing up – from bullies to breakouts, crushes to curfews. Holly’s principle mission in Season 1 - is saving the struggling Calico Café which is run by her grandmother, as her relationship with Amy (best friend since the age of two) is tested by the arrival of new girl in town, Piper. Holly is a budding singer/songwriter, and catchy original music performed by Holly (Ruby Jay, 485k IG followers) connects which each episode’s plot during live performances at Holly’s open-mic events at the Café.

这天，小熊维尼（吉姆·库宁斯JimCummings配音）从睡梦中醒来，发现自己的蜂蜜已经喝光了。于是他走进百亩森林去寻找蜂蜜，路上竟遇到了悲伤的驴子屹耳（巴德·乐凯BudLuckey配音），原来屹耳把自己的尾巴弄丢了。维尼随即找来了跳跳虎、兔子瑞比、猫头鹰、袋鼠妈妈和小豆来帮忙，罗宾提议进行一场比赛，谁先帮屹耳找到了尾巴的代替品，谁将赢得一罐新鲜的蜂蜜。大家便各自使出十八般武艺找来了各种尾巴，然而却没有一条能使屹耳高兴起来。第二天，维尼去找罗宾帮忙，发现门口挂着一张纸条写着出去一会，马上回来，识字有限的大伙儿以为罗宾被绑架了，惊恐地组织起营救罗宾的行动，然而此时的维尼，已经快要忍受不了阵阵袭来的饥饿感了……本片根据小熊维尼的原著作者A.A.Milne书中的三个故事改编。

TensionsrisewhenbudgetcutsforcethetwoAnimalControlprecinctstomerge;FrankandTempletonmeiju.ｐrowrestleforcontrolduringabearrescue;EmilyandShredtrytohidetheirromance.

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment

TheoriginstoryforoneofPeanuts’mostbelovedcharacters,Franklin,followshowheapproachesmakingnewfriends.Franklin’sfamilyisalwaysonthemovewithhisdad’smilitaryjob,andeverywherehegoesFranklinfindssupportinanotebookfilledwithhisgrandfather’sadviceonfriendship.ButwhenFranklintrieshisusualstrategieswiththePeanutsgang,hehastroublefittingin.That’suntilhelearnsabouttheneighborhoodSoapBoxDerbyrace-accordingtohisgrandfather,everyonelovesawinner.He’ssurethatwinningtheracewillalsomeanwinningoversomenewfriends.Allheneedsisapartner,whichhefindsinCharlieBrown.FranklinandCharlieBrownworktogethertobuildacarandintheprocessbecomegoodbuddies.Butastheracenears,thepressuremounts-cantheircarandtheirnewfoundfriendshipmakeittothefinishline?

Ayoungman’sbuddingromanceisthreatenedwhenhebefriendsanunstableride-sharedriver.