Birte
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迪伦·索敦
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该片根据MaxPorter的小说《GriefistheThingWithFeathers》改编，讲述了一位父亲和他的两个年幼的儿子如何面对妻子和母亲的突然死亡，在试图重建生活的过程中，遭遇了一些神秘的事情。
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SYNOPSISYu-ri,grownupinahappyfamily,fallsinlovewithamanforthefirsttime.Whileshehesitates,hersisterdateshim.Shesurvivesthoughbroken-heartedandgetsmarriedwithapublicprosecutoronlytoendupinadivorce.ShegetsasecondchancewithherfirstloveJungNam-ha,howevershecannotaccepthisloveandsufferstillshedies.故事在一个富裕的家庭中毫无困难地成长起来的...
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2069,anotalvezerótico-logoveremos-masfatídicoparaumreisemcoroa.Noseuleitodemorte,umacançãoantigafá-lorememorarárvores;umpinhalardidoeotempoemqueodesejodeserbombeiroparalibertarPortugaldoflagelodosincêndios,foitambémodespontardeoutrodesejo.Entãopríncipe,AlfredoencontraAfonso.Comdiferentesorigensediferentescoresdepele,encontram-se,socorrem-seeoléxicodoabusoficafarruscodedesejo.Masaexposiçãopúblicaeassuasexpectativasinterpõem-seeAlfredoabraçaumoutroestadodeprontidãoparaumarealidadeimprovável
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Euskadi 1985. El colegio ha terminado, por fin llegan las ansiadas vacaciones. Marcos y sus tres amigos, José Antonio, Paquito y Toni, reciben expectantes la llegada del verano, un verano prometedor sobre todo porque a sus doce a?os poco importa dónde, ni cuándo, ni cómo. Recorrerán las horas en el laberinto que la vida les ha deparado, en una Euskadi antigua, luchadora, convulsa. Un laberinto de paredes grafiteras, donde rebotan las pelotas de goma y los sue?os de libertad; cubierto de un cielo gris prefabricado en cooperativas, donde la muerte y la vida ya no mantienen relaciones formales.
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The2021ViennaPhilharmonicNewYear'sConcerttakesplaceonJanuary1,2021,underthebatonofRiccardoMutiintheGoldenHalloftheMusikvereininVienna.After1993,1997,2000,2004,and2018,thisyear'sconcertwillmarkthe6thtimethatRiccardoMuti,whoseclosemusicalpartnershipwiththeViennaPhilharmonichasnowextendednearly50years,conductsthisprestigiousconcertevent.The2021NewYear'sConcertwillbebroadcastinover90countriesandfollowedbymillionsoftelevisionviewersaroundtheworld.The2021NewYear'sConcertwilltakeplacewithoutanaudience.PROGRAMFranzvonSuppèFatinitzaMarchJohannStraußII.Schallwellen(SoundWaves),Waltz,op.148JohannStraußII.NikoPolka,op.228JosefStraußOhneSorgen(WithoutaCare),FastPolka,op.271CarlZellerGrubenlichter(DavyLamps),WaltzCarlMillöckerInSausundBraus(LivingItUp),Galop--INTERMISSION--FranzvonSuppèOvertureto"PoetandPeasant"KarlKomzákBad’nerMad’ln(GirlsofBaden),Waltz,op.257JosefStraußMargheritaPolka,op.244JohannStraußI.VenetianGalop,op.74JohannStraußII.Frühlingsstimmen(VoicesofSpring),Waltz,op.410JohannStraußII.IntheKrapfenwaldl,Polkafrançaise,op.336JohannStraußII.NewMelodiesQuadrille.op.254JohannStraußII.EmperorWaltz,op.437JohannStraußII.TempestuousinLoveandDance,FastPolka,op.393
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孙宁
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黄河中游的三门峡湿地,是野生大天鹅主要的越冬栖身地。每年吸引一万余只越冬的大天鹅。一只雌性大天鹅“美峡”同党受伤,不得不永远留在越冬地。在这里,它与另一只受伤的天鹅组建家庭并孵化出了7只幼崽,这是野生大天鹅在黄河道域越冬地天然滋生胜利的首例。随后的五个月里,美峡先后得到 老公跟一个孩子,家庭遭遇伟大变故。单亲母亲难题重重。秋末,大天鹅连续到达黄河中游的越冬地。美峡的领地也遭到了挑衅。第二年春季,越冬的天鹅开端飞回南方滋生地。面临迁移,六个孩子又将何去何从呢！ "A female swan Meixia, whose wings were injured and could not fly, had to stay permanently in the wintering grounds, where she and another wounded swan fell in love, then started to breed and rear their young. However, Meixia lost her husband and one child sequentially in five months, the single mother suffered deeply from her family lost and life bristled with difficulties for her unexpectedly. At the end of autumn, the wintering ground in the Yellow River Basin is crowded with other swans which means Meixia’s territory is facing challenge. Next year spring, swans are flying back to their breeding grounds. When facing migration, what will be the destiny of her six children?"
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乔·林奇
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Justdaysago,ElizabethDerby(HeatherGraham)wasasuccessfulpsychiatristwithalovinghusbandandtheworldatherfingertips.Now,shefindsherselflockedupinsideapsychwardafterthemurderofayoungmalepatienttowhomshehadaninexplicable,almostotherworldlyattraction.Hopingtoclearhername,Elizabethconfidesinherdoctorandrecountswhathappened,givingwaytoabizarreanddisturbingtaleofsexualmadness,supernaturalhorror,andhomicidalrage.Thedeeperthestorygoes,themoreunhingedandcarnage-ladenlifebecomes,notjustforElizabethbutforeveryoneinherpath.Inthiscinematiclovelettertothelate,greathorrorfilmmakerStuartGordon(Re-Animator,FromBeyond),thego-for-brokeindieveteranJoeLynchprovidesanunpredictableanddelightfullypervertedgifttofansofeverythingfromeroticthrillerstobodyhorrorandH.PLovecraft-mindedcosmicmayhem.WrittenbyRe-AnimatorscribeDennisPaoli,producedby‘80shorrormavenBrianYuzna(Society),andco-starringRe-AnimatorMVPBarbaraCrampton,SuitableFleshwillbecatnipforthosewholiketheirhorrorequalpartsclassicallymindedandprogressivelyunclassifiable.源自：https://www.tribecafilm.com/films/escape-from-tribeca-suitable-flesh-2023
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WilliamThornhill,anilliterateThamesbargemanandamanofquicktemperbutdeepfeelings,stealsaloadoftimberandistransportedtoNewSouthWalesin1806.Likemanyoftheconvicts,hespardonedwithinafewyearsandsettlesonthebanksoftheHawkesburyRiver.PerhapstheGovernorgrantshimthelandorperhapshejusttakesit-theHawkesburyisattheextremeedgeofsettlementatthattimeandnormalrulesdontapply.Howeverhegetstheland,itsprimeriverfrontacreage.Itlookscertaintomakehimrich.Theresjustoneproblemwiththatland:itsalreadyowned.ItsbeenpartoftheterritoryoftheDarugpeopleforperhapsfortythousandyears.Theyhaventleftfencesorroadsorhouses,buttheyliveonthatlandanduseit,justassurelyasThornhillsplanningtodo.Theyarentgoingtohandovertheirlandwithoutafight.Spearsmaybeprimitiveweapons,butsettlersknowthattheycankillamanassurelyasaballofleadfromamusket.Asherealisesallthis,Thornhillfacesanimpossiblechoice.Someofhisneighbours-SmasherSullivan,SagittyBirtles-regardtheDarugashardlyhuman,savageswithaslittlerighttolandasadog.WhentheDarugobjecttobeingdrivenoff,thosesettlershavenocompunctioninshootingorpoisoningthem.Otherneighboursmakeadifferentchoice,andfindwaystoco-existwiththeDarug.Blackwoodhasmadeafamilyamongthem.MrsHerringgivesthemwhentheyask.Hostilitybetweenblacksandwhitesgraduallyescalates.FinallyagroupofsettlersdecidestogooutandsettletheDarugforonceandforall.WillThornhilljointhem?Thedecisionhemakesiswithhimfortherestofhislife.
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Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
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Witnesses is a simple, yet powerful moving trilogy, depicting the horrors of the Holocaust. Each story in the film provides an unusual, yet harrowing perspective on the tragic events during World War II, told from the perspective of three uncanny witnesses. Shoes, the shortest of the stories, does not have a single line of dialogue or even a face featured in it. All we see is a pair of red shoes which beautifully depict first love, then marriage, the start of family life and the onset of the tragic war. Brutus, is a story about a German Shepherd dog separated from her beloved mistress and turned into a guard dog at a concentration camp. The final story, Violin, opens at the beginning of the 20th Century in a violin shop, where the instrument was created as a present for a Jewish boy. The violin becomes witness to the tragic events that followed during the Holocaust. A captivating score, makes this less than conventional film expose the sheer evil and terror that pervaded every aspect of the Holocaust, and is sure to open the eyes of everyone who sees it.
