Navapol
搜索"Navapol" ,找到 以下影视作品
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玛摩缇
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阿西夫·阿里
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Aji Peter Thankam
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Dileesh Pothan
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Arjun Asokan
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Sudhi Koppa
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Renjith
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Shine Tom Chacko
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Easwari Rao
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Rony David
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The film narrates the events that occur when a unit of policemen from Kerala reach the Naxalite prone areas in North India for election duty.
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This spoof comedy narrates the story of a cop Arjun Patiala (Diljit Dosanjh) and his sidekick Onidda Singh (Varun Sharma). Together, will they be able to accomplish their mission of a crime-free qigou.cc town with their goofy style of policing?
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杰伊·罗奇
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格雷戈(Ben Stiller 本•斯蒂勒 饰)预备向相恋多年的女友潘米拉(Teri Polo特莉•保罗 饰)求婚时,不测得悉了求婚胜利胜利与否,不只要过丽人关,更要过岳父关。潘米拉的姊姊下个星期行将举办婚礼,届时格雷戈将跟潘米拉一同回家加入婚礼。小伙子心想此次恰是谄谀将来岳父,搞定岳父那关的大好机会。格雷戈的名字在美语中很轻易被懂得成“同性恋•性交者”的意思,有着这么个稀罕异僻的名字,注定格雷戈拜会将来岳父之行不会如他所料那般顺遂。果真,当他们离开了潘米拉家时,格雷戈固然表示得温文尔雅,但当他老是插话时力求滑稽却后果相反时,将来岳父(罗伯特•德尼罗 Robert De Niro 饰)的神色越来越丢脸。
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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劳埃德·培根
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Scion of the once-rich Mitchell family, Herbert Wynn is found shot to death. Nurse Adams, bored by hospital routine, is recruited by the police to ferret out clues as she tends to Wynn's elderly aunt Julia. Jokingly given the 'rank' of Miss Pinkerson, after the famous detective agency, Adams probes into the mystery, but not before a second death.
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CreatedbyEmmyAward-winningProducerDickWolf,Law&Order:SpecialVictimsUnitnowinits21stseason,makestelevisionhistoryasthelongest-runningprimetimelive-actionseriesofalltime.Thishard-hittingandemotionalseriesfromNBCsLaw&OrderbrandchroniclesthelivesoftheSpecialVictimsUnitoftheNewYorkCityPoliceDepartment,anelitesquadofdetectiveswhoinvestigatecrimesofsexualassault,childabuseanddomesticviolence.
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一个年轻的拿破仑军官追踪一个神秘的女人而来到一个年迈男爵的城堡,在那里他发现这个女人是听命于一个老巫婆,其最终目的是迫使男爵自杀…… Roger directed for two days on a set left over from a previous production, and without a proper script. He hired Francis Coppola to write a script and finish the picture. After five weeks of shooting, Roger fired Francis, and hired me to finish the picture. Jack Hill was hired to write a new script with me. A lot of what Francis shot was thrown out, except for the stuff with the witch from WIZARD OF OZ. (Dorothy Newman), and I finished the picture in five days of shooting. All of the interiors are Roger's (with the exception of Francis's witch's lair), and most of the exteriors are mine. To the best of my recollection, and contrary to legend, Jack Nicholson did not direct any of the film.
