Focus
搜索"Focus" ，找到 以下影视作品
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OurfocushereisonattractivecoupleGeorge(RafeSpall)andAmy(EleanorTomlinson).NewlyarrivedinWoking,theLondonEveningGazettejournalistandamateurscientisthopetheirnewsurroundingswillhelpthemfindpeace.GeorgesdecisiontoleavealovelessmarriagewithhiscousinLucyfortheeducatedAmyhasseenhimshunnedbypolitesocietyandestrangedfromhisfamily.Evenhisformerlyclosebrother,Frederick(RupertGraves),agovernmentofficial,nowhasnotimeforhissibling.Thisisaselfish,cruelpursuitthatcannothelpbutbringforththemostunpleasantconsequences,hehisses.However,whensixtrawlersmysteriouslydisappearoffthecoastofHull,itscleartheyareallfacingfarbiggerproblems.Atfirst,theBritishgovernmentblametheRussiannavy,butthenmeteoritesbeginlandingaroundthecountryside.OneofthemblazesatrailthroughHorsellCommon,arousingtheinterestofbothAmyandlocalastronomerOgilvy(RobertCarlyle).Aslocalsbegingatheringtogawkatthespacedebris,somethingstrangebeginstounfold.Themeteoriterises,emittingaheatraythatkillseveryoneittouches.Naturally,panicensuesandthegovernmentsinitialattemptstodownplaytheeventquicklyfallawayasmoreandmorereportsofsimilarincidentsacrossthelandcomein.Itisthough,onlythebeginning.
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拉夫·迪亚兹
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A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.
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Tham
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morrat
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Janngarn
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Tae
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Chaypat
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Kongsub
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Patarakorn.T
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Kris
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Strickland
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Poun
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Pimpornpam
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Tanathorn
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Charoenratanaporn
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Boom
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Thanut
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Jump
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Jumpp
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故事围绕一个一年级学生暗恋一个男人，直到有一天他有机会接近他Thestoryfocusesonafirst-yearstudentsecretlyinlovewithamanuntilonedayhehastheopportunitytogetclosetohim
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InDiciannove(translatingtoNineteen),GiovanniTortorici’selegant,heartfelt,anddaringdebut,acuriousstudentlearnsthattheroadtoself-discoveryisworthwhile,ifnotnecessary,nomatterhowunfamiliarordauntingthepath.Eagertoescapehisoverbearingmotherandtheonlylifehe’sknown,19-year-oldLeonardo(ManfrediMarini,whogivesanexceptionalperformance),leavespicturesquePalermotostudyinbustlingLondon.HislandingisbufferedbyhissisterArianna(VittoriaPlaneta)andherroommateGrazia(DanaGiuliano),thoughtheinitialexcitementoflivingabroad—andunrestrictedpartying—wanesquickly,andLeonardofindshimselfenrollingattheUniversityofSiena,focusingonItalianliterature.Backinfamiliarsurroundings,hefallsinlovewiththemedievalcity,butisnotsokeenonhisliteratureprofessor.Seekingthatindescribablefeelingofknowingyou’vefoundyourplace—beyondjustgeography—Leonardodelvesintotheclassicsindependently,spawningasoul-searchinganddeepinterestinearlymodernauthorslikePulci,Segneri,andLeopardi.Surroundinghimselfwithbeauty,vibrantyouth,andnewideas—aswellasimageshe’dpreviouslyrepressed—hisworldblooms.Ayearintohisunboundjourney,LeonardotravelstoTorinowherehemeetsamanwho,thoughmucholder,mayfinallybeacontemporary—ifnotthekeytounlockinghisinnermostdesires.
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李·H·卡金
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Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course Le Mans in France. The race goes over 24 hours on 14.5 kilometers of cordoned country road. Every few hours the two drivers per car alternate - but it's still a challenge for concentration and material. In the focus is the duel between the German Stahler in Ferrari 512LM and the American Delaney in Gulf Team Porsche 917. Delaney is under extraordinary pressure, because the year before he caused a severe accident, in which his friend Lisa's husband was killed.
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保罗·塔维亚尼
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ThreeyearsafterthelossofhisbrotherVittorio,withwhomhesharedhisentirecareer,PaoloTavianireturnstotheworksofLuigiPirandello,whichthepairadaptedin1984(Chaos)and1998(YouLaugh).InkeepingwiththeSicilianplaywright’svision,thefilmisnotatallwhatitappearstobe.Thetitlemaycomefroma1910novella,butthereisnotraceofthatbook’sjealousy-riddledplot.Instead,thefocusisonPirandellohimself,orrather,hisashes,whicharetransportedfromahastyburialsiteinfascistRometoapermanentrestingplaceinSicily,onatrekthattakesusthroughpost-warItalyanditsfilmedmemories,asseeninnewsreels,amateurfilmsandfragmentsofNeorealism.Havingburiedthemaster,Leonoraaddiothenshiftsgearfromroadmovietofilmadaptation,buthereitpicksadifferentPirandellostory,namelythelastone,writtenshortlybeforehisdeathin1936.Fromthefarewellofthetitletoitsreturntothewriter’slastwords,itishardnottoreadthiswork,sofreeandyetsomuchapartoftheTavianiworld,asamovingbrotherlyfarewellwhich,justasin2012’sGoldenBearwinnerCaesarMustDie,onceagainusescinematogivevoicetoliteratureandhistory.
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HUDSONandREXisanaction-packedone-hourpoliceproceduraldramafocusedonthepartnershipbetweendetectiveCharlieHudsonandhispartnerRex,anextraordinaryformerK9dog.Whenapuzzlingcrimeemerges,thedynamicduoareonthecase-withCharliesdeftdetectiveworkandRexskeencaninesenses,thiscrime-fightingpairisunstoppable.
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GlennDanzigsdirectorialdebut,isahorroranthologythatcompilesstoriesfromDanzigslineofcomicbooksofthesamename.Storieswhichfocusonhorrorcontentthatsoftensexualandviolentinnature,usuallyfeaturingscantily-cladfemaleprotagonists.
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Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
