Forman
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Acriminalstorysetinthe1980s.Robert,ayoungpolicemanoutofprinciple,findsaserialgaykiller.Inthecourseoftheinvestigation,hemeetsArek.Shedecidestousehimasaninformant,notrealizinghowmuchthisrelationshipwillaffectnotonlyhiswork,butalsohispersonallife.
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well. In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.
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达里娅·楚克
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Onecountry.Eightbigdreams.CreatedbyEmmyAwardnomineeLeeEisenbergandAcademyAwardwinnerSiânHeder,thecriticallyacclaimedseries,whichgarnereda95%FreshRottenTomatoesscoreduringitsfreshmanseasonrun,willreturnwitheightbrandnew,inspiringstories.“LittleAmerica”isinfluencedbytruestoriesfeaturedinVoxMedia’sEpicMagazineandaimstoshareandcelebratethefunny,romantic,heartfelt,inspiringandsurprisingstoriesofimmigrantsfromallovertheworldlivinginAmerica.InspiredbyrealstoriesofimmigrantsfromaroundtheworldwhoarepursuingtheirAmericandream,thehighlyanticipatedsecondseasonof“LittleAmerica”willfeatureperformancesfromPhyliciaRashad,AlanS.Kim,KiHongLeeandmore.InadditiontoEisenbergandHeder,theshow’sexecutiveproducersincludeKumailNanjiani,EmilyV.Gordon,AlanYang,NatalieSandy,EpicMagazine’sJoshuahBearman,JoshuaDavisandArthurSpector.TheseriesisproducedforAppleTV+byUniversalTelevision,adivisionofUniversalStudioGroup.
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盾牌是一部近年少见的极具争议性的连续剧，它打破了传统警匪片套路，把一群警官与各种罪案做斗争的同时，也面临各种自身问题的困扰，一个个有着复杂性格的警察跃然于屏幕之上，彻底打破了“警察就是好人”这种简单而幼稚的界定...本片获得2003年度第60届金球奖中2个奖项——*最佳電視劇情類影集（BestTelevisionSeries–Drama）*最佳電視劇情類影集男主角（BestPerformanceByAnActorInATelevisionSeries–Drama）：麥克奇力【盾牌】（MichaelChiklis，TheShield）
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Afterwitnessingashockingcrimethatleftbothofherparentsdead,NewYorkCityteenagerJo(abreakoutperformancebyAnaVillafae)isputintotheWitnessProtectionProgramandsenttoliveinruralMontana.Sheisallowednocellphone,email,orcontactwithherfamilyandformerfriends.Worstofall,she’sbecomethenewgirlinasmall,cliquishhighschool.CanJo...
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卢西娅·普恩佐
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From award-winning Lucía Puenzo, comes Dive, starring Karla Souza in a dramatic tour de force performance in this story about the complexities of relationships when set against a backdrop where winning is defined as the ultimate dream
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拉姆·麦德拉瓦尼
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Reassigned from TV to radio, a frustrated anchor sees both danger and opportunity when he receives threatening calls on the air.bywww.qujuji.com Electronic Media Exposed Anwar Says An Anchor is an actor , Actor needs audience and audience need drama, these three lines expose the electronic media today in Ram Madhvani's release today DHAMAKA at Netflix. A remake of 2013 Korean Film 'The Terror Live 'and shot in only 10 days and the credit goes to Neerja and Aarya director and the Superstar in making Kartik Aaryan. Madhvani idea of filming is at loggerheads with the area the film is traversing, he is more into explosion , probably since the title is Dhamaka . I liked the way Aaryan Khan's initial life has been shown in the opening song . No other cast has been given much exposure and passing on the buck is the way of corporate life has been perfectly narrated . At points the movie seems going slow but suddenly picks up . Madhvani has been able to drumming up the tensions and also able to sustain it . A new trend set by Madhvani , the main cast carries the whole movie on hisher shoulder, whether it was Sonam Kapur or Sushmita Sen and now Kartik Aarayan . Watch it today after India- Newzealand 20-20 for stealing performance of Aaryan. #Netflix #anwarsays #DhamakaOnNetflix #kartikaaryan #movie2021 #moviereview #RamMadhvani #ElectronicMedia #sealink #explosion #tvanchor.
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The 2020 - BILLBOARD MUSIC AWARDS is a music ceremony that honors artists, albums and songs that dominated to Billboard charts over the past year, and features celebrity presenters and live musical performances.
