Marchi
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吉姆·米可
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在大雨瓢泼的星期五，帕克夫人（KassieWesleyDePaiva饰）突然身体不适，跌倒路旁的水坑中痛苦死去。该事件给她的家人以不小的打击，三个孩子伊莉丝（安拜·柴尔德斯AmbyrChilders饰）、萝丝（朱莉娅·加纳JuliaGarner饰）和罗瑞（JackGore饰）忧伤不已，男主人弗兰克（比尔·萨奇BillSage饰）却似乎格外震惊。在孩子们的眼里，爸爸是至高无上权力的象征，女孩们渴望像同龄人一样快乐自由成长，却无奈必须服从爸爸的命令。笼罩在淡淡悲伤中的帕克家，隐藏着令人不敢直视的恐怖秘密，一本日记揭示着家族注定被诅咒的命运和历史。与此同时，小镇周围的人口失踪事件和意外被洪水冲出的手指骨，引起了有心人的关注，帕克家的秘密即将大白天下……
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SamuelworksinBrusselsasapharmaceuticaldeliveryman.HisgorgeousgirlfriendMireilleheadsofftoNewYorktointernataprestigiousarchitecturefirm.Shortlyafterherdeparture,Sam’scomputerishacked.AseriesofratherdodgyIT-guysfailtoprotecthiswirelessnetwork.ThemysterioushackerseemsintentonscrewingupSamuel’slifeandhisrelationshipwithMireille.Paranoiakicksin.SamstartstosuspecthisneighborsandgetsobsessedwithWiFi-rays...Love,paranoiaandtwoloversseparatedbyanoceanofcommunicationdevices.
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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游戏改编剧《光环Halo》确定由Showtime预定10集首季，OttoBathurst负责执导部份集，此剧于定于2021年播出。本项目由13年开始启动，但期间动作不多，在14年XBoxEnertainmentStudios闭门后转交给Showtime开发，历时4年终于成功发展成正剧。《光晕》系列讲述了26世纪时，人类与外星种族之间的史诗级宇宙战争。在《美国众神AmericanGods》有演出的PabloSchreiber饰演核心人物士官长/MasterChief，他是人类阻止外星大军「星盟」毁灭文化的唯一希望。新晋演员YerinHa饰演16岁的QuanAh，精明﹑胆大的她在殖民星的关键时刻遇上士官长。NataschaMcElhone会饰演两个角色，第一个是CatherineHalsey博士，她创造了超级士兵-斯...
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罗伯·哈代
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Tariqtriestoresumehisnormalcollegelife;BraydenprovidesTariqanescape;Monetmakesplansforthebusinesstoprotectherchildren;Caneseeksoutanewfamilytotakethestreetsforhimself.
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大卫·田纳特
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ThefirstoftwoprogrammesshowcasingarchivefootageofsomeofBritain’smostacclaimedactinglegendsappearinginBBCdramaatearlystagesoftheircareers.ThefirstprogrammefeaturesMichaelCaineinarareShakespeareanrole,BenKingsley,IanMcKellen,DerekJacobiandMichaelGambon,aswellasbehindthescenesfootageoffamousseriesincludingWarandPeace,theMayorofCasterbridgeandtheSingingDetective.NarratedbyDavidTennant.Parttwooftwo.ArchivefootageofsomeofBritain’smostacclaimedactinglegendsappearinginBBCdramaatearlystagesoftheircareers.Theprogrammefeaturesearlyrolesandsomecareer-definingmomentsforJudiDench,MaggieSmith,DianaRiggandHelenMirren.NarratedbyDavidTennant.
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Laylaistenyearsold,andabouttomeethernewfamily.Shejustdoesn’tknowityet.AnactofkindnessmetwithdeceptionleadstoLayla’sabductionanddescentintoalifeofsexslaveryhiddeninanordinaryneighborhood.Itcouldevenbeyours.IAMSTILLHEREtakesusinsideLayla’snewworld,showingwhatreallyhappenstothesechildrenafterthefirst48hours,andwhyit’ssodifficulttocombatthefastest-growingillegalenterpriseintheworld:thechildsexslaveindustry.StarringJohnnyReyDiaz(HawaiiFive-O),ErikaRingor(LoveandBasketball),andCiaraJiana(Sharknado),thismovieisbasedonexhaustiveresearchintorealcases,andisdedicatedtoallthemissingchildrenwhoarestilloutthere.Fromfirst-timewriter/directorMischaMarcusandEmmy-nominatedandaward-winningproducerStephanieBell.
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比莉·派佩
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Mandyisamother,awriter,anihilist.Mandyisamodernwomaninacrisis.Raisingasoninthemidstofafemalerevolution,miningthepainofherparents’separationandprofessionallywritingaboutalovethatnolongerexists,shefallsuponatroubledman,Pete,who’ssearchingforasenseofworth,belongingand‘restored’Maleidentity.
